Piccadilly.

The British Film Institute has released a greatly restored print of Piccadilly, complete with blue and amber tinting, on DVD. This 1929 silent melodrama, with its newly commissioned dramatic score by Neil Brand performed by some of the UKs leading Jazz players, will please any fan of this genre and still, after all these years, comes across as a very stylish piece of work. E A Dupont born in Germany in 1891 directs it, going on to pioneer the use of multi-language sound films creating English, French and German versions at the same time. He died in Los Angeles in 1995.

Shosho.

The film starred the Chinese/American actress Anna May Wong in what was her most memorable role as Shosho. Wong was the first Asian American ever to receive acclaim not only in Hollywood but also internationally, quite an achievement in the light of racial prejudice, disapproval from her own community and the fact that interracial relationships between Chinese and Caucasians was against the law in the 1920s and therefore could not be shown on the screen. It involves a scullery maid, Shosho, working under stairs in a fashionable London nightclub whose tabletop dance catches the eye of the suave club owner Valentine Wilmot (James Thomas). With her ever more exotic dance routines she rises to become the toast of London and the object of Wilmot’s erotic obsession prompting the bitter jealousy of Mabel (Gilda Grey) his former lover and star dancer.

The beautiful Chinese/American actress Anna May Wong.

It’s worth mentioning the brilliant sets by the films art director Alfred Junge. Junge was responsible for ‘Dancing on the Ceiling’ set in the Jessie Matthews 1934 musical Evergreen, but it’s generally agreed that his best work was with Powell and Pressburger.

Sleeping Beauty (2011)

Emily Browning.

A tale of high-class prostitution inspired by the French erotic classic Histoire d'O published in 1954 and written by Anne Desclos under the pen name of Pauline Reage who wrote the novel as a series of love letters to her lover, an admirer of the Marquis de Sade. Sponsored by Jane Campion and directed by an Australian, Sleeping Beauty (2011) is Julia Leigh's debut feature film. Lucy a young college student, played by the beautiful actress Emily Browning, has a sex life that involves casual pick ups from singles bar's, her only friend is a self destructive alcoholic known as Birdman (Ewen Leslie) and has a whole load of part time jobs including office temp, waitress and participation in scientific experiments. Following up on an advert she adds one more to her CV. She agrees to perform unusual sexual services for a high-class establishment set up in what appears to be a stately manor house run by Clara (Rachael Blake) a high class Madame. This very well paid gig involves Lucy taking a drug that puts her into a deep sleep which allows elderly male punters to carry out intimate sexual acts of their own choosing but strictly excluding penetration!

A particularly onerous job interview!

We are never allowed to penetrate Lucy's psyche or given any reason for her rather strange behaviour. Leigh's study of loneliness and self-sufficiency suggests that all forms of work are prostitution, an interesting concept. This independent Australian film has the distinct feel of a European movie, beautifully shot and convincingly portrayed but strictly un-erotic erotica.

Our Day Will Come.

Prejudices come in all shapes and sizes and in Romain Gavias debut feature film Our Day Will Come (2010) it's colour, not skin colour but hair colour in this case red hair!!!!   Remy (Oliver Barthelemy) is the red head in question; he lives in an uninspired small insignificant French industrial town and subject to bullying, even by his own mother and sister. Following a particularly bad spate he retaliates and attacks his mother, which results in him having to leave home. He teams up with a renegade psychoanalyst (Vincent Cassel) who also has red hair, well for most of the film! The pair has a plan; they must travel to Ireland, which Remy speculates is a safe haven for redheads. This film has been described as a metaphor for the minority and social abuses perpetrated by mainstream French society. Enjoyable up to a point but looses its way towards the end.  

Shame.

Portrait of a self loathing man.

On our RBC Film Club nights there’s always a lot of comment on what constitutes a good Monday night film. My own definition is that it must be a challenging watch and invoke a good follow on discussion (and preferable one that does not have a happy ending!)  This week’s film certainly fitted the bill. Shame (2011) described as a sex-addiction drama it was bravely introduced, at very short notice, by Rachel Findlay who started her verbal presentation by giving some background to tonight’s director. 

43 year old Steve McQueen was born in London and studied art and design at the Chelsea College of Art and Design moving on to study fine art at Goldsmiths College, it was here he first become interested in film and made his first short’s. After leaving Goldsmiths in 1993 he travelled to New York and studied briefly at the Tisch School of Arts but left because he deemed it not experimental enough. Citing his influences as the French New Wave and Andy Warhol his first major work was Bear (1993) although one of his best-known short films is Deadpan (1997) a restaging of the famous Buster Keaton movie where a house collapses around him leaving him unscathed, for which he won the Turner Prize in 1999. Both these films were in black and white and silent. He has also exhibited sculpture and photographs. In 2006 he went to Iraq as the official war artist. The following year he presented Queen and Country, a piece that commemorated the deaths of British soldiers who died in the Iraq War by presenting their portraits as a sheet of stamps.

Fassbender with Steve McQueen.

Rachel went on to tell us that McQueen’s first feature film was the award winning Hunger (2008) it starred Michael Fassbender who played Bobby Sands, a member of the Provisional Irish Republican Army who participated in a ‘no wash’ protest and led a hunger strike to apply pressure on the British government to grant the Maze prisoners political status. A story of a man that pay’s the ultimate price for his beliefs. 

Which brought us nicely to tonight’s film which like Hunger stars Michael Fassbender, whose debut was the award winning TV mini series Band of Brothers (2001) and has appeared in many feature films including 300 (2007) Angel (2007) Eden Lake (2008) Inglourious Basterds (2009) and Andrea Arnolds Fish Tank in 2009. His co-star is Carey Mulligan whose feature film debut was only 7 years ago as Kitty Bennet in Pride and Prejudice. Her best-known film to date is An Education (2009) for which she won various Best Actress Awards you may also have seen her in And When Did You Last See Your Father (2007) Public Enemies (2009) Never Let Go (2010) and the brilliant Drive (2011) with Ryan Gosling.

Carey Mulligan comes of age.

McQueen’s second feature film Shame co-written by Abi Morgan (Sex Traffic 2004, Brick Lane 2007) is set in New York City and relates the tale of alienated loner Brandon (Fassbender) whose life revolves around sex without commitment, he’s a man that cannot form relationships feeding his fetish with prostitutes and porno from his laptop. He lives in a minimalist impersonal apartment in Manhattan. But his mundane existence is jarred by the arrival of his uninvited fragile sister who has nowhere else to stay at present. A larger than life character, Sissy (Mulligan) unwittingly changes Brandon’s masturbatory habits throwing his very existence into turmoil.

"New York, New York"

Following our normal break for refreshment a larger than normal group of audience members returned to the auditorium to participate in the discussion. It was generally agreed that McQueen’s film was about addiction and not about sex and was a particularly challenging watch, being both disturbing and graphically realistic. I was impressed with the acting from both our leads particularly Carey Mulligan who really came of age in this movie with Fassbender giving a great portrait of a self loathing man that was trapped inside himself. The cinematography by Sean Bobbitt (Hunger) was brilliantly executed with some exceptional long shots including Brandon’s midnight run across Manhattan from the East River along 28^th Street in a single shot of extraordinary beauty. McQueen is a very clever director that encourages us to connect with the characters by drawing inferences from the clues he assembles, acknowledging the intelligence of the audience unlike many films. Coming away from the theatre I was unsure about this film with it’s depiction of joyless sex and its lack of humour, but on reflection I believe this to be a benchmark in British film making and can’t understand why it has not been nominated in this years Academy Awards?