Showing posts with label Bertrand Tavernier. Show all posts
Showing posts with label Bertrand Tavernier. Show all posts

Monday, 29 April 2013

Deathwatch.



Death has always fascinated filmmakers! The French film director Bertrand Tavernier (Princess of Montpensier 2010), a self professed sci-fi addict, with the help of screenwriter David Rayfiel has adapted David Compton’s novel The Unsleeping Eye, also known as The Continuous Katherine Mortenhoe, into a feature film. Deathwatch (1980) is set in the near future where disease has all but been eradicated and people generally only die of old age. When it is discovered that Katherine Mortenhoe (Romy Schneider[1]) has an incurable disease TV producer Vincent Ferriman (Harry Dean Stanton) decides to make a live TV reality programme covering the last days of Katherine’s life and her subsequent death. Offered a large sum of money she signs a contract that will make her a celebrity and a media star. But she has second thoughts and goes on the run with an acquaintance called Roddy (Harvey Keitel) who unbeknown to her works for the TV company and has undergone a surgical procedure to implant a camera and transmitter behind his eye’s!
 
Romy Schneider with Harvey Keitel...
......and here with Harry Dean Stanton
Premiered in France in 1979 and made in eight weeks this strange film has a mainly French crew, American and European actors and was filmed in Scotland, a lot of the time in Glasgow because of its Orwellian type locations including Glasgow Necropolis, Glasgow Cathedral, the former Queens Dock and the City Chambers.  It also stars Swedish actor Max von Sydow as Katherine’s husband Gerald and French actress Therese Liotard as Tracy.[2] With its Big Brother scenario it predates modern reality TV and also questions the medias role in society and how privacy can be steadily eroded. The two real positive things about the movie are Romy Schneider’s fine acting and the striking Scottish locations. Little seen in the UK it was re-released in a digital restored print in 2012 but a curio that I’m not quite sure works. Perhaps a second look would help?

The Orwellian look of Glasgow?

[1] Romy Schneider’s son David appears in the film as the young boy playing with a ball in the park. It was this 14 year old that died from a tragic accident in 1981 and 10 months later Romy was found dead!

[2] Because Therese Liotard could not speak English Tavernier got Julie Christie to voice her part.

Thursday, 15 December 2011

The Princess of Montpensier

Bertrand Tavernier based his latest film on a short story by a Madame de La Fayette which was published anonymously in 1662 and tells of a heroine who falls in love with someone other than the man she’s married to, nothing new there then. The Princess of Montpensier (2010) is set at a time when France was torn apart by bitter religious wars and like Patrice Chereau’s 1994 French period drama La Reine Margot includes the notorious St Bartholomew’s Day Massacre of 1572 in which French Catholics massacred between 5000 and 30000 Huguenot Protestants.

Marie de Mezieres (Melanie Thierry) is a beautiful young heiress who has been instructed by her father that she is to be betrothed to the Prince of Montpensier as part of an alliance between the two families. It is true to say that she does develop affection for her new husband but clearly she remains attracted to her childhood sweetheart, the dashing young Henri de Guise. While the Prince is away doing battle he leaves Marie at the remote family castle under the tutorage of his old mentor Francois de Chavannes (Lambert Wilson) who also declares his love for the Princess, get in the queue son, cause the Duke of Anjou fancies his chances as well!! This is what happens when you’ve got no telly. Needless to say she finally settles on the ‘bad lad’ and therefore loses everything ending up in a convent: that will teach the foolish minx!!!!

The Princess of Montpensier  
As is typical with most French historical period dramas you get lots of swashbuckling, bloodshed and sexual shenanigans in draughty corridors and massive king size beds. You’d think that with no obvious heating and therefore lots of layers of clothing you would loose interest very quickly, but no they carry on like rabbits. Most women would give their right arm for Marie’s wardrobe, brilliant cinematography, great acting from its young cast and it was good to see Lambert Wilson let him self go a little after the seriousness of Of Gods and Men (2010). At two hours twenty minutes it’s a long film but soon goes when all that excitement and passion engulfs you.