Showing posts with label Benedict Cumberbatch. Show all posts
Showing posts with label Benedict Cumberbatch. Show all posts

Wednesday, 7 January 2015

The Imitation Game.


When is a British film, albeit about a very British subject, not a British film? Venturing an opinion I would say when its financed with American money, directed by a Norwegian born director (Morten Tyldum best known for his adaptation of Jo Nesbo’s Headhunters in 2011), the cinematography is handled by a Spanish DOP (Oscar Faura), the screenplay is adapted by an American (Graham Moore) and the soundtrack is by a French composer (Alexandra Desplat). But one must admit as far as I know the actors are British! (These include Benedict Cumberbatch, Keira Knightley, Matthew Goode and Mark Strong). Does it make much difference? Well certainly not to the quality of the film. Although I’m not sure if this is the story of Homosexuality, before the water shed that was 1967, or the story of an attempt to save the British Empire. My candid suggestion would be to go and see The Imitation Game (2014) for yourselves and make your own mind up, but either way I’m sure you will agree it’s a cracking film, from which ever of the two-view point’s you choose to see it from.
 
The Team.
Benedict Cumberbatch, who did nothing to enhance one of my own personnel favourite characters in literature Mr Sherlock Holmes, gives an award winning performance as Alan Turing the pioneering British computer scientist and mathematician.  The movie covers Turing’s life back from 1952, when he was prosecuted under the archaic act that governed sexual relationship’s between people of the same sex, essentially back to the time when he worked for the Government Code and Cypher School at Bletchley Park where he was credited in breaking German ciphers known as the Enigma Code which it is said shortened WW2 in Europe by two to four years. Although I believe the Soviets had a lot to do with that as well!
 
The Turing 'computer' that broke the German codes. 

The most sickening part of the Alan Turing story is how he was basically forgotten, unrecognised for his work but persecuted for his sexual orientation when, as I have said, he was prosecuted for homosexual acts between consenting adults. Accepting chemical castration, as an alternative to serving a prison sentence. The film intimates that this affected his brainpower and therefore his continuing work. Two years after his sentence the forerunner of the modern computer died mysteriously from cyanide poisoning. But the Turing family had to wait until 2009 before an official public apology was made by the then British Prime Minister Gordon ‘the Vow’ Brown and in 2013 the Queen of England, the one whose son is alleged to have chased underage girls in America, gave the scientist a posthumous pardon, which was very generous considering he did not break any ‘real’ laws?

Wednesday, 12 March 2014

August: Osage County.


Yet another Oscar nominated film filled the Robert Burns Centre Film Theatre Film Club slot. This time it was a movie that was nominated for two awards, one for Best Actress for Meryl Streep and the other was for Best Supporting Actress for Julia Roberts. Introduced by Audrey Young August: Osage County (2013) is an American produced black comedy drama which not only boosts the acting talents of Streep (who I am not always keen on) as the pill popping matriarch Violet Weston and Roberts as Barbara the eldest of her three daughters, but an unbelievable all star ensemble cast which includes Julianne Nicholson and Juliette Lewis as her other two daughters Ivy and Karen, Ewan McGregor as Barbara’s estranged husband Bill with Abigail Breslin as there 14 year old daughter. Sam Shepard plays Violets husband Beverly while Margo Martindale plays Violets sister Mattie Fae and Chris Cooper plays Mattie Fae’s husband with their son little Charlie Aitken played by British actor Benedict Cumberbatch.

Audrey explained that the movie had started life as a stage play, which won the 2008 Pulitzer Prize for its author Tracy Letts who also adapted it for the big screen. Letts had previously written screenplays from two more of his stage plays Bugs (2006)[1] and Killer Joe (2012) both directed by William Friedkin but this time his work was in the hands of John Wells. Wells is best known for his work in Television and has only directed one feature film The Company Men (2010) that starred Ben Affleck.
 
'That' family dinner....
....with Violet Weston at  head of table!
Set in present day Pawhuska, Oklahoma in the very warm August of the title, Violets family descend on the family home when her alcoholic husband goes missing. The complete dysfunctional family are all verbally attacked by Violet, who is supposed to have mouth cancer, which does not seem to affect her evil tongue.  Meanwhile the rest of the family, sundry partners and children indulge in some pretty horrendous character assassination of each other. The family meal has to be heard to be believed!!   
 
A wee family discussion.
There are two things that make this film particularly worth seeing, the first is the calibre of the acting which is superb and Kerry Barden and Paul Schnee, who are responsible for the casting, deserves an Oscar nomination all to them selves. The second is the dialogue with Letts skilful lines exploding on the screen especially in the capable hands of Streep and Julia Roberts in what’s got to be one of her best roles since 2000’s Erin Brockovich for which she won an Oscar for Best Actress.  The movie is in fact a character study ‘par excellence’ and in Movie Ramble’s humble opinion one that’s worth a look.




[1] A ‘horror’ film starring Ashley Judd and Michael Shannon, who incidentally played the same part
in the play.  It probes the blurry lines between paranoia and nightmarish reality it’s an intense mind bending psychological thriller. A slow starter that builds up to a very disturbing finish.  If you like a spooky type thriller, your love this one.


Friday, 6 December 2013

The Fifth Estate


The Fifth Estate normally refers to the alternative media that consists of online journalists and bloggers as an alternative to the mainstream press.


This fictionalised recreation of events surrounding the whistleblowing web site WikiLeaks and its founder and editor in chief Julian Assange is a drama for the digital age. Based on the memoirs[1] of Daniel Domscheit-Berg a German technology activist who was until September 2010 Assange’s right hand man and the WikiLeaks spokesperson. Perhaps not quite the character assassination carried out in Alex Gidney’s overlong documentary We Steal Secrets: The Story of WikiLeaks (2013) but still not the complete story of this intricate character that appears to have dedicated his whole life to exposing incriminating secrets. The sexual accusations levelled at Assange are skimmed over, as are his upbringing in a sect, and the existence of a son, Daniel, and a daughter born in 2006. The films narrative concentrates on his thorny partnership with Domscheit-Berg.

 
Julian Assange.

The best thing about The Fifth Estate (2013) is it gives a platform to exhibit the acting skill of Benedict Cumberbatch in playing the part of autocratic Assange which he gets just right, ‘the voice and the slightly jerky, stiff, awkward demeanor,’[2] all matching perfectly what we have seen on our TV screens while he has been holed up in London’s Ecuadorian embassy. But I can’t help but opining that Bill Condon may not have been the right director for this overtly political drama with an oeuvre that has included The Twilight Saga’s 1 and 2 and the musical drama Dreamgirls (2006)! There’s still a better film out there somewhere!



[1] Inside WikiLeaks: My Time with Julian Assange at the Worlds Most Dangerous Website (2011)
[2] Alan Rusbringer. The New Statesman.