The biggest
concrete pour in Europe and one man in a BMW X5 driving from Birmingham to
London does not sound like the ideal ingredients for an exciting and tension fuelled
movie. But you would be wrong. The man
is Ivan Locke (Tom Hardy), and Ivan is the site manager responsible for
supervising a concrete pour that will be the largest of its kind in Europe
outside of military contracts. If the pour goes wrong then millions of pounds
could be at stake. On the eve of this crucial process Ivan leaves the site in
his beemer to join his wife (Ruth Wilson voice) of 15 years and his two sons to
watch an important football match on the television. Then he receives a phone
call from Bethan (Olivia Colman voice), a 43 year old co-worker who he had sex
with seven months ago and has not heard from since, she informs him that she
has gone into premature labour and wants him at the birth which is to take
place in a London hospital. Ivan Locke
has a decision to make, does he go home, watch the football with his family and
get back to site in the morning to supervise the concrete or does he turn onto
the motorway and head south.
Writer and
director Steven Knight (Hummingbird
2013)[1] documents Ivan’s journey
south to support a woman he barely knows at the detriment of his family and his
career. No other characters appear in the film with the entire dialog taking
place over Ivan’s hands free telephone in his BMW. The tension builds when Ivan
juggles his phone time between telling his wife that he has been unfaithful and
arranging for the mornings work to be carried out by his rather insecure
assistant Donal (Andrew Scott voice) who for the very first time is expected to
inspect the pumps, check the shuttering and carry out the all important slump
test’s with the explicit instructions ‘if its like piss send it back’.
The emotional
story is of a man that looses everything he holds dear but gains something
that’s as precious as life it self: his self respect culminating with the gift
of childbirth. Narratively we concentrate on one person and the human condition
where a decent man can make just one mistake that can change everything. We all
at one time could have to make life changing decisions which will effect
ourselves and the people we love but hopefully not in such a traumatic way as
illustrated in Knights movie.
Heavily
reliant on the acting of Tom Hardy, who gives one of his best performances to
date, to keep our interest, Locke (2013) works really well and
the Director of Photography Hans Zambarloukos, who was responsible for the
wonderful Venus (2006), captures the
feel of driving down the motorway after dark, almost bringing Kraftwerk’s 22
minute track Autobahn to life. The
filming took place in real time as the BMW was transported on a flat backed truck
down the motorway on the outskirts of London.
Ignore the negative critiques and make your own mind up but I’m sure you
will agree that this is a very worthwhile attempt at something slightly
different in the world of cinema.
[1] Steven Knight is best known as a
screenwriter on films such as Eastern Promises (2007) and Dirty Pretty Things
(2002) and created and wrote TV’s Peaky
Blinders.
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