Thursday, 30 March 2017
Some critics believe that the last of the Boulting Brothers social satires Heavens Above (1963) deserves to be remembered because of Peter Sellers lead performance as the sincere Church of England clergyman who gets sent due to a clerical (no pun intended) error to the wrong parish and I would not disagree, but there is far more to the film than just Sellers award winning performance. It’s a clever and humorous satire on religion, the establishment and the working class and was called the Boulting Brothers most ‘human picture’ .
The film is set in a small country town called Orbiston Parva that is over lorded by the Despard family, rich local landowners and proprietors of a factory that provides local employment. When we first meet the Rev. John Smallwood (Sellers) he is in a prison cell having been trussed up by a convict he has recommended to be made a trustee. The prison authorities are not unhappy to see their prison chaplain moved to another parish. But we soon discover that there are two John Smallwood’s and the wrong one gets sent to Orbiston Parva where chaos ensues. Firstly he appoints a West Indian dustman as his churchwarden and then to make matters worse he moves the very large and unruly Smith family into the Manse. Following these two actions things can only get worse and believe me they do.
This British movie has an exceptional cast that’s far to long to list here but I would give special mention to Eric Skyes as head of the Smith family, Cecil Parker as the Archdeacon who recommends Smallwood for the Orbiston Parva parish and lives to regret it, Brock Peters as the churchwarden and Ian Carmichael in a guest appearance as the other Smallwood. The films script was written by Frank Harvey, who was also responsible for writing the scripts for I’m All Right Jack (1959) and Privates Progress (1956), and based on an idea by Malcolm Muggeridge who also has a cameo role in the film.
Wednesday, 29 March 2017
Sometimes its best to ignore the critics and go with your gut feelings and The Great Wall (2017) is a fine example of this. After seeing the trailer for the film at our local cinema I thought it may be well worthwhile shelling out for two tickets to see the movie on the big screen, which in all honesty is the only place to see it to get the best out of the special effects, and I was not disappointed. This is an exceptionally enjoyable movie with action that never stops from start to finish. And believe me its great to have such worthy escapism at this time of political upheaval.
This Chinese/USA co-production is a fantasy monster movie set in the Song Dynasty (AD 1010-63). The story involves a band of mixed race mercenaries who are hunting for the ‘black powder’ but are attacked by bandits who reduce their numbers down from twenty to five. Continuing on their journey they are attacked by an unknown creature who kills a further three men before it is killed by the head of the mercenaries William Garin (Matt Damon) who cuts off its arm, keeping as a trophy. Along with his side kick Pero Tovar (Pedro Pascal) they continue their search. That is until they accidently stubble on the iconic Great Wall of China that is manned by The Nameless Order who are a special part of the Chinese Military and are all specialist in their own field of battle. Led by General Shao (Zhang Hanyu), Strategist Wang (Andy Lau) and Commander Lin Mae (the very attractive Jing Tian) of the Crane Troop who have the task of holding the wall against invaders. It’s not long before our two soldiers of fortune discover that the arm belongs to the invaders - the TaoTie are a massive horde of alien monsters who are now due to attack after a break of sixty years.
Directed by Zhang Yimou, best known for The Road Home (1999) and the action fantasies Hero (2002), House of the Flying Daggers (2004) and Curse of the Golden Flower (2006) with an imaginative screenplay co-written by director/producer/writer Tony Gilroy. The movie has a large Chinese cast and shooting took place in Qingdao in the Peoples Republic of China and incidentally this movie is the most expensive film ever shot in that country.
Thursday, 23 March 2017
In 1984 Mineworkers in the Britain went on strike, not for more money or for better working conditions but to save their jobs, their way of life and their communities. The threat came from Margaret Thatcher and her Tory government. It was her aim to shut down the coal industry by closing pits, something that was denied at the time but has since been proved to be correct. Before the strike in 1983 there were 174 working pits, by 2009 there was only six and now there are no working pits in any part of Britain mostly due to one rather cruel and heartless woman.
Brassed Off (1996) was set during the pit closures the Tory Governments were determined to implement following the end of the miners strike in 1985. Its now 1992 and the miners of Grimley Colliery North Yorkshire are facing a very uncertain future when the closures threaten their small mining community. Because many of the mine workers believe that the redundancy offer will be excepted there is no point in keeping the local Colliery Band alive, but their passionate band leader Danny (Peter Postlewaite) is having nothing of the kind and wants to enter the band into the National Brass Band Championship to take place at the Albert Hall in London. Help to achieve this end comes from a surprising source. The beautiful and talented young granddaughter of a former bandleader returns to her hometown and is invited to join the band, raising the spirits of its members. Gloria (Tara Fitzgerald) also rekindles her relationship with Andy her childhood sweetheart. But when Andy (Ewan McGregor) and the other members discover that she works for the British Coal Board and is researching the pits viability to see if it makes financial sense to keep it open they ostracise her.
|Danny leads the Colliery Band.|
In hindsight we now know that that even if a coal mine was financially viable Thatcher’s masters wanted the pits closed. At its heart Mark Herman’s film, although there are some very humorous moments, has an underlying story about the hardships that were deliberately put upon the working men and women and their families along with the ruination of the industrial bedrock of the UK and the abolition of the organisations that represented the worker by an uncaring government and their wealthy cohorts only interested in the profit motive and power.
|Still proud of their heritage (Durham 2016)|
A very emotionally poignant story whose cast is a credit to Herman’s script, acting out their roles with great feeling so much so that you can easily believe that they are committed to the underlying message that I believe the film sends out. If you have never seen this wonderful example of British filmmaking then I urge you to put that right immediately. Either you have a heart of stone or think that the sun shined out of Thatcher’s backside not to empathise with what was happening. The workingmen and women of this country are still suffering with an extreme right wing government inflicting never ending austerity, zero hours contracts and a minimum wage that is so low it has to be topped up with in-work benefits.
Monday, 6 March 2017
Tom Hooper’s return to form after the dreadfully disappointing film version of Les Miserables (2012) is a fictionalised retelling of the story of a very brave and courageous human being. Based on David Ebershoff's novel of the same name, The Danish Girl (2015) is the story of Lille Elbe who was credited as one of the first identifiable recipients of sex reassignment surgery.
Born Einar Magnus Andreas Wagener in Venice, Denmark in 1882 as a male, met his future wife at the Royal Danish Academy of Fine Arts and married in 1904. Einar specialised in landscape painting while he wife Gerda illustrated books and fashion magazines. Einar love of dressing as a woman started when he was asked to wear stockings and heels so he could fill in for the ‘legs and feet’ of Gerda's absentee model Anna Larssen. Following this one simple incident he stared dressing, and in time identifying as a woman. He became the beautiful female model featured in his wife's best known paintings and accompanied her to many social functions in Paris where they moved in 1912. It was after this period in 1930 that this transgender pioneer Lilli Elbe went to Germany for what was at that time experimental sex reassignment surgery which would involve four operations over two years.
|Gerda's self portrait.|
The film stars Eddie Redmayne as Einar Wegerer/Lilli Elbe who was nominated for Best Actor in the 2016 Academy Awards and Swedish actress Alicia Vikander as Gerda Wegenar/Gottlieb for which she quite rightly won an Academy Award for Best Supporting Actress. Also included in the cast is Ben Whishaw as Claude Lejeune Lilli Elbe's lover, Sebastian Koch as Doctor Kurt Warnekros who performed the ground breaking surgery and Amber Heard as Anna Larssen Gerda's model and friend.
There was some criticism for casting a cis actor in the main role but I believe Redmayne pulled it off but there certainly more to the story than was portrayed in Ebershoff’s book. Although it has been opined that Lucinda Coxen's screenplay allows a more truthful reflection of the story it still does not tell the whole story including the fact that Gerda Gottlieb had lesbian lovers leading to some critics accusing the film of being LGBT sanitised. A well-intentioned film that in my opinion does not go far enough.
Tuesday, 28 February 2017
Thomas Vinterberg latest cinema release The Commune (2016) is set in Copenhagen in the mid 1970’s where we discover that Erik, a teacher of ‘rational architect’, has inherited a large manor house that belonged to his father. Eric financial circumstances will not allow for its upkeep and he thinks its best if he sell’s the house, but his wife Anna, a popular TV newscaster and his teenage daughter Freja want to keep it. Anna convinces Eric to set up the huge property as a commune and share the upkeep between the occupants. Invitations are issued and interviews take place. At first it all works out very amicably with every one getting on well, taking part in the many kitchen table meetings, the dinners and the parties. That is until Eric falls for one of his female students and moves her into the commune. At first Anna accepts the fact that her husband no longer wishes to sleep with her but is happy for Emma to stay at the commune. But this utopia doesn’t continue and the repercussions from Eric’s actions affect everyone.
Based on a play called Kollektivet written by Vinterberg and Mogens Rukov, which was inspired by the directors own childhood experiences. It’s a ‘family’ drama with a difference, emotionally moving but at times very funny, the film has a star cast that portray exceptionally well this touching portrait of a generation of idealists who have never quite fulfilled their dreams.
|Emma gets to know Erik.|
The Danish director and Dogme 95 co-founder is best known for the brilliant Festen (1998) another family drama, this time involving a family gathering to celebrate their fathers 60th birthday during which long buried secrets resurface, and The Hunt (2012) which stars Mads Mikkelsen as a teacher whose accused of sexually abusing a young child in his care. Erik is played by Ulrich Thomsen, who has appeared in some remarkable World Cinema outings including Festen, Brodre (2004), the award winning In a Better World (2010) the German thriller The Silence (2010) and the Danish police procedural A Second Chance (2014). The Danish actress and singer Trine Dyrholm plays Anna who was also in Festen and In a Better World as well as the historical drama A Royal Affair (2012). It also features Vinterberg’s wife Helene Reingaard Neurmann as Emma, along with Lebanon born Fares Fares and Danish TV and film actor Lars Ranthe as members of the commune.