Some filmgoers
will argue that to much attention is given to the soundtrack, with some
commending the idea that music in a film is not required but I would put
forward an argument that it depends on the movie. For example would Tarantino's
Pulp
Fiction (1994) be such a great film without a soundtrack, would Only
Lovers Left Alive (2013) be quite so haunting and obviously I could go
on. Well get to the point I can hear you saying - ok. Scott Coopers follow up
film to the award winning Crazy
Heart (2009) has a soundtrack that really compliments what we see on
the screen. Even without the Pearl Jam track Release that plays over both the opening
and closing credits, it's Dickon Hinchliffe’s score that really underpins the
gritty and grim atmosphere in an already atmospheric film, Hinchliffe was a
founder of Tindersticks who were credited with six soundtracks for French
director Claire Denis including 35 rhums
(2008) and White
Material (2010). Out of the Furnace (2013) runs the
gauntlet of emotions in a film that harps back to the great tradition of tough
American movies. A cross fertilisation
between the inbred inhabitants of Winters
Bone (2009), the belligerent spirit of The
Fighter (2010) and the bleak steelworks setting's and blue collar
approach of Michael Cimino's The Deer
Hunter (1978) is where I see this movie drawing its influences.
Co-written by
Cooper, the movie is set in Braddock, Pittsburgh in 2008. Basically it's the
story of two brothers Russell and Rodney Baze. Russell is a hardworking man who
cares deeply for his family, girlfriend Lena Taylor, his dying father and of
course his troubled brother. Russell works at the local steel mill while his
brother is in the army, deployed to Iran four times which has done nothing to
improve his state of mind. While on leave he has run up gambling debts with the
local crime boss John Petty and has to resort to bare- knuckle fighting in an
attempt to pay this off. This in turn leads to his involvement with Harlan
DeGroat an evil drug addicted psychopath who gets off on extreme violence.
Meanwhile the hard working Russell is sent to prison for a drink driving
accident. When he is released the close confines of his world have crumpled,
his father is dead, Rodney is throwing fights and Lena has left him for the
local cop and is now pregnant.
Be warned this
is a violent film right from the opening scene in the drive in movie, up to its
gripping climax. Cooper even describes it as ‘an examination of the nature of violence in a society where men solve
their own problems'. Certainly an interesting concept and it may sound a
familiar story with its Cane and Abel complex reworked, i.e. the good and bad
side of the same coin, but don't be fooled this is a brilliantly made movie
with a story that never allows the viewer to look away from the screen. DOP
Masanobu Takayanagi cinematography captures a vanishing way of life with its
deep sense of Americana and the economic decline of industrial America and it's
effect on the population of once thriving community but still managing to find
beauty in what has essentially become a depressing place.
The director
has been quoted as saying that it was important for the film's credibility that
it was shoot on location in the town of Braddock and he was proved right. He is
obviously a man who has a clear vision of what he wanted from the films strong
cast. Even the smaller parts are taken by some very experienced actors
including Sam Shepard as Uncle 'Red' Baze and Forest Whitaker as Police Officer
Wesley Barnes both of whom make a great job of there minimal time on screen.
Willem Defoe plays John Petty a manipulating villain with a sympathetic streak
with Woody Harrelson in award winning form as Harlan DeGroat a vicious man who
admits to having a problem with everyone! The only female lead is Zoe Saldana
as the Russell/Wesley love interest, Saldana will be seen later this year as
Nina Simone in the biopic of her life. That just leaves our two main leads,
Casey Affleck plays the war veteran Rodney Baze with just the right amount of
calculated tension and Christian Bale, riveting as Russell, in what is probably
one of his best performances - certainly worthy of consideration for an Award
at next years Academy Awards. It’s not
often that I watch a movie twice within a few days!
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