Showing posts with label Ricardo Darin. Show all posts
Showing posts with label Ricardo Darin. Show all posts

Wednesday, 10 February 2016

Wild Tales.



Six standalone short films make up the Argentinian anthology Wild Tales (2014) a movie that turned out to be the most successful film in the history of Argentinian cinema. It was nominated for a string of awards including Best Foreign Language film at the 2014 Academy Awards. With competition coming from the likes of Leviathan, Tangerines and the eventual winner the Polish entry Ida I’m not surprised that it did not win but if there was an award for the best foreign language comedy it certainly would of won in that category.

All six of the stories have been directed and written by Damian Szifron an Argentine born film and television director and screenwriter best known as the creator of the TV series Los Simuladores (2002) about a small team of con artists for hire, who use their skills to solve common peoples life problems.  Each of the six stories in this modern day satire are linked by a common theme of vengeance and violence and been described as ‘wickedly hilarious and delightfully deranged’[1] something I would not disagree with.

Pasternak.
Passengers on an airplane journey discover that they all connected in some way to a man called Pasternak who has made sure that each of them are on the same flight. Further enquiries reveal that Pasternak is the planes pilot and he has locked himself in the cabin.



Las Ratas (The Rats)
loan shark stops at a small highway restaurant. The young waitress recognises the man who ruined her life and the life of her family. She refuses the cook's offer to mix rat poison in his food, but the cook adds the poison anyway.  



El mas fuerte (The Strongest)
The most brutal of the stories is a road rage incident - that could be termed as a life threatening - occurs on a lonely desert road involving two very different men. It ends with what the police see as a crime of passion – but is it?



Bombita (Little Bomb)
This is my favourite of the six stories. It involves Simon Fischer (Ricardo Darin) who stops to pick up his daughters birthday cake and has his car towed away too a pound where he has to pay a fee to retrieve it as well as a parking fine. Insisting that his car was not on a restricted parking area he argues with the company and ends up attacking the glass partition between company operative and the public. I know how he feels, it happened to me once. This action leads to circumstances that are outside his control and threatens to change his life. Did I mention that Simon was a demolition expert?



La Propuesta (The Proposal)
 A teenager, in his father's car, arrives home after being involved in a hit-and-run knocking over a pregnant woman. On the local news, the woman and child are reported dead, and her husband swears vengeance. But the boy’s family refuses to allow him to take responsibility.



Hasta que la muerte nos separe (Until Death Do Us Part)
Certainly the funniest of the six is the story of the party following a couples wedding. The fun really starts when the bride discovers that her newly wed husband has been having sex with one of his invited guests. Which you can imagine leads to some traumatic festivities. It’s certainly my kind of wedding!



This is a subversive black comedy that I cannot recommend highly enough. Each of the stories is superbly directed, acted and shot by cinematographer Javier Julia. While watching these I guarantee that you like me will feel a little guilty laughing at mishaps that befall some of the characters on display, but please don’t be - just sit back and enjoy.




[1] Rotten Tomatoes Critic Consensus.

Tuesday, 17 July 2012

Carancho.


Ambulance chasing is a term that refers to a lawyer that pursues ambulances to the emergency room of a hospital following an accident with the object of sourcing new clients, a practise that’s prohibited in certain countries. In Argentina, a country where there are some 8000 deaths and 120000 injured in road accidents every year, the practise is called carancho literally ‘vulture’. Based on these statistics a sizable industry has grown up in a country where corruption is a way of life and exploits these incidents for financial gain, involving the victims, their relatives, lawyers, the medical profession and the police all looking for slice of a lucrative monetary pie. 

Director and producer Pablo Trapero (Famila rodante 2004) has used this rather disturbing subject for his latest movie, Carancho (2012). The Secret in Their Eyes (2009) star Ricardo Darin plays the recently expelled lawyer Sosa and Trapero’s wife Martina Gusman take’s the part of thirty something Lujan, a trainee doctor who has recently arrived at the Buenos Aires hospital from the Argentinian provinces who not only gets romantically attached with Sosa but also gets involved with his insurance scams while attempting to keep her drug addiction under control.  Since loosing his licence Sosa has been working as a carancho for a shady company called La Fundacion mediating between road accident victims and insurance companies to extort as much money as possible from both.

Ricardo Darin as Sosa.

 This noir thriller is shot in documentary style, mostly at night, which gives this movie a tough social authenticity. Maybe not a world you would like to inhabit, but a film you should see. It forms part of the resurgence of Argentinian cinema that includes movie like Las Acacias (2011) The Secret in their Eyes that won the 2010 Oscar for best foreign language film and The Headless Women (2010).  

Martina Gusman as Lujan.