I’m sure that Brian Yuzna’s directorial debut was sincerely
meant as a political statement concerning the way rich individuals live in a
different society from the rest of the proletariat. Even going as far to opine at
a horror film festival in the UK that the rich are a part of the human race
that have been infected by a parasite that has made them into a class of their
own - intermarrying and therefore reducing their gene pool. With dialog like
“The rich have always sucked on low class shit like you Billy boy” we get a bitter
sentiment but one that sets out our directors political standing.
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| Billy Warlock. |
It’s a bizarre fable about privileged people from what
appears to be an idyllic community in Beverly Hills, but right from the start
we can guess that all is not what it seems. Although living within the
community teenager Billy is obviously an incomer but is it Billy’s twisted
paranoia or is he being set up as some diabolical sacrificial object for the
enjoyment of the Society?
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| Devin DeVasques. |
The problem with Society (1984) is the film offers
nothing for the fans of the horror genre, or for that matter any casual viewer,
until the last 25 minutes. It’s a section of the movie I believe is known as
the shunting which in fact is quite disgusting, although saying that its an
interesting piece of special effect from a Japanese gentleman known as Screaming Mad George an artist and
former musician who become famous for gory special effects and has collaborated
with Yuzna on many of his other productions.
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| "Well kiss my backside" |
The first hour of this film completely ruined it for me.
Admittedly the 1980’s are not my favourite period and the film underlines my
forebodings, bad hair, stupid clothes and fashions. The movie like many other ‘youth’
movies from that period has some awful dialog, corny role-playing and downright
bad acting. I mean where did they find the films cast? There must be a
storeroom marked ‘bad actors for 80’s period films’! The
main lead is played by one Billy Warlock an actor best known for roles in
American daytime TV shows and as a lifeguard in the first three seasons of Baywatch. Also involved in the
shenanigans is Devin DeVasques
whose main claim to fame is as a model when she was chosen as Playmate of the
Month in Playboy for the June 1985
issue. The remainder of the cast are as unconvincing as the two main leads.
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| "I Can't believe what I'm seeing" |
Although a success in Europe it was not released in the USA
until 1992 where it was never received well. Yuzna later cited the films mix of
‘paranoia, black humour; satire and gore’ as the reasons for alienating
mainstream US audiences.[1]
But I think the director is being overly generous!
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| Effects by the aptly named Screaming Mad George. |
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