My blog of the
latest screening at the Film Club located at the Robert Burns Centre Film
Theatre in Dumfries is based on the film Still Alice (2014), having never
read Lisa Genova’s 2007 novel of the same name. It was Anne Barclay, our host
for the evening, that informed us that the debut novel was originally
self-published but when it started to receive a lot of attention it was
acquired by Simon and Schuster who published it in 2009 and has since been
translated into 31 languages. Originally adapted for the stage it run in
Chicago between April 10th and May 19th 2013 before it
was adapted for the big screen, directed by Richard Glatzer, who died of
complications from amyotrophic lateral sclerosis in March 2015, and his partner
Wash Westmoreland.
The film stars
Julianne Moore who won an Oscar for her role as Doctor Alice Howland a
linguistics professor at Columbia University who is diagnosed with early onset
familial Alzheimer’s disease. This term is used to describe cases of
Alzheimer’s disease diagnosed before the age of sixty-five of which a person’s child can generically inherit, but otherwise
shares the same traits as the late onset form of Alzheimer’s. The story
demonstrates how the disease gradually affected Alice Howland along with the
effects on the other members of her family, including her husband John (Alec
Baldwin), her eldest daughter Anna (Kate Bosworth), her son Tom (Hunter
Parrish) a junior doctor and Alice’s youngest daughter Lydia (Kristen Stewart)
an aspiring actor. The film picks up the story just as Alice is celebrating her
fiftieth birthday and we witness her gradually loosing her word power while
still carrying out lectures and how she forgets where she is during her daily
jogging on the university campus. It’s after a visit to her doctor that the
disease is diagnosed. This traumatic news resonates through her family, as her
three children could also be carriers as well as the twins that Anna is carrying.
Alice's younger daughter played by Kristen Stewart.... |
....and her older daughter Anne (Kate Bosworth) |
I
can’t help but think how much better this film could be under the auspices of a
British director, but don’t get me wrong Julianne Moore deserved her Oscar and the rest of the cast play
their roles with conviction. My problem with the movie is that the gloss put on
the film by the American directors hides to some extent the seriousness of its disturbing
subject matter. A much more down to earth approach would have produced a far
better film in my opinion. The subsidiary characters on display where not particular
likable, in fact I would describe them as selfish minded - big teeth, big
smiles in other words a typical middle class American family. The father
refused to take time off work to be with his wife before the dementia finally
took its toll, due, he claimed, to financial problems but he owned two
houses! Anna, who was due to give birth
to twins, gave not a second thought to having the babies knowing that they
could be also effected as she was. What I’m trying to say is that I could not
empathies with any of these characters, other than possible Alice. A far better
film that dealt with a similar subject was Away
from Her made in 2006 by Canadian director Sarah Polly and starred Gordon
Pinsent and Julie Christie as a couple whose marriage is put to the test when
Christie’s character begins to suffer from Alzheimer’s. Another film I would
highly recommend on the subject of early onset Alzheimer’s is the South Korean
movie Poetry (2010) directed by Lee Chang-dong.
Both these films treat their subject matter in a very much more down to earth
fashion, as I’ve said, something Still
Alice lacks.
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