Showing posts with label J Lee Thomson. Show all posts
Showing posts with label J Lee Thomson. Show all posts

Wednesday, 20 August 2014

For Better, For Worse.



Tony Howard (Dirk Bogarde) takes Anne Purves (the baby faced Susan Stephan who was Mrs Nicolas Roeg between 1957 and 1977) to the local ABC Ritz. It’s there, although they have only been going out for 4 weeks, that Tony asks Anne to be his wife and she accepts. There next step is to seek permission from Anne’s father, always a scary affair this grilling by your prospective father in law, in my case he was a very big Dutchman who scared the shite out of me! Usual question’s asked, have you got a job, how much money do you earn, where do you intend to live and of course my daughter is to young to marry – Anne is 19, while the 33 year old Bogarde’s character is 23. Tony has no job and certainly has no were to live. So Mr Purves, (Cecil Parker) who obviously has a few bob, sets down the conditions under which this young whippersnapper can marry his beloved daughter - get a job and find somewhere to live - although he does offer them accommodation in the rather large well furnished house that he and his smartly dressed wife (Eileen Herlie) roll around in.  But Tony’s a proud man and wants to do right by his intended. A job in an office as a third grade government clerk is conjured up at five pound ten shillings a week and then there’s the flat! A large single roomed apartment in a block of flats with the kitchen in one cupboard and a bathroom, without a bath, in another all for thirty shillings a week. And one must remember that a ‘wedding night’ actually meant a wedding night back in the distant past, which certainly gave a young man something to look forward too! They share this location with what can only be described as eccentrics, who incidentally are played by some very well known British character actors including Dennis Price, Athene Seyler and Thora Hird. It’s in this flat where most of our story takes place and provides most of the comedic moments.

The two young lovers. 

Cecil Parker and Athene Seyler.

Based on the British film censor Arthur Watkyns play that had run for over 500 performances in London’s West End[1] and directed by J. Lee Thomson (The Yellow Balloon 1953 Woman in a Dressing Gown 1957, Tiger Bay 1959) this light hearted middle class comedy tries to masquerade as a working class drama but it does not wash and certainly no way does it qualify as a social realist movie! Note the way the couple treat the plumber (James Hayter) who come’s to unblock the kitchen sink and remember the main character owns a vintage car that has a name! But it’s far from being an objectionable film and in fact because of the strength of the script and its decent cast is quite entertaining. There’s something rather cosy and charming about this type of British comedy where nothing really awful happens and we get a ‘happily-ever-after’ ending: which makes a refreshing change especially for this hard nosed blogger.




[1] Bogarde had created the role of Tony Howard at the Q Theatre Kew Bridge London in the plays try out in 1948!

Monday, 8 April 2013

Woman in a Dressing Gown.



The dressing gown in question belongs to Amy Preston (Yvonne Mitchell), a woman who seems to spend every waking hour in her dressing gown. Amy is overbearingly loud, terribly disorganised but tries desperately to be a good wife to her husband Jim (Anthony Quayle) and good mother to their son Brian (Andrew Ray). But without success, her domestic skills are sadly lacking and she can’t seem to function without the wireless blearing out load music. All of which sends Jim scurrying into the arms of Georgie (Sylvia Syms), a young and attractive secretary at the timber yard where he works. Escaping from the drudgery of his home life by telling his wife he has to work overtime. But the time has come for Jim to make up his mind between the two women.
 
Amy's domestic skills are sadly lacking!
A large part of writer Ted Willis’s work was attempting to capture ‘good, honest’ fumbling people caught up in tiny tragedies with social problems firmly anchored to the domestic, rather than the public and directly political’[1] But the question remains does Woman in a Dressing Gown (1957) qualify as realism? As Lindsay Anderson observed at the time ‘(the film) is neo-unrealist: a little suburban story with unsuitable gloss’.[2] Dubbed ‘the Brief Encounter of the LCC tenants[3] but nowhere near as patronising, it suffers from lack of credibility mainly because of its casting. If this story of relationship breakdown took place in a 3-story semi in suburbia and not on the 3rd floor of Nightingale House in a small rather untidy council flat the cast would be fine. It’s not as though the acting’s bad just in the wrong setting with Mitchell deservedly winning the Silver Bear for Best Actress at the 7th Berlin International Film Festival for her portrayal of a woman with obvious mental problems which it is suggested may have been brought on by the lose of her first child one week after its birth.


Jim Preston has to make a choice. 

This remake of an ITV Television Play first shown on the 28th June 1956 was directed by J Lee Thompson (The Yellow Balloon 1953, Tiger Bay 1959). The camera work is over indulgent always framing scenes rather than filming them ‘straight on’, which keeps the audience arms length from the characters that tends to exclude any empathy they may or may not deserve. Having spent some of my childhood in a similar block of LCC London flats I must admit I find it strange that the Preston’s loud music did not warrant complaints!

The films location.



[1] Daily Herald January 1961.
[2] New Statesman October 1957.
[3] Daily Mail October 1957

Thursday, 2 February 2012

Tiger Bay.

Hayley Mills in her debut film..

During the first half of the 1960’s Hayley Mills, youngest daughter of John Mills and Mary Hayley Bell, was the most popular child actor in the world. British director, producer and screenwriter J Lee Thomson spotted her when he visited her father at the family home to discuss his new film Tiger Bay (1959).  Filmed in atmospheric black and white on location in the Tiger Bay area behind the Cardiff Docks, one time home of singer Shirley Bassey, and at the Transporter Bridge in near by Newport.  It tells the story of 10 year old Gillie who witnesses a Polish seaman, Bronik Korchinsky, shoot and kill his adulterous girlfriend Anya (Yvonne Mitchell) in a fit of jealous rage, abducting the young eyewitness they go on the run, pursued by the grim humourless policeman Superintendent Graham (John Mills). Twelve-year-old Hayley Mills play’s the tomboy Gillie Evens in this her debut feature film role for which she won the Best Newcomer BAFTA in 1960. The role also secured her a five-year contract with Walt Disney. Horst Buchholz in his first British film plays the fugitive Pole, the following year he went on to play Chico in the classic western The Magnificent Seven.

Hayley with fugitive Horst Buchholz

This British crime drama captures a glimpse of the rich multiracial culture of the area in the late 50’s including many scenes of children’s and black street culture. Authentic and realistic, a forerunner to the impending British New Wave. Hayley Mills went on to make her first two films for Disney but her biggest challenge was her role of Kathy Bostock in the British drama Whistle Down the Wind in 1961. Bryan Forbes debut film tells the story of three Lancashire children who discover Jesus Christ hiding in their barn! They get it in their minds that the local adult population is setting up a second crucifixion for their visitor and decide to do all they can to protect him. Alan Bates plays the stranger and Hayley’s mother wrote the novel that the films based upon. This I believe is Hayley best film and a great watch for all the family; in fact it would make a great double bill with Tiger Bay.

Hayley with fugitive Alan Bates.