Originally from Villeneuve in Picardy, Camille Claudel, born
1864, was a French sculptor and graphic artist and the sister of poet and
diplomat Paul Claudel. She was at first a student and then became the mistress
of fellow sculptor Auguste Rodin for 15 years until she left him in 1895. In
1913 following her father’s death and after living a solitary life shut away in
her studio, her metal state was allegedly deteriorating and her family decided
to commit her to a metal institution, one at first near Paris before moving to
Southern France.
....as played by Juliette Binoche. |
Written and directed by Bruno Dumont, who you may know from
his 2011 movie Hors Satan, a film I can highly
recommend if you have not seen it already, Camille Claudel 1915 (2013) is
loosely based on the work and letters of Paul Claudel and the medical records
of Camille. Our story starts in 1915, hence the title. We find Camille in
Montdevergues Asylum near Avignon. Two nuns are forcing her to bath; she is
then escorted back to her room. After she gets dressed she makes her way to the
kitchen where she is allowed to prepare her own food. We discover the reason for
this unusual privilege is she lives in fear of being poisoned, its not quite
clear if her paranoia extends to her ex-lover or her family – or both? Being
surrounded by mental patients, who appear to be in a far worse state than she is,
does not help her, neither does the Psychiatrist in charge of the asylum who
refuses to see the evidence in front of him and is totally influenced by
Camille’s family who its obvious want her locked away.
Although the Doctor recommended to her brother that she was
ready to leave the asylum a number of times, she was to spend the last 29 years
of her life in residence at Montdevergues. Her brother who died in 1955 was to
continue to visit her but did not attend his sister’s funeral. She died on
October 19th 1943 aged 79 and was buried in a group vault meaning
that her remains can never be reclaimed.
The camera rarely leaves the face of the mesmerising
Juliette Binoche who bravely portrays Camille Claudel completely with out
makeup, gaunt and thin and dressed throughout the movie in the drab asylum
clothing. Because of her superb representation of this character you will be
able to empathise with her loneliness, abandoned by both friends and
family. A moving depiction of a talented
woman who gets involuntarily locked up in a mental institution. Not to be
missed.
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