Good Vibrations.

Terri Hooley discovers Punk! 

It’s not often that Punk Rock is celebrated in a feature film, let along one about the Belfast Punk scene. The concept for Good Vibrations (2012) began in 1992 when writer Glenn Patterson first met Terri Hooley, but it was not until he met fellow Queens University undergraduate Colin Carberry that a screenplay was put together on Hooleys life and work. It was an ‘on off’ project for twenty years while Hooley decided if he was happy with it going ahead and then the long wait while funding was secured.

 

Richard Dormer with Terri Hooley.

Lisa Barras D’Sa and Glenn Leyburn (Cherrybomb 2009) have now directed a biopic about how against all odds this hippie music lover and son of a dedicated life long communist, opened his record shop named Good Vibrations in 1978 located in part of a small derelict building on Great Victoria Street or as it was known in Belfast, ‘Bomb Alley’. The shop was originally opened to sell rock, folk and country music that was until Hooley discovered Punk.  From that time onwards he stood out against sectarianism in Belfast during ‘The Troubles’, encouraged the growth of the city’s Punk movement to encompass both side’s of the city’s religious divide, became a record producer and manager, and set up the indie label that released the late great John Peel’s all-time favourite single Teenage Kicks by the Undertones.

 

Good Vibrations in Bomb Alley.

This movie is not about ‘The Troubles’ its about a man that did something extraordinary during this violent period. A man who was not motivated by money, seeking no personnel monitory reward, one of life’s good guys, in fact a rare being in any day and age.  This is a sincere film, maybe a little formulaic, but great entertainment with the added bonus of some great music that unfortunately is little heard today. Character actor Richard Dormer very expertly plays the man that became known as the Grandfather of Belfast Punk while Jodie Whittaker plays Hooley’s long-suffering wife Ruth. This wee gem of a film should be seen by all, guaranteed to put a smile on your face. Don’t forget to stay for the credits to hear the brilliant closing track from The Outcasts!

The Outcasts.

Attack the Block

Movie Poster.

Philip French called it ‘the best British horror movie for some while’ Joe Cornish’s Attack the Block (2011) is the most entertaining piece of nonsense I’ve seen for a very long time. It starts with Sam (Jodie Whittaker) leaving the Oval underground station at Kennington South London after a late shift at the hospital, its firework night. During her short journey to her home on the local Wyndham Tower estate where she lives in a tower block, five mixed race hoodies mug her. While the gang is carrying out this horrendous crime a large fiery object falls from the sky laying waste a parked car. Sam manages to escape the attention of the hoodies while the youths set about and kill a creature they suspect to be an alien. More gorilla-like creatures’ fall to earth in what looks like an invasion, which begs the question why, are alien’s from a far away place invading a South London tower block? Soon it’s all out war as the films great tag line suggests “Inner City Vs. Outer Space” Who will rule the turf when the dust finally settles?

Yet another great debut from a British director who puts a inventive spin to the horror genre (see also Gareth Edwards Monsters (2010)) Cornish has previously worked as a writer on Steven Spielberg and Peter Jacksons TinTin due in 2015. Besides Jodie Whittaker and Nick Frost who plays Ron whose council flat includes an ultra-secure cannabis factory, the film is populated by some young non-professional first time actors who perform Cornish’s and Frost’s humorous dialogue with great panache, although they probably now their own vernacular better than most people?

Moses deliberates.

Sam (Jodie Whittaker)

It’s quite strange how you take these bad boys to heart, that is the strength of film, Cornish’s film does not judge or dictate to his audience but there are some nice touches where you realise the humanity buried inside what you originally thought were just nondescript thugs. Sam, at first the victim, is forced by circumstances to join forces with the crew, she discovers that the main man Moses, played with a lot of class by John Boyega, is really just a young boy with a Spiderman duvet cover. The distrust of authorities is inbred, shown when Moses announces that the alien invasion, in his opinion, is a government sponsored plot to wipe out London’s black population. (I wouldn’t put anything passed this government!)

There’s never a dull moment in this action packed sci-fi comedy drama and along with Richard Ayoade’s Submarine (2010) or Chris Morris’s Four Lions (2010) or even Steve McQueen’s Hunger (2008) it shows a lot of promise for Britain’s up and coming non-traditional modern directorial school. Again I can’t wait to see where Mr Cornish will go from here? As an aside, the US distributers are concerned that American audiences, and some probable nearer home, may not understand the South London accents or the hoodie terminology and they may have to provide subtitles, as long as they don’t spoil the complete movie by dubbing the soundtrack as they did when Bill Forsyth’s That Sinking Feeling (1980) was released on DVD completely ruining his film.