Behind the Candelabra.

I have no qualms about gay cinema, having seen some classics of that genre including Frank Ribbloh’s Taxi zum Klo (1981), Fassbinders Querelle (1982) and the Australian movie Head On (1998) but what I do have a problem with is watching two extremely well known heterosexual actors acting out a guy scenario. The actors in question are Matt Damon and Michael Douglas. The film is Steven Soderbergh reputed last directorial outing Behind The Candelabra (2013). It’s an American drama film about the last ten years in the life of the pianist and vocalist known as Liberace (Douglas). His career spanned some forty years and included concert appearances, recordings, films and a TV series. During a period between the 1950’s and the 1970’s he became the highest paid entertainer in the world. He was also well known for flamboyant excesses. The movie is based on a book entitled Behind the Candelabra: My life with Liberace released in 1988 and written by Scott Thorson (Damon) who was the pianists chauffeur and lover who sued him for palimony. Although Liberace died of an AIDs related illness in 1987 he always denied being gay.

 

Liberace with Scott Thorson.

One is forced by this semi biopic to question how his giant fan base missed the fact that their idol was a gay performer? If the film is to be believed, and there’s no reason to doubt it, it was pretty obvious, perhaps the prejudice of that period excluded people thinking that such a big star could not possible desire the opposite sex, coupled with his many rumoured lesions with different woman. But don’t get me wrong this is a fascinating and well-acted movie that will certainly entertain you if you can ignore the fact that two of the world’s most famous straight actors are up on the screen having simulated sex!  

Hereafter

Tsunami!!!!!

Clint Eastwood’s latest movie Hereafter (2010) has such a realistically stunning special effects opening sequence in which a tsunami sweeps over an Asian holiday resort that in Japan it was pulled shorty after release on the grounds that it was not appropriate following the recent devastating earthquake and tsunami in that country. The main theme of this film, number 31 from the director, is death, or to be accurate, life after death. 

The film tells parallel stories about three very different characters, each one affected by death in one way or another. George Lonegan (Mat Damon) a American factory worker and former professional psychic, French television journalist Marie Lelay (Cecile de France) who survives the tsunami and a working class English lad that has just lost his older twin brother in an accident on a London street (played by real life twins George and Frankie McLaren).

Not one of Eastwood’s best movies by a long chalk but with the great mans trademark of unhurriedly telling a straightforward story in a straightforward manner its entertaining all the same and quite moving at times. His next directorial duties involve a biopic of J. Edgar Hoover focusing on the scandalous and controversial side of the man’s life, due for release next year.