It’s 1947 a struggling young writer Jack
Kerouac has his life shaken and ultimately redefined when he meet’s one Neal
Cassady a free-spirited, fearless, fast-talking Westerner and his girl,
Marylou. All three set out on a road-trip
of self-discovery across America. It was this journey that developed the
template for the middle class hippy life style and a book that made Kerouac
famous.
After watching Walter Salles's film of
the same name I now realise why I only ever reached page 71 of Jack
Kerouac's novel of ‘sex, jazz and freedom’ On the Road (2012). The Characters
in Kerouac's mind numbing novel are collectively described as “riding the rails, hitching lifts, driving
borrowed cars at a crazy hundred miles per hour. Wild parties, girls and drink
and drugs. Uncertainty, loneliness and dreams synthesized by bop” More akin
to a rootless bunch of criminal drifters!! These people are
essentially dull and boring whom, I’m afraid, will not evoke an ounce of your
empathy.
Kerouac with Neal Cassady. |
The three main characters in the story
are Sal Paradise a young writer played by the dreary as dishwater Sam Riley, put
to better use in Control (2007) where
he played Ian Curtis the singer of the late 1970’s English band Joy Division
and in Brighton
Rock (2010) where he portrays Pinkie, a role
originally played by Richard Attenborough in the 1947 adaptation of Graham
Greens novel. Secondly Dean Moriarty, a lazy feckless individual played with
some conviction by Garrett Hedlund and lastly Moriarty's girlfriend Marylou
portrayed by a very under-utilized Kristen Stewart (The
Runaways 2010, Snow
White and the Huntsman 2012)
Marylou. |
It a story I felt I should have really liked,
it’s influence is seen in a whole load of road movies including Easy
Rider (1969) and of course Salles’s far more
rewarding film The
Motor Cycle Diaries (2004) about a journey taken by pre-revolutionary Ernesto
Guevara. It has been said that On the
Road was unfilmable; I just don’t think the story was interesting enough to
film. Like the character’s, the movie loves itself too much but does not
encourage the viewing public to do like wise.
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