Showing posts with label Noomi Rapace. Show all posts
Showing posts with label Noomi Rapace. Show all posts

Monday, 18 January 2016

Child 44.


A grand cast doesn’t always equate to a grand film and one such case in point is Daniel Espinosa’s Child 44 (2015). Espinosa you may remember was the director behind the best of the Easy Money trilogy Snabba Cash (2010) and two of the stars from the trilogy appear in this latest movie, Joel Kinnaman plays Vasili Nikitin a middle-ranking officer in the Ministry of State Security (MGB) and Fares Fares who plays Alexi Andreyev. The main star and the films narrative backbone is the popular British actor Tom Hardy who plays Leo Demidov. As a child Demidov was orphaned during the Holodomor[1] in the Ukrainian SSR that took place in the 1930’s but manages to escape from the orphanage and is taken in by some kindly Soviet soldiers eventually becoming a war hero. After the war Leo Demidov becomes a MGB agent and uncovers a series of child murders but the MGB leadership refuse to except the death as murders because Soviet doctrine states that murder only occurs in capitalist country’s “There can be no murder in paradise” One of the dead children is the son of Leo’s best friend Alexi Andreyer and even he does not believe that his son has been murdered! The female lead in our story, which incidentally is based on a novel of the same name published in 2008, is another favourite of Movie Ramble Noomi Repace who plays Leo’s wife Raisa. When Raisa is accused of being disloyal to the state Leo refused to denounce her, both are sent to the town of Volsk and given demeaning jobs.  Both suspect that Vasili Nikitin is behind their downfall. Other well known and respected actors the calibre of Gary Oldman, Vincent Cassell, Paddy Considine, Charles dance and Tara Fitzgerald all have prominent roles in the movie.
 
Even a cast this good can't rescue this movie. 
But as I said at the beginning of this ramble a well known and respected cast does not always mean that what we are about to see is going to be something to rejoice over and I must say that this is true in the case of this movie. On the face of it this should have been an exciting mystery thriller but I’m afraid it’s completely lacking any real excitement, Its far to long, the story is made too complicated when there is no need to bogged down with unnecessary subplots.  The heavy “Russian” accents of the various actors force you to put on the subtitles to help understand what’s being said. Perhaps someone could explain to me why the story was not centred on the murder mystery, why the film was not made with East European actors with undertitles and why everything had to be so dark? The Ministry of Culture had the good sense to block the screening in Russia, as did other Eastern Block countries - but it was made available on DVD in these same countries even Russia has a bargain bin!







[1] A man-made famine in the Ukrainian Soviet Socialist Republic in 1932 and 1933 that killed an estimated 2.5–7.5 million Ukrainians, with millions more counted in demographic estimates. It was part of the wider disaster, the Soviet famine of 1932–33, which affected the major grain-producing areas of the country.

Tuesday, 1 September 2015

The Drop.


My second American crime drama of late reinforces my theory that a film with a decent well-written story, that’s well told and has a cast of actors that can depict a believable scenario cannot fail to entertain the viewer, be it at the cinema or on its DVD release. The film under discussion is The Drop released in the UK at the end of 2014 and sadly has the distinction of being James Gandolfini’s final appearance in a feature film, an actor that will be fondly remembered for his role of Tony Soprano in the award winning HBO series The Sopranos.
 
The film starsTom Hardy.....
Denis Lehane not only wrote the short story, Animal Rescue, upon which the film is based, but also wrote the movies screenplay. Boston born Lehane has already had three other stories successfully adapted for the screen, the Clint Eastwood helmed Mystic River (2003), Gone Baby Gone (2007) with Ben Affleck directing his brother Casey in a Kenzie and Gennaro mystery thriller and in 2010 Martin Scorsese directed Leonardo DiCaprio in the psychological thriller Shutter Island.  Lehane writing is always solid with some great characterizations and The Drop is no exception. Directed by Belgian born Michael R Roskam, who had only directed one feature film prior to this one, the well regarded and Academy Nominated Bullhead (2011) and starring as well as Gandolfini British actor Tom Hardy, Swedish actress Noomi Repace and star of Roskams debut film Matthias Schoenaerts.
 
....Noomi Repace ....
This gripping and absorbing thriller centres on the autistic Bob Saginowski (very convincingly acted by Hardy who seems to get better in every movie) who works at his cousin Marv’s (Gandolfini) Brooklyn Bar. The bar is no longer owned by Marv but by some unsavoury Chechens who use it as a drop/collection point for the mobs money. Marv wants retribution for loosing his bar and plans to rob the bar of its rich pickings on Super Bowl night. Going home from work late one night Bob discovers a brutalised abandoned Pit Bull puppy in his neighbour Nadia’s (Repace) dustbin, when Bob rescues this dog he could not realise what the implications would be, some of which involve Eric Deeds (Schoenaerts), an ex con who claims responsibility for a ten year old unsolved murder, Deeds also claims he is the true owner of the dog!

 
....and the late great James Gandolfini.

Wednesday, 25 February 2015

Passion.

Christine Stanford the power hungry head of an advertising agency is hero worshipped by her ambitious assistant Isabelle James. When Christine takes the credit for her assistants work Isabelle sets out to take revenge. Sound familiar? I’m not surprised as Passion (2012) is a remake of a French film called Love Crime (2010), remade barely two years after the original. Its nonsense that Brian De Palma remade the film at all as the original was enjoyable but nothing special. Alain Corneau directed the earlier movie shortly before he died of cancer and stared Kristen Scott Thomas as Christine and Ludivine Sagnier as Isabelle. The main strength of Corneau’s original was the sexual undercurrent between the two female protagonists that De Palma’s film completely lacks, which is surprising considering that Rachel Adams is Christine and Movie Ramble favourite Noomi Repace portrays Isabelle who both, I hate to admit it, turn in weak performances.

I suppose the best way to describe it is as a lame TV drama and certainly one that does not excite and is completely uninvolving to such an extent that your concentration is apt to wonder! Although the ending is different it makes Love Crime seem a lot better than it at first appeared. Not De Palma’s best work by far and I liked the LA Times description of the movie as ‘sleeky trashy misfire’[1] which really sums it up. Don’t waste 94 minutes of your life



[1] LA Times. Robert Abele

Friday, 1 February 2013

Baby Call.


Anna and her son.

Anna is a single mum who along with her 8-year-old son Anders moves to a flat on the 7th floor of a grim anonymous Oslo tower block to escape the violent and cruel attentions of her estranged husband. Although closely monitored by Social Services she still does not feel that Anders and her are completely safe. Visiting a local electrical supermarket she decides to purchases a baby call alarm to monitor the child whilst he’s sleeping. It’s while visiting the shop that she strikes up a friendship with the shy, nervous but kindly shop assistant Heige. Anna’s paranoia intensifies when the call alarm picks up strange child like cries that appear to emanate from another apartment in the tower block!

The Norwegian psychological thriller Babycall (2012), also known as Monitor, is directed and written by Pal Sletaune and stars the marvellous Noomi Rapace (Dragon Tattoo Trilogy 2009, Prometheus 2012) who is totally convincing as Anna, portraying the gradually worsening paranoia of a distraught mother who is terrified of loosing her only child. Kristoffer Joner, who played Brathen the sexual predator in King of Devils Island (2010) is Heige.  A very well made and intriguing story that’s seen entirely through Anna’s eyes. It manages to impart its chronicle of effective unease without being showy in any why, but contains a whole dose of red herrings and false turns that keep you on the edge of your seat. 

Thursday, 19 July 2012

Prometheus.


The Beginnings of Mankind?

There is certainly no doubt that the British film director Sir Ridley Scott has provided a great deal of entertaining cinema since he made his debut feature film in 1977, The Duellist a film set during the Napoleonic War and one that I saw at the RBC in very early days of the Film Club, others include Alien (1979) Blade Runner (1982) Gladiator (2000) Black Hawk Down (2001) American Gangster (2007) Body of Lies (2008) Robin Hood (2010) and my own personnel favourite Thelma and Louise (1991) where a waitress and a housewife take off for the weekend in a 66 Thunderbird and go on the run after shooting a rapist.

Prometheus Spacecraft.

His latest production is a return to the science fiction genre that originally made his name. Billed as a prequel to Alien, Prometheus (2012) is set before the horrifying events that take place on spacecraft Nostromo. This intriguing new film is a complex story about unearthing the origins of our universe and poses the question: are we all descendants of Aliens and therefore did they actually visit our planet to procreate the beginnings of mankind? 

Noomi Rapace as Elizabeth Scott.

Our story starts in Scotland on the Isle of Skye in 2089; two Archaeologists Elizabeth Shaw (Noomi Rapace) and Charlie Holloway (Logan Marshall-Green) discover cave paintings that indicate that at the beginning of mankind aliens, known as Engineers, visited our planet. The evidence gathered points to a far away moon called LV-223. We then move on to the year 2093 and the spacecraft Prometheus lands on LV-223. The Weyland Corporation, headed up by a Robert Maxwell look alike Peter Weyland (Guy Pearce), finances the journey and appoints a director in the sinister form of Meredith Vickers (Charlize Theron). During the voyage an Android known as David (Michael Fassbender) guards the sleeping passengers. Upon waking, the scientific team along with the Android explore this inhospitable moon an action that leads to catastrophe, tragedy and some startling discoveries.

Michael Fassbender's spooky Android.  

This is a very watchable movie that holds your attention throughout helped, as you would expect, by some great special effects and some powerful role-playing by both the lead stars. Noomi Rapace, who was completely wasted in the dreadful Sherlock Holmes: A Game of Shadows (2011) returns to form depicting Elizabeth Shaw from the timid God fearing young women at the start of the movie to a feisty battling one that will do anything to stay alive. But its Fassbender that steels the show as the mysterious Android who was built to resemble a human being, a creature that models himself on Peter O’Toole in the film version of Lawrence of Arabia (1962), but to me he resembles Hugo Barrett, Dirk Bogarde’s character in the Joseph Losey masterpiece The Servant (1963).

Noomi Rapace on set.

OK its not perfect and I’m sure sci-fi fans can find plenty to complain about with comparison’s to Alien raising more question’s than it answers and probably makes a sequel almost certain to bridge the narrative gap between the two films, but that in my humble opinion that’s not a bad thing. I truly enjoyed this film it does what it set’s out to do, provide an evening’s entertainment and makes a awfully good job of it.