Showing posts with label Tom Bell. Show all posts
Showing posts with label Tom Bell. Show all posts

Wednesday, 26 August 2015

Payroll.


It was Andy Coleby who described this British heist movie as a fine example of bread and butter populist cinema. Unmistakable set around 1960 with location shooting taking place in Newcastle and Gateshead, and the black and white photography helping to give the Tyne and Wear area a real gritty bleak feel. Payroll was released in the UK in May 1961and was directed by Sydney Hayers who made two other films of note during this period Circus of Horrors (1960) and Night of the Eagle (1961). It is an unsophisticated tough crime drama involving a group of four unscrupulous villains who originally plan to rob a saloon car that each week carries a very large sum of cash to pay a factory's payroll. Before they can carry out their well-planned undertaking a new means of transporting the money is developed using a company with a prototype secure van, one that supposed to be able to defy any attempt at robbery. But the security company did not allow for the determination of Michael Craig and his rag tag band of villains. 
 
Husband and wife played by Dennis Pearson and Francoise Prevost.
Although the more cynical viewer can pick holes in the narrative it remains a grand example of a British crime noir of the era, at times very exciting with a great robbery sequence that ends in tragedy and which puts other crime dramas of the period to shame. Solidly adapted by George Baxt from a novel by Derek Bickerton it stars Craig[1] as Johnny Mellors the head of the gang that carryout the hoist caper, his three compatriots are played by a very edgy Tom Bell[2] as Blackie, the brilliant composed Kenneth Griffith[3] as the gangs alcoholic weak link Monty and Barry Keegan as Bert the mechanic. Also involved in the shenanigans are Billie Whitelaw, as a vengeful widow who manages to stay one step ahead of the local police force, Dennis Pearson as the wages clerk and the gangs inside man and his unfaithful wife who is played by Francoise Prevost the French actress who in 1968 starred in the Metzengerstein segment of Spirits of the Dead.  

Various scenes from the 1961 film.



[1] Seen opposite Dirk Bogarde in Campbell’s Kingdom in 1957 and had a lead role in Sapphire (1959).
[2] Whose debut film was Joseph Losey’s The Criminal (1960), which starred Stanley Baker.
[3] An actor that made more than 100 films in his sixty-year career.

Friday, 11 January 2013

Resurrected.


Paul Greengrass began his film-making career at Granada TV in Manchester in the 1980’s where he made the highly regarded documentary series World in Action known for it’s important news stories. This experience encouraged his interest in the Falklands war and the story of a young 18-year-old soldier, Philip Williams who 6 months after joining the army found himself at the height of battle. With the encouragement of Film 4, which was happy to nurture new talent, Greengrass went to visit Williams after he had left the army and the young man related his story of torment and bullying to the director who decided that this human account of a someone coming back from the dead who was initially excepted as a hero and then as a deserter, would make a great subject for his debut feature film. At this time Greengrass was filming The Live Aid Concert at Wembley and pitched his idea to Adrian Hughes and Tara Prem the producers of the concert who decided to produce what was to become Resurrected (1988). Based on the directors ideas Martin Allan wrote a screenplay that was to be a fictional tale but based on what Williams had related to Paul Greengrass.

This raw imaginative story of our time, filmed on location in and around Huddersfield Yorkshire, has David Thewlis, in what he counts as his debut feature film, playing Kevin Deakin the young soldier posted missing presumed dead in the Falklands who has a memorial service with full military honours back in the Lancashire village where he grew up. Seven weeks after going missing, to the embarrassment to all concerned, he turns up, confused, but very much alive. Fuelled by tabloid press stories accusing Deakin of desertion he is ostracised by the villagers and treated abysmally by his fellow soldier on returning to barracks.


Thatcher war cemented her power.

The Falklands conflict cemented Thatcher’s power over her party and parliament, encouraging the country to adopt a type of triumphalism which can been sampled in the powerful but unpleasant scenes of institutionalised bullying melted out by soldier’s in Deakin’s unit. Greengrass had previous experience of this subject when he made a World in Action which involved the suicide of a young soldier who been bullied. Maybe a little televisual but a very worthy debut for the director who went on to make more dramatisations of real life events including Bloody Sunday (2002), United 93 (2006) and Green Zone (2010). He was quoted as saying that he was very proud of his first film but would have made it slightly differently if he were to make it today.  Thewlis is superb as Deakin making the young soldier totally believable with great support from Tom Bell as his father and Rita Tushingham as his mother.