Showing posts with label Emile Hirsch. Show all posts
Showing posts with label Emile Hirsch. Show all posts

Tuesday, 2 September 2014

Prince Avalanche.


In 1987 43000 woodland acres in central Texas were burned by wildfires. Approximately 1600 homes were destroyed and four lives were lost. The cause of the fires remains unknown.[1] Set a year after the fires writer and director David Gordon Green (Joe 2013) based this ‘buddy movie’ on an Icelandic comedy film by Hafsteinn Gunner Sigurdsson called Either Way (2011). Two men are repainting the lines that ran down the middle of roads that meander there way through the area of the disaster. The older of the two is Alvin (Paul Rudd) who has been using this isolated work place to escape from the realities of life. That is until his girlfriend’s brother Lance (Emile Hursch) comes to work with him. Unlike Alvin, Lance is more at home in the city than in the countryside.
 
The two men start to bond.
The two men form a tenuous relationship at first, with Lance going off at the weekend to ‘party’ leaving Alvin to daydream about his imagined life with his work mates sister Madison. Alvin also meets a strange old lady that’s searching in the burned ashes of her home to find her pilots licence!   When a slightly unhinged truck driver leaves alcohol with the two roadmen they start to bond - helped by a drunken binge!
 
The eerie Bastrop landscape. 
Effectively a two hander that’s both human and personnel and although sedately paced it’s a captivating wee film that never looses your interest. Our two leads handle the subtle humour extremely competently and the DOP Tom Orr makes a great deal of the burnt out landscape’s giving an eerie feel to the movie.  Shot on location in Bastrop County Texas where in September 2011 the most destructive wildfire in Texas history took place!



[1] Introduction to the film.

Wednesday, 4 July 2012

Killer Joe.


Best known for The French Connection (1971) and The Exorcist (1973) William Friedkin’s Killer Joe (2012) is the second adaptation of a play by Tracy Letts, the first being Bug (2006) a disturbing film that probes the blurry lines between paranoia and nightmarish reality, an intense mind bending psychological thriller.

William Friedkin’s latest movie is a family drama, not your average mum, dad and one and a half kids living in a two story semi in some ‘tidy’ Newtown, but a very dysfunctional Texas trailer park family that includes father Ansel Smith (Thomas Haden Church) a motor mechanic who is none to bright, his adulterous waitress wife Sharla (Gina Gershon) and Ansel’s nubile daughter Dottie (the splendid scene stealing Juno Temple). Dottie’s brother Chris (Emile Hirsch) lives with their estranged troubled, alcoholic mother Adele. When Chris’s drug dealing debt’s catch up with him he hatches a plan to kill his mother who has a life insurance policy that pays out a substantial sum of money on her death to the bequeathed Dottie. Sharing this plan with his father they decide to hire a professional killer in the form of Joe Cooper a detective in the Dallas Police Department who moonlights as a contract killer. Joe demands his fee up front, which is something father and son are unable to do, they offer Joe half of the $50000 insurance money. He agrees as long as he is given a retainer namely sexual access to the virginal Dottie.

The sinister Joe Cooper.

In this dark tale of violence, sex and betrayal Friedkin manages very successfully to convey a great sense of evil mainly in the form of Killer Joe, played with sinisterly threatening menace by Matthew McConaughey, a character on the same wavelength as the sadistic cop in Michael Winterbottom’s The Killer Inside Me (2010). McConaughey, following up his serious role in last years Lincoln Lawyer, has made quite a transformation from his ‘nice guy’ rom-com roles he was best known for, a similar transformation that Henry Fonda, another ‘nice guy’ made in Once Upon a Time in the West (1968) when he became a child killer.

The nubile Dottie.

This extremely well made blackly comic slice of American film noir is not for everyone and I can assure you your never look as a piece of KFC fried chicken in the same light ever again. But if you enjoy a hardboiled violent cinematic experience this is the film for you.

A family that scheme together don't always stay together.