Showing posts with label Saoirse Ronan. Show all posts
Showing posts with label Saoirse Ronan. Show all posts

Monday, 4 February 2019

Mary Queen of Scots (2018)


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After watching this splendid modern version of Mary Stewart's brave fight for her rightful claim for the English throne you realise the similarity between big Theresa May and Elizabeth 1st, conniving, nasty and self opinionated except that Elizabeth does not quite seem as bad even if she did have Mary’s head removed. You’re also notice that the English attitude towards Scotland and its people has not changed very much in the interim period.



Based on the John Guy award winning historical biography My Heart is My Own: the Life of Mary Queen of Scots and directed by Josie Rourke on her feature film debut, (Rourke background is in theatre direction) This version is a lot more detailed than the 1971 film of the same name but it has its critics and historical faux pas. As we all are aware the Queen of the Scots never actually met the Queen of England and although Saoirse Ronan’s Scottish accent is absolutely pitch perfect, Mary was said to have a French accent but neither detracted from my enjoyment of the movie, a little poetic licence is always allowed in historical movies.

Alongside some cracking Glencoe scenery is some notable acting. Not just Saoirse Ronan as Mary and Margot Robbie as Elizabeth but also David Tennant who played the evil Protestant cleric John Knox and Martin Compston as Marys protector and eventual third husband. Its a very enjoyable slice of history where the two hour running time speeds to its conclusion, in my opinion, far too quickly.

Thursday, 5 December 2013

How I Live Now.


Described as a young adult novel, Meg Rosoff’s first book was published in 2004 and won the Guardian Children’s Fiction Prize and the American Printz Award for young-adult literature. Adapted into a film and directed by Kevin Macdonald How I Live Now (2013) is set in the near-future, 15 year old Elizabeth (Saoirse Ronan), who prefers the name Daisy, is an anorexic American teenager from New York sent to stay with Aunt Penn and her three cousins Edmond (George MacKay), Isaac (Tom Holland) and Piper (Harley Bird), on a remote farm in the English countryside during the beginnings of hostilities between the authorities and what are portrayed as well armed terrorists. Initially withdrawn, homesick and feeling alienated, she soon begins to warm to her new family and surroundings, striking up a romantic fascination for her 14 year old cousin Edmund. But on the fringes of their idyllic summer days are tense news reports of an escalating conflict in Europe. As the UK falls into a violent, chaotic military state, Daisy and her extended family finds themselves fighting for survival.  

The visitor from America.


What we get in fact is a group of bohemian children who live a privileged life in a large old farmhouse until a nuclear bomb explodes in London that puts the mockers on their seemingly happy and contented childhood. The film itself is reputed to be more graphic than Rosoff’s book and along with the incestuous love affair between two blood cousins would not seem suitable for young children, or am I being moralistic? Except for Saoirse Ronan’s very believable portrayal of Daisy it’s a slightly disappointing outing for Macdonald with the films trailer looking more exciting than the actual movie.

With cousin Edmond.

Friday, 7 June 2013

Byzantium.

Clara argues the case for women's rights. 

Going to the pictures in the middle of a weekday still gives me that feeling of delicious naughtiness and to sit in the imposed darkness on a lovely sunny day to watch a British vampire movie makes it seem all the better. On a visit to Edinburgh I decided to watch Irish director and writer Neil Jordan’s latest movie:  Byzantium (2013). Before this he has directed some 16 feature films over a thirty year period building up quite a varied body of work including such memorable films as Mona Lisa (1986), The Crying Game (1992), Michael Collins (1996) and Breakfast on Pluto (2005). His latest film has been written by Moira Buffini, who was also responsible for another Gemma Arterton vehicle Tamara Drewe (2010), and was based on Buffini’s play A Vampire Story. It’s set in of all places (H)astings (it’s a silent H were I come from) on the South Coast of England. Aptly described in the movie as ‘the last place on the road to hell’ and certainly looks like it with its rather sinister burnt out pier.  Not the first British seaside to be as a backdrop to a movie, for example Margate in the Last Resort (2000) and Brighton in Brighton Rock (2010).
 
Even vampires need mobile phones!
This contemporary vampire tale stars the afore mentioned Gemma Arterton as Clara and Saoirse Ronan as her 16 year old daughter Eleanor, in vampire years there 200 years old, in fact Clara keeps body and soul (do vampires have souls?) together by engaging in one of the oldest professions known to man: prostitution. Mother and daughter end up in the seaside town after they are forced out of London when Clara kills a man who has been hunting them, something to do with the fact that vampire women do not have equal rights with their male counterparts! Seducing a loser called Noel (Daniel Mays) whose mother has just died leaving him a run down sea front hotel called Byzantium, now its all falling into place I hear you say, Clara turns the bankrupt establishment into a successful business, a brothel. Common sense really, lots of rooms with beds! Any way, Eleanor meantime has fallen for leukaemia stricken Frank (ideally cast Caleb Landry Jones who really does look ill) and joins him in his studies, which consequently courses problems. Although Eleanor feeds on blood she only indulges in mercy killings of elderly people and if there was a vampire heaven she would probable end up there. Suffice to say the forces of evil are closing in, in the form of Sam Riley and his coven partner of which I’ll say no more as it will spoil the story for you.
 
Clara stops for a spot of lunch.
Director of Photography Sean Bobbitt brings to whole thing to life, you may remember Mr Bobbitt from his camera work from such movies as Hunger (2008) Shame (2011) and The Place Beyond the Pines (2012), making the location, the hotel and the pier look ideally spooky. Although it boast’s some great stars, a slightly different approach to this over used genre and some interesting flash backs there’s something missing that I can’t really put my finger on. Perhaps its because it does not really feel that exciting or particularly gripping but it does get better the further into the film you get, so stick with it, unlike one lady who was sharing my midday decadence and walked out!

Don't be put off, theres some great B&B's on the South Coast.

Thursday, 5 January 2012

Hanna


Hanna enjoying a spot of home schooling. 

After experiencing two of Joe Wright’s previous directorial outings, the 2005 adaptation of Jane Austen romantic drama Pride and Prejudice and Atonement (2007) which was also a period drama this time an adaptation of a Ian McEwan’s romantic/war drama. His latest movie is, as they say, something completely different, Hanna (2011) is an action packed suspense thriller starring Saoirse Ronan, Eric Bana and Cate Blanchett. The intriguing plot involves a young girl (Ronan) that was brought up in the depths of a Finland forest to be that rare commodity, a perfect assassin! Raised and trained by her father Eric Heller (Bana) a disgraced ex CIA agent, Hanna is finally ready to tackle her fathers demons in the outside world. As she travels across Europe on her mission agents of the ruthless intelligence officer, and Heller’s old boss Marissa Wiegler played by the versatile Cate Blanchett, pursue her, which involve some very exciting chase sequences. Hanna is eventually forced to face up to some startling revelations about her very existence!

Agent Marissa Wiegler not a women to cross!!

A polished attempt by Wright to try something different, with a young actress you just can’t ignore, pure entertainment that works very well and along with the original innovative score composed by the British duo The Chemical Brothers makes an enjoyable piece of escapist distraction.