It has been alleged that Roman Polanski made the literary
adaptation of Thomas Hardy’s 1891 novel Tess
of the d’Urbervilles because the last time he saw his wife Sharon Tate
alive[1]
she had given him a copy of Hardy’s book and told him it would make a great
film. A dedication at the start of the Tess (1979) simply reads ‘to
Sharon’.
Polanski was born in Paris 1933 but raised in Poland. His
career has been over shadowed by accusations that he drugged and raped a 13-year-old
girl, a charge he denied, entering a guilty plea for unlawful sexual
intercourse with a minor instead! He fled the United States for Europe and
never returned. The only Oscar he has won for Best Director was for The Pianist (2002), although he has won
many film awards in Europe including Repulsion
1965, Rosemary’s Baby (1968) Chinatown (1974) The Ghost 2009
and Tess.
Set in Dorset, but actually filmed in France, Tess stars the
German actress and Polanski’s partner at the time, Natassja Kinski as Tess
Durbeyfield with Leigh Lawson taking on the role of Alec Stokes, master of the
d’Urbervilles who seduces, rapes and impregnates the young Tess with child, which
dies shortly after birth. Peter Firth, best known for his role of Sir Harry
Pearce in the BBC TV series Spooks,
plays Angel Clare who falls head over heels in love and marries Tess. But on
their wedding night Tess reveals her inner most secrets (never a good idea at
the best of times) putting the kibosh on any idea of consummating the marriage.
The unsmiling Tess is seduced by a strawberry. |
The film is melodramatic and overlong, without an ounce of
genuine humour (It makes you wonder if Kinski knows how to smile?). Polanski’s
film is made incredibly dourer by the length of time the story takes to unfold.
The film did win an Oscar for the Best Cinematography. It was shared between
George Unsworth, who died during the filming, and his replacement Christain Cloguet.
Not a movie I would particularly recommend, it’s a hard watch. I believe the
only other non-silent film adaptation of Hardy’s story was the equally disappointing
Trisna
(2011) directed by Michael Winterbottom and set in 21st century
Indian, it stared Freida Pinto and Riz Ahmed.
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