Showing posts with label Jennifer Lawrence. Show all posts
Showing posts with label Jennifer Lawrence. Show all posts

Wednesday, 5 March 2014

American Hustle.


This weeks Robert Burns Centre Film Theatre Film Club screening has been rightly described as a watchable black comedy.[1] American Hustle (2013), shot using locations in an around Boston, Massachusetts, had been nominated for ten Academy Awards at the 2014 Oscar ceremony but it won none! Considering it had already won two BAFTA awards in February, one for Jennifer Lawrence[2] for Best Actress in a Supporting Role and another for Best Screenplay and three awards at this years Golden Globe’s including Best Picture, Best Actress for Amy Adams[3] and Jennifer Lawrence for Best Actress in a Supporting Role, this came as quite a surprise, considering the quality of acting from the two female leads.
 
A fantastic performance from both Jennifer Lawrence and ....
Before the screening began there was a short introduction about what are the ingredients of a good film? I have always said it’s down to a good story that’s well told, but that’s probable an over simplification, and to be honest there’s a lot more to it. Hollywood mainstream movies tend to have guaranteed star-pulling power and American Hustle is no exception, therefore it would not have been a problem raising the budget to make it, unlike lets say British independent movies which always have problems raising even a small budget and at times have to go abroad to raise the cash. This weeks movie is said to have cost between $40 and $50 million dollars to make, but up to the 6th February 2014 box office receipts were said to be in the region of $187 million dollars and that was before the BAFTA’s and of course would of greatly increased if it had won some prominent awards at the Oscars.
 
....and Amy Adams....
But even if you have got the stars and the money you still need a good story. The narrative is loosely based an a FBI sting operation that took place in the late 1970’s and early 1980’s and began its life as a screenplay entitled American Bullshit (I’m not surprised they changed the name!) written by Eric Warren Singer, and rewritten by David O Russell who replaced the characters with caricatures of their respective real-life figures, Christian Bale[4] revealed in an interview that the majority of his character interactions were improvised in multiple takes in which he questioned David O. Russell about the plot. Russell responded that what he had wanted was to focus on the characters, rather than the plot.
 
....whose characters can't quite bond....
Next we need a director of some standing to turn lots of money and a screenplay into something that people will pay to watch. For this production we have the aforementioned David O Russell who, based on his last two feature films is the right man for the job. In 2010 Russell made the award winning biographical sports drama The Fighter, the story of welterweight boxer Mickey Ward and starred Mark Wahlberg, Christian Bale, Melissa Leo and Amy Adams. He followed this with another award winning film Silver Linings Playbook, which won Jennifer Lawrence a Best Actress Award. It’s a film with which Russell manages to walk a thin line between romance, comedy and a dark psychological drama. As well as Lawrence it stared Bradley Cooper, Robert De Niro and the wonderful Jackie Weaver.
 
....mainly due to an FBI officer and a con man!
You will have noticed that the star power I mentioned involves some of the actresses and actors I have spoken about in connection with Russell’s previous work. They include Christian Bale[5], Bradley Cooper[6], Amy Adams, Jennifer Lawrence with the addition of Jeremy Renner[7], and in an uncredited part Robert De Niro. That just leaves us to acknowledge the technicians and crew without whom this, or any other film could have not been made.
 
A Hollywood movie with style.
Basically a full house at the RBC went home entertained by a film that after it got into its stride was very funny and impeccably cast especially as I said previously, the two female leads. With the best scene in the film featuring Jennifer Lawrence in yellow marigolds singing Live and Let Die (see link below). It’s a film with oodles of style and looks so good up on the big screen made even better by the choice of soundtrack (any film that starts with America singing A Horse with No Name is never going to disappoint). And yes the director was right to concentrate on the characters. Film critic Mark Kermode asked the question Is this film anything more than a brilliantly window dressed period piece with a ring-a-ding performances from an all star cast remains to be seen” my answer to this would be yes, it’s a film that’s great fun and one I can’t wait to see again.









[1] Peter Bradshaw The Guardian 20/12/2013
[2] Lawrence's lead role in Debra Granik's Winter's Bone, which won best picture at the Sundance Film Festival in 2010, is often cited as a breakout performance for her. She portrays Ree Dolly, a seventeen-year-old in the Ozark Mountains who cares for her mentally ill mother and her younger brother and sister.
[3] Junebug (2005), Charlie Wilsons War (2007) Doubt (2008) The Muppets (2011) The Master (2012) On the Road (2012)
[4] To prepare for the role, Christian Bale gained 50 pounds.
[5] Bale, famous for his radical physical transformations on screen, received great commercial recognition for his role as Bruce Wayne/Batman in the three Bateman films (2005,2008 and 2012).
[6] The Place Beyond the Pines (2013)
[7] Best known for his roles in The Hurt Locker (2008) for which he received an Academy Award nomination for Best Actor,

Friday, 27 December 2013

The Hunger Game.



Do popular movies reflect the world we live in? If they do then our existence could be sadly disintegrating, obviously more so in the middle east, where civil wars tear their ancient society’s apart, than thankfully in the so called civilised west. What we get on the big screen are worlds full of cowed populations, tyrannical governments, post-nuclear, pollution-devastated, war-torn landscapes, corrupt elites, weaponised viruses and other assorted horrors[1] is this what future generations have to look forward too?

Two films I have watched recently highlight this dystopian world, not for adults but for children! The first was Kevin Macdonald’s How I Live Now (2013) based on a book for ‘young adults’ by Meg Rosoff. The second was The Hunger Games (2012) a film I would have like to have kicked up a fuss about along the lines of being not suitable for the young audience its meant for: but I can’t do that! I really could not believe how good this Gary Ross directed film actually was. Admittedly I have come late to this franchise with a sequel already released and two more films planned, the first in November 2014 and the second a year after. And I would suspect that most cinemagoers would already know the story but in case I’ll give you this brief synopsis:

Katniss Everdeen from District 12.
Every year in the ruins of what was once North America, the capitol of the nation Panem forces each of its twelve districts to send a teenage boy and girl to complete in the Hunger Games. Sixteen year old Katniss Everdeen volunteers in her younger sisters place and must rely upon her sharp instincts when she’s pitted against highly trained Tributes who have prepared for these games their entire lives. If she is ever to return home to District 12, Katniss must make impossible choices in the arena that weigh survival against humanity and life against love.[2]
 
The big brother house.
The best way to describe this film is a cross between the big brother house where people are brought to enjoy being a sacrificial lamb for TV ratings in luxury surroundings with top-notch food and given to believe they are the equivalent of rock stars or premier division footballers for a short period, and the 2000 Japanese action thriller Battle Royal directed by Kinji Fukasaku which tells the story of how teenage students are forced by the government to complete in a deadly game where each must kill the other until there is one person left alive.  An underlying thread in Suzanne Collins bestselling novel is how the rich and powerful demean and persecute the lower classes hoping that this grand TV spectacular where children are killed for entertainment will keep the populace from rioting as they have done in the past, in other words a dose of violent pink gin. 
 
The PR exercise.
It sounds a dreadful premise I know, and although its about violence and death it has been subjected to cuts and dumbing down to make it ‘suitable’ for its targeted audience, although that’s probable a matter of opinion, reality TV has a lot to answer for.  But as I said before I can’t believe how good this film is. The story line is totally absorbing, the film itself is mesmerising and the whole production beggars belief. The acting goes a long way to make the movie completely convincing with a stand out performance from Jennifer Lawrence who always makes any role she performs her own as she did in Winters Bone (2010) and Silver Linings Playbook (2012). If you have not seen this film I would suggest you put that right which will make The Hunger Games: Catching Fire (2013) essential viewing.
 
Only one child will return home alive!!!



[1] Lucy Mangan The Guardian.
[2] DVD.

Thursday, 27 December 2012

Silver Linings Playbook


The film provides great chemistry between Lawrence and Cooper. 
I must be getting old, why, I hear you say? Well, I actually went to see a romantic comedy with a happy ending and thoroughly enjoyed it!!!!  But before you all get too excited I’d better tell you that the director of the award winning The Fighter (2010) and the brilliant quirky comedy I Heart Huckabees (2004) David O Russell’s latest film Silver Linings Playbook (2012) does in fact deal with problems associated with mental illness, maybe not quite Family Life (1971) but a very agreeable picture all the same.

The film boasts a very talented cast that manages, with Russell’s directive powers, to walk the line between romance, comedy and a dark psychological drama. Based on the 2008 novel of the same name by Matthew Quick is stars Jennifer Lawrence (Winters Bone 2010) who plays Tiffany, the young widow of a police officer who was run down and killed by a car while helping a stranger change his wheel after a puncture. Unable to get over his death she suffers from an addictive dysfunction, which has resulted in her getting the sack from her job after having sex with all the staff, male and female!  Pat Solitano, played by the Hangover (2009) star Bradley Cooper, is a former school teacher who has spent the last eight months in a psychiatric hospital suffering from a bipolar disorder brought on when he came home from work early one afternoon and found his wife Nikki naked in the shower with a fellow teacher and severely beat the man. Discharged, he is sent home to live with his parents, Dolores (Australian actress Jacki Weaver best known as the gangland matriarch in Animal Kingdom (2010)) and his gambling addictive father Pat Senior (an on form Robert De Niro) with the proviso that he diligently takes his medication and does not enter the exclusion zone around his estranged wife. It’s when he meets Tiffany and she invites him to partner her in a dance completion, in aid of a police charity, that the psychological sparks begin to fly.

Mum (Jacki Weaver) and Dad (Robert De Nero)

The chemistry between Lawrence and Cooper forms the backbone of this hugely watchable movie, but all members of the cast, even the minor one’s are excellent. Russell is a director of some credit who is not afraid to tackle underlying serious subjects without being pretentious or depressing. A film that’s head and shoulders above the normal material found under the rom-com banner and for once I can sit through a feel good movie without requiring a sick bag. Could be in the running for an Oscar nomination?