Showing posts with label Jeremy Renner. Show all posts
Showing posts with label Jeremy Renner. Show all posts

Wednesday, 5 March 2014

American Hustle.


This weeks Robert Burns Centre Film Theatre Film Club screening has been rightly described as a watchable black comedy.[1] American Hustle (2013), shot using locations in an around Boston, Massachusetts, had been nominated for ten Academy Awards at the 2014 Oscar ceremony but it won none! Considering it had already won two BAFTA awards in February, one for Jennifer Lawrence[2] for Best Actress in a Supporting Role and another for Best Screenplay and three awards at this years Golden Globe’s including Best Picture, Best Actress for Amy Adams[3] and Jennifer Lawrence for Best Actress in a Supporting Role, this came as quite a surprise, considering the quality of acting from the two female leads.
 
A fantastic performance from both Jennifer Lawrence and ....
Before the screening began there was a short introduction about what are the ingredients of a good film? I have always said it’s down to a good story that’s well told, but that’s probable an over simplification, and to be honest there’s a lot more to it. Hollywood mainstream movies tend to have guaranteed star-pulling power and American Hustle is no exception, therefore it would not have been a problem raising the budget to make it, unlike lets say British independent movies which always have problems raising even a small budget and at times have to go abroad to raise the cash. This weeks movie is said to have cost between $40 and $50 million dollars to make, but up to the 6th February 2014 box office receipts were said to be in the region of $187 million dollars and that was before the BAFTA’s and of course would of greatly increased if it had won some prominent awards at the Oscars.
 
....and Amy Adams....
But even if you have got the stars and the money you still need a good story. The narrative is loosely based an a FBI sting operation that took place in the late 1970’s and early 1980’s and began its life as a screenplay entitled American Bullshit (I’m not surprised they changed the name!) written by Eric Warren Singer, and rewritten by David O Russell who replaced the characters with caricatures of their respective real-life figures, Christian Bale[4] revealed in an interview that the majority of his character interactions were improvised in multiple takes in which he questioned David O. Russell about the plot. Russell responded that what he had wanted was to focus on the characters, rather than the plot.
 
....whose characters can't quite bond....
Next we need a director of some standing to turn lots of money and a screenplay into something that people will pay to watch. For this production we have the aforementioned David O Russell who, based on his last two feature films is the right man for the job. In 2010 Russell made the award winning biographical sports drama The Fighter, the story of welterweight boxer Mickey Ward and starred Mark Wahlberg, Christian Bale, Melissa Leo and Amy Adams. He followed this with another award winning film Silver Linings Playbook, which won Jennifer Lawrence a Best Actress Award. It’s a film with which Russell manages to walk a thin line between romance, comedy and a dark psychological drama. As well as Lawrence it stared Bradley Cooper, Robert De Niro and the wonderful Jackie Weaver.
 
....mainly due to an FBI officer and a con man!
You will have noticed that the star power I mentioned involves some of the actresses and actors I have spoken about in connection with Russell’s previous work. They include Christian Bale[5], Bradley Cooper[6], Amy Adams, Jennifer Lawrence with the addition of Jeremy Renner[7], and in an uncredited part Robert De Niro. That just leaves us to acknowledge the technicians and crew without whom this, or any other film could have not been made.
 
A Hollywood movie with style.
Basically a full house at the RBC went home entertained by a film that after it got into its stride was very funny and impeccably cast especially as I said previously, the two female leads. With the best scene in the film featuring Jennifer Lawrence in yellow marigolds singing Live and Let Die (see link below). It’s a film with oodles of style and looks so good up on the big screen made even better by the choice of soundtrack (any film that starts with America singing A Horse with No Name is never going to disappoint). And yes the director was right to concentrate on the characters. Film critic Mark Kermode asked the question Is this film anything more than a brilliantly window dressed period piece with a ring-a-ding performances from an all star cast remains to be seen” my answer to this would be yes, it’s a film that’s great fun and one I can’t wait to see again.









[1] Peter Bradshaw The Guardian 20/12/2013
[2] Lawrence's lead role in Debra Granik's Winter's Bone, which won best picture at the Sundance Film Festival in 2010, is often cited as a breakout performance for her. She portrays Ree Dolly, a seventeen-year-old in the Ozark Mountains who cares for her mentally ill mother and her younger brother and sister.
[3] Junebug (2005), Charlie Wilsons War (2007) Doubt (2008) The Muppets (2011) The Master (2012) On the Road (2012)
[4] To prepare for the role, Christian Bale gained 50 pounds.
[5] Bale, famous for his radical physical transformations on screen, received great commercial recognition for his role as Bruce Wayne/Batman in the three Bateman films (2005,2008 and 2012).
[6] The Place Beyond the Pines (2013)
[7] Best known for his roles in The Hurt Locker (2008) for which he received an Academy Award nomination for Best Actor,

Wednesday, 9 January 2013

Avengers Assemble.



All credit to Joss Whedon’s writing and direction on what amounts to his first Hollywood blockbuster, a sequel to the proceeding five Marvel Cinematic Universe movies Iron Man (2008),  The Incredible Hulk (2008)  Iron Man 2 (2010) Thor (2011) and Captain America: The First Avenger (2011). Avengers Assemble (2012) is an absolute dynamite adaptation of a comic book action adventure and one certainly worthy of the description of ‘action movie’ with CGI that is more than impressive with its post 9/11 imagery and references. It also includes, in abundance, one of the most important ingredients of any comic book movie: humour.

Natasha Romanoff AKA The Black Widow.

Hawkeye.

The plot involves our collective superheroes, Iron Man, the Hulk, Thor, Captain America and the lesser known Hawkeye and the ultra sexy Black Widow, battling a supervillain, well actually a Norse God, who has stolen an energy source resembling a blue translucent cube called a Tesseract, which is powerful enough to destroy earth.

The Norse God Loki.
One of the great strengths of this movie is its villain Loki, played brilliantly by Tom Hiddleston, who you will remember from Thor as the crown prince of Asgard’s adopted renegade brother. The cast’s commitment to their particular character’s help to conjure up a totally realistic Marvel world, Robert Downey Jr as the heir to the Stark dynasty giving the role the eccentricity it deserves, all American hero Captain America is again portrayed by Chris Evans, with Chris Hemsworth reprising his role as Thor and Mark Ruffalo finally giving the kudos that the role of Bruce Banner deserves. Jeremy Renner plays Hawkeye a S.H.l.E.L.D agent whose skill with a bow and arrow gives him the title of the world’s greatest marksman. Scarlett Johansson brings superspy Natasha Romanoff, better known by her code name Black Widow, to life. Also involved is Samuel L. Jackson who plays the director of S.H.l.E.L.D Nick Fury responsible for bringing the superheroes together to help fight world domination by the evil fascistic Loki. To all Marvel Cinematic Universe virgins I challenge you to watch this film and not fall in love with the whole comic book concept.

Commander Nick Fury.
Will the Hulk save the day?

Thursday, 25 October 2012

Bourne Legacy.


Tony Gilroy wrote the screenplays for the first three Bourne movies all based on Robert Ludlum's novels, and has now stepped up to direct, as well as write, the latest instalment The Bourne Legacy (2012). With the original actor leaving the series we have a different lead character, not Jason Bourne (Matt Damon) this time but Aaron Cross/Outcome 5. Replacing Damon with Jeremy Renner (Town 2010, The Hurt Locker 2008) has given a new lease of life to the franchise after the rather disappointing third film The Bourne Ultimatum (2007), whose plot line incidentally overlaps this new film.


Cross and the Doctor attempt to make their escape.
Following public exposure by a Guardian journalist of the Blackbriar and Treadstone programmes and the on going investigation involving CIA Deputy Director Pamela Landy (Joan Allen) and former director of Operation Blackbriar, Noah Vosen (David Strathairn) it's decided to close down the complete Treadstone programme. This programme involved setting up a trained genetically modified kill squad involving Outcome agents. Intelligence chief Eric Byer (Edward Norton) takes the decision to not only eliminate all its field operatives, which obviously involves Outcome 5, but also their scientific backup team which includes Dr Marta Shearing (Rachel Weiss).

A good all round action drama, which included a very exciting and well-staged James Bond style ‘chase’ through the crowded streets of Manila. Ideal for passing a couple of hours on a Friday evening, and dare I say that I found Renner’s portrayal of a Bourne agent much more convincing than the previous incumbent?

Monday, 8 August 2011

The Town


I’ve certainly seen some laudable films where the city of Boston has been used as a backdrop including Ben Affleck’s directing debut Gone Baby Gone (2007). Based on a crime novel written by Dorchester born Dennis Lehane it’s about two local private detectives Patrick Kenzie (played by Affleck’s brother Casey) and Angela Gennaro (Michelle Monaghan) who are assigned to investigate the kidnapping of a four-year old girl. This movie had an authentically believable plot that tackled the subject of child abduction and police corruption with a great deal of candour.

Director Ben Affleck.
Ben Affleck’s latest project finds him in the director’s chair, as well as in front of camera, for the first time. The Town (2010) is again based on a local crime novel, The Prince of Thieves written by Chuck Hogan and co-scripted by the busy Affleck. The film starts with the statement “There are over 300 bank robberies in Boston every year. And a one-square- mile neighbourhood in Boston, called Charlestown, has produced more bank and armoured car robbers than anywhere in the U.S” which sets the tone for our story. Doug MacRay (Affleck) following in his incarcerated father Stephen’s footsteps (a great cameo from the reliable Chris Cooper) is the leader of a gang of ruthless robbers. His partners in crime includes best friend James ‘Jem’ Coughlin (Jeremy Renner, who was nominated for an Academy Award for Best Actor in The Hurt Locker 2009) a psychopath with a dangerous and deadly temper. Things do not quite go to plan while attempting their latest bank robbery, after beating the assistant manager near to death with the butt of his automatic weapon Jem takes a hostage, the bank manager Claire Keesey (London born actress Rebecca Hall). When they discover she lives in Charlestown, Jem gets nervous and wants to check out what she might have seen. Feeling it unwise to let his friend do the investigating Doug takes charge. He seeks out Claire, who has no idea that their encounter is not by chance or that this stranger is one of the men who terrorized her only days before. This encounter with Claire leads Doug into dangerous territory and his relationship begins to threaten his loyalties. Forced into one final heist by local crime lord Fergie Colm (Pete Postlethwaite’s penultimate performance) and with the FBI, in the form of Agent Frawley (Mad Man’s Jon Hamm) getting ever closer Doug has to make some life affirming decision’s.

I would agree with critic Philip Kemp when he say’s that it’s a lesser work which lacks the complexity and moral ambiguity of his directorial debut, I also think Affleck tries two hard on the romance level spoiling what could have been a good film with an unnecessarily sentimental ending. It’s a passable crime drama with all the normal hoist cliché’s but where it succeeds most is in fostering a feeling of homegrown authenticity, obviously there has been a lot of research done and it was a good move to involve local people in the cast. It’s not Heat (1995) but it’s worth a look.