Showing posts with label Gemma Arterton. Show all posts
Showing posts with label Gemma Arterton. Show all posts

Wednesday, 24 January 2018

Three and Out




My interest in this British movie came about because it starred Mackenzie Crook who I had enjoyed in the brilliant BBC TV series Detectorists where he plays opposite Toby Jones as one of two metal detecting friends Andy. This award winning comedy has been a great joy to watch and all 3 series are highly recommended.

In Three and Out (2008) Crook plays Paul Callow a dreamer who is a driver on the London Underground system. He wants to move to Scotland (who in there right mind would not want to) and right a novel. But the sticking point is a lack of funds. After he has two fatal accidents, while driving his train, in less than a month he finds out that if he can manage a further fatal accident within the same month London Transport will give him early retirement and 10 years salary, which would allow him to live out his dream All he needs to do is find a volunteer to jump in front of his train!


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I enjoyed the rather black humour of this twisted story, but I realise that I am in the minority. The critic hated it and ASLEF the train drivers union organised a protest at the movies premiere accusing the films plot of being ‘insulting and foolish’. They pointed out, quite rightly, that any train driver involved in fatal incidents could be traumatised by it.  Although I can see where the Union are coming from, I don’t agree with the critics.   

Friday, 7 June 2013

Byzantium.

Clara argues the case for women's rights. 

Going to the pictures in the middle of a weekday still gives me that feeling of delicious naughtiness and to sit in the imposed darkness on a lovely sunny day to watch a British vampire movie makes it seem all the better. On a visit to Edinburgh I decided to watch Irish director and writer Neil Jordan’s latest movie:  Byzantium (2013). Before this he has directed some 16 feature films over a thirty year period building up quite a varied body of work including such memorable films as Mona Lisa (1986), The Crying Game (1992), Michael Collins (1996) and Breakfast on Pluto (2005). His latest film has been written by Moira Buffini, who was also responsible for another Gemma Arterton vehicle Tamara Drewe (2010), and was based on Buffini’s play A Vampire Story. It’s set in of all places (H)astings (it’s a silent H were I come from) on the South Coast of England. Aptly described in the movie as ‘the last place on the road to hell’ and certainly looks like it with its rather sinister burnt out pier.  Not the first British seaside to be as a backdrop to a movie, for example Margate in the Last Resort (2000) and Brighton in Brighton Rock (2010).
 
Even vampires need mobile phones!
This contemporary vampire tale stars the afore mentioned Gemma Arterton as Clara and Saoirse Ronan as her 16 year old daughter Eleanor, in vampire years there 200 years old, in fact Clara keeps body and soul (do vampires have souls?) together by engaging in one of the oldest professions known to man: prostitution. Mother and daughter end up in the seaside town after they are forced out of London when Clara kills a man who has been hunting them, something to do with the fact that vampire women do not have equal rights with their male counterparts! Seducing a loser called Noel (Daniel Mays) whose mother has just died leaving him a run down sea front hotel called Byzantium, now its all falling into place I hear you say, Clara turns the bankrupt establishment into a successful business, a brothel. Common sense really, lots of rooms with beds! Any way, Eleanor meantime has fallen for leukaemia stricken Frank (ideally cast Caleb Landry Jones who really does look ill) and joins him in his studies, which consequently courses problems. Although Eleanor feeds on blood she only indulges in mercy killings of elderly people and if there was a vampire heaven she would probable end up there. Suffice to say the forces of evil are closing in, in the form of Sam Riley and his coven partner of which I’ll say no more as it will spoil the story for you.
 
Clara stops for a spot of lunch.
Director of Photography Sean Bobbitt brings to whole thing to life, you may remember Mr Bobbitt from his camera work from such movies as Hunger (2008) Shame (2011) and The Place Beyond the Pines (2012), making the location, the hotel and the pier look ideally spooky. Although it boast’s some great stars, a slightly different approach to this over used genre and some interesting flash backs there’s something missing that I can’t really put my finger on. Perhaps its because it does not really feel that exciting or particularly gripping but it does get better the further into the film you get, so stick with it, unlike one lady who was sharing my midday decadence and walked out!

Don't be put off, theres some great B&B's on the South Coast.

Friday, 19 April 2013

Song for Marion.


When I wrote my blog about The Best Exotic Marigold Hotel (2012) I ranted my displeasure that the film industry in Britain seem to take pleasure in pigeon holing a section of the public in what I see as their quest to demean people of a certain age whom they imagine cannot enjoy a movie that’s challenging and/or graphic in its contents. We’ve recently had Dustin Hoffman’s Quartet (2012) described as a comedy and happy to show a fantasised Care Home with out a hint of reality. European and even American filmmakers can make films without patronising adult audience. Take for instance Michael Haneke’s award winning Amour (2012) or Yaron Silberman’s A Late Quartet (2012) not the best film I have ever seen but one that does not treat its audience as a bunch of maroons.

Arthur and Marion share a joyous moment.
Director Paul Andrew Williams has a good pedigree for films with bite, including London to Brighton (2006), a social realistic crime drama about child prostitution and runaway youth, and Cherry Tree Lane (2010) where a prosperous middle aged couple receive unexpected visitors to see their son about a wee matter of grassing up one of his friends and take out their frustrations on the parents while waiting for his return. Now we get him trying his hand at what’s can only be described as promoting a movie aimed at an undemanding audiences of a certain age, people who are believed not to require a great deal for the price of a cinema ticket. Song for Marion (2012) would have been a far better film if it had concentrated on the three way drama between a retired couple, the grumpy misanthrope Arthur (Terence Stamp), his wife Marion (Vanessa Redgrave), who is diagnosed with terminal cancer and they’re grown up son James (Christopher Eccleston), who has a daughter but apparently no wife. Instead Williams concentrates on a cranky implausible choir called the OAPz, led by a young condescending music teacher (Gemma Arterton), that the wheelchair bound Marion is a member of. 
 
James with his daughter.
This movie demonstrates how bad the British film industry can be at times.  
Its safe, unimaginatively gutless and completely predictable, trying far to hard to bring a mawkish tear to your eye. An embarrassing sugar rush that wastes the acting talents of those involved.

Sunday, 13 January 2013

Prince of Persia: Sands of Time.

Dastan Prince of Persia.

As if remakes in general aren’t bad enough what about a remake of a 2003 video game? Shot on location in Morocco and at Pinewood studios. Prince of Persia: Sands of Time (2010) is set in the sixth century and is about a magical dagger with powers to turn back time and of course if it fell into the wrong hands could evoke world shattering chaos!!! The villain of the piece is the Persian Kings brother, played with some style by Sir Ben Kingsley. Using all the standard text book villainy he gets hold of the dagger which is known as the Sands of Time. The only person capable of defeating this tyrant and saving the world is the Kings adopted son Dastan assisted by the plucky Princess Tamina.

The two main leads, Jake Gyllenhaal and Gemma Arterton, are totally unconvincing as Dastan and his eastern princess who is lacking even the slightest hint of a suntan! It’s a cross between a very bad remake of Crouching Tiger, Hidden Dragon (2000) and Spider Man’s outtakes. Mike Newell (Harry Potter and the Goblet of Fire 2005) directs this tolerably entertaining swashbuckler, but don’t expect any real substance or depth.

Sunday, 24 October 2010

Tamara Drewe

Stephen Frears latest movie confirms what I for one already know; the British Film industry is alive and kicking. For a period of nearly two hours Tamara Drewe (2010) made me forget redundancies, criminal raids on the honest working people’s pensions, pending unemployment and all the rest of the day’s joyous news put out by our ‘caring’ government!

The film has a tremendous screen play adapted by Moira Buffini from Posy Simmonds cartoon strips published in The Guardian between 2005 and 2006 later re-published as a graphic novel in 2007. This present day story of country folk is set in a fictitious sleepy village in Dorset. Tamara Drewe (Gemma Arterton) a beautiful London journalist, returns to her childhood home after the death of her mother causing a stir among the locals who remember her, before her nose job, as an ugly, but ‘obliging’ teenager. Nicholas Hardiment (Roger Allam) a successful crime novelist and a serial philanderer and his virtuous wife Beth (Tamsin Greig) run Stonefield a smallholding and writers retreat. Andy Cobb (Luke Evens) Tamara childhood sweetheart works as a handyman for the Hardiment's. Into this scene of seemingly idyllic village life arrives pompous rock drummer Ben Sergeant, who along with the previous two gentlemen mentioned; fall for the charms of our female protagonist.

Some of the funniest laugh out load sequences of Frears latest movie involves two hormonal teenage schoolgirls. Jody Long (Jessica Barden who can be shortly be seen playing Sophie in Joe Wrights Hanna due for release next year) and Casey Shaw (Charlotte Christie0 who are responsible for many of the plots twists and turns. This updated version of Far From the Madding Crowd has been meticulously cast, has a great British sense of humour and best of all its wonderfully entertaining. Highly recommended.