Payroll.

It was Andy Coleby who described this British heist movie as a fine example of bread and butter populist cinema. Unmistakable set around 1960 with location shooting taking place in Newcastle and Gateshead, and the black and white photography helping to give the Tyne and Wear area a real gritty bleak feel. Payroll was released in the UK in May 1961and was directed by Sydney Hayers who made two other films of note during this period Circus of Horrors (1960) and Night of the Eagle (1961). It is an unsophisticated tough crime drama involving a group of four unscrupulous villains who originally plan to rob a saloon car that each week carries a very large sum of cash to pay a factory's payroll. Before they can carry out their well-planned undertaking a new means of transporting the money is developed using a company with a prototype secure van, one that supposed to be able to defy any attempt at robbery. But the security company did not allow for the determination of Michael Craig and his rag tag band of villains. 

 

Husband and wife played by Dennis Pearson and Francoise Prevost.

Although the more cynical viewer can pick holes in the narrative it remains a grand example of a British crime noir of the era, at times very exciting with a great robbery sequence that ends in tragedy and which puts other crime dramas of the period to shame. Solidly adapted by George Baxt from a novel by Derek Bickerton it stars Craig[1] as Johnny Mellors the head of the gang that carryout the hoist caper, his three compatriots are played by a very edgy Tom Bell[2] as Blackie, the brilliant composed Kenneth Griffith[3] as the gangs alcoholic weak link Monty and Barry Keegan as Bert the mechanic. Also involved in the shenanigans are Billie Whitelaw, as a vengeful widow who manages to stay one step ahead of the local police force, Dennis Pearson as the wages clerk and the gangs inside man and his unfaithful wife who is played by Francoise Prevost the French actress who in 1968 starred in the Metzengerstein segment of Spirits of the Dead.  

Various scenes from the 1961 film.

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[1] Seen opposite Dirk Bogarde in Campbell’s Kingdom in 1957 and had a lead role in Sapphire (1959).

[2] Whose debut film was Joseph Losey’s The Criminal (1960), which starred Stanley Baker.

[3] An actor that made more than 100 films in his sixty-year career.

Campbell’s Kingdom.

In-between the Ralph Thomas directed and Betty Box produced movies Doctor at Large (1957) and Tale of Two Cities (1958) Dirk Bogarde played Scotsman Bruce Campbell in a British adventure film Campbell’s Kingdom (1957). Campbell had been told he has only six months to live; he has an unnamed terminal disease. Following this devastating piece of news he then finds out that he has inherited a small valley in the Canadian Rocky Mountains known as Campbell’s Kingdom from his grandfather. Before the old man died in suspicious circumstances he was convinced that his land had a rich vain of oil beneath it. But when Bruce arrives from England he discovers that the land is to be flooded on completion of a nearby dam, which means he only has a short time to determine if his grandfather was correct and save the valley. The dam is being built by a corrupt construction contractor Owen Morgan (a menacing Stanley Baker) who will stop at nothing to finish the dam even if it means resorting to dirty tricks to stop Campbell proving that there is oil on his land and therefore preventing the flooding of the valley.

 

Bruce Campbell as portrayed by Dirk Bogarde.

Assisting Bogarde in his quest is Barbara Murray who plays the daughter of old man Campbell’s crooked partner, who had swindled the locals out of their savings, and Bruce’s love interest Jean Lucas. Michael Craig plays the geologist Boy Bladen. James Robertson Justice, with a dubious Scottish accent, play’s a drilling contractor whose willing to risk every thing on Bladen geology results, the ones that Owen Morgan has been suspected of tampering with!

 

Some of the supporting stars including Sid James.

Set in the Alberta, the movie was shot in the Italian Dolomites and at the Pinewood Studios in England. The movie was seen at the time as an attempt to emulate Hollywood’s western genre action films but most critics of the period did not think it succeeded. Returning to it now it turns out to be a very satisfying watch. It was based on a cracking old fashioned adventure yarn written by Hammond Innes in 1952 and adapted by Robin Estridge. With a great cast and an exciting climax its well worth 102 minutes of your time. Another significant release from Network.