I came across the Memphis born film director Ira Sachs via his second
feature film Forty Shades of
Blue (2005). The movie starred the beautiful
Russian actress Dina Korzun in which she played a trophy wife to Rip Thorns
ageing music producer. Also featured in this movie was Darren E Burrows who
coincidently appears in Sachs latest outing the romantic drama Love
is Strange (2014), a character study of a gay couple whose lives are
thrown into turmoil when that decide to get married after living together for
39 years.
This LGBT movie extends a successful genre to include a love story about
two late middle-aged men. George (Alfred Molina) is sacked by the Catholic
school were he has successfully worked for a number of years as a music
teacher. His relationship with the 72-year-old Ben (John Lithgow) was well
known by the staff, the pupils and their parents, and until they were legally
married nothing had ever been said about their relationship. Now the Bishop
wants him out after spotting their wedding photo’s on Facebook! Because of this
change of circumstances their finances are very stretched and they realise that
they will have to sell their Manhattan apartment, as they are unable to afford
the mortgage. This leads to a crisis! George moves in with his neighbours, two
gay policeman who love to party, and Ben stays with his nephew Elliot (Burrows), Elliot's wife Kate (Marisa Tomei)
and shares a room with their teenage son Joey (Charlie Tahan), both George and
Ben are not happy with this new arrangement as they are forced to live apart.
....while George shares with friends. |
Sachs, who recently got married to his long-term partner, based many of
the films characters on real life people and he portrays the two older middle
class Academics as being very much in love and successfully pulls it off. The
film has been described as a 'graceful tribute to the beauty of commitment in
the face of adversity' and to that I would add meaningful and sincere. It's
well written script gives the films cast a chance to excel and with some great
cinematography from Christos Voudouris gives a depth to a story that at times
is both sad and moving at the same time casting a warm glow over its watching
audience who are treated to a rather agreeable love story.
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