Films like Performance (1968), The Long Good Friday (1980) owe a lot to
the most famous of Britain’s home-grown criminals as does Legend (2015) which is
based on the book The Profession of
Violence: The Rise and Fall of the Kray Twins by John Pearson adapted for
the big screen by its director American Brian Helgeland, best known as script
writer on such films as L.A. Confidential
(1997), Mystic River (2003), Green Zone (2010) and Robin Hood (2010).
 |
| Reggie and Ronnie Kray enjoying a 'nice cup of tea'. |
This latest outing, as you may of guessed, is about Ronnie
and Reggie Kray identical twin brothers that run organised crime in the East
End of London during the 1950’s and 60’s. Unlike Peter Medak’s The Krays (1990) it does not take as its
central theme Violent the twins mother but Reggie’s wife Frances’s who also
narrates the film. The twins who called themselves The Firm were responsible
for armed robberies, arson and protection rackets amongst other criminal activities.
The movie not only demonstrates the violence involved with the Kray Empire but
also how they became owners of West End nightclubs, which attracted celebrities
and entertainers also allowing them to mix with prominent politicians alleged
to include both Tom Driberg and Lord Boothby. Because of their connections they
became celebrities themselves even being photographed by fashion photographer David
Bailey.
 |
| Reggie's marriage to Frances. |
The rather slick and polished overview of London’s criminal
world in the 1960’s is a triumph for British actor Tom Hardy
who convincingly plays both of the brothers and whose performance stays in your
mind long after the film is over. Emily Browning is Frances Kray, the wife of Reggie;
Christopher Eccleston is Detective Superintendent ‘Nipper’ Reed the nemesis of
the Kray twins. The Kray’s business manager is played by David Threwis and
Peaky Blinders star Paul Anderson is convincing as Albert Donoghue Reggie’s
minder as is Tara Fitzgerald who dressed in black to show her displeasure at
her daughter marrying Reggie Kray.
 |
| Ronnie and friend with Lord Boothby. |
Beneath the razzle dazzle and glamour of the Kray’s life style
is the violence that betrayed people’s admiration of these charismatic
criminals. This brutal era and the mid sixties detail is enthusiastically drawn
out in this movie both by cinematographer Dick Pope who worked with Mike Leigh
on many of his films and designer Tom Conroy. From the Bethnal Green terraces
to the bright lights of London’s West End we are treated to the working class
boys who ‘made good’ - and bad. To a
certain extent Helgeland’s feature film is a British gangster movie that stands
out head and shoulders above other movies in this genre because of the acting
talent of its lead star.
