Showing posts with label David O Russell. Show all posts
Showing posts with label David O Russell. Show all posts

Wednesday, 5 March 2014

American Hustle.


This weeks Robert Burns Centre Film Theatre Film Club screening has been rightly described as a watchable black comedy.[1] American Hustle (2013), shot using locations in an around Boston, Massachusetts, had been nominated for ten Academy Awards at the 2014 Oscar ceremony but it won none! Considering it had already won two BAFTA awards in February, one for Jennifer Lawrence[2] for Best Actress in a Supporting Role and another for Best Screenplay and three awards at this years Golden Globe’s including Best Picture, Best Actress for Amy Adams[3] and Jennifer Lawrence for Best Actress in a Supporting Role, this came as quite a surprise, considering the quality of acting from the two female leads.
 
A fantastic performance from both Jennifer Lawrence and ....
Before the screening began there was a short introduction about what are the ingredients of a good film? I have always said it’s down to a good story that’s well told, but that’s probable an over simplification, and to be honest there’s a lot more to it. Hollywood mainstream movies tend to have guaranteed star-pulling power and American Hustle is no exception, therefore it would not have been a problem raising the budget to make it, unlike lets say British independent movies which always have problems raising even a small budget and at times have to go abroad to raise the cash. This weeks movie is said to have cost between $40 and $50 million dollars to make, but up to the 6th February 2014 box office receipts were said to be in the region of $187 million dollars and that was before the BAFTA’s and of course would of greatly increased if it had won some prominent awards at the Oscars.
 
....and Amy Adams....
But even if you have got the stars and the money you still need a good story. The narrative is loosely based an a FBI sting operation that took place in the late 1970’s and early 1980’s and began its life as a screenplay entitled American Bullshit (I’m not surprised they changed the name!) written by Eric Warren Singer, and rewritten by David O Russell who replaced the characters with caricatures of their respective real-life figures, Christian Bale[4] revealed in an interview that the majority of his character interactions were improvised in multiple takes in which he questioned David O. Russell about the plot. Russell responded that what he had wanted was to focus on the characters, rather than the plot.
 
....whose characters can't quite bond....
Next we need a director of some standing to turn lots of money and a screenplay into something that people will pay to watch. For this production we have the aforementioned David O Russell who, based on his last two feature films is the right man for the job. In 2010 Russell made the award winning biographical sports drama The Fighter, the story of welterweight boxer Mickey Ward and starred Mark Wahlberg, Christian Bale, Melissa Leo and Amy Adams. He followed this with another award winning film Silver Linings Playbook, which won Jennifer Lawrence a Best Actress Award. It’s a film with which Russell manages to walk a thin line between romance, comedy and a dark psychological drama. As well as Lawrence it stared Bradley Cooper, Robert De Niro and the wonderful Jackie Weaver.
 
....mainly due to an FBI officer and a con man!
You will have noticed that the star power I mentioned involves some of the actresses and actors I have spoken about in connection with Russell’s previous work. They include Christian Bale[5], Bradley Cooper[6], Amy Adams, Jennifer Lawrence with the addition of Jeremy Renner[7], and in an uncredited part Robert De Niro. That just leaves us to acknowledge the technicians and crew without whom this, or any other film could have not been made.
 
A Hollywood movie with style.
Basically a full house at the RBC went home entertained by a film that after it got into its stride was very funny and impeccably cast especially as I said previously, the two female leads. With the best scene in the film featuring Jennifer Lawrence in yellow marigolds singing Live and Let Die (see link below). It’s a film with oodles of style and looks so good up on the big screen made even better by the choice of soundtrack (any film that starts with America singing A Horse with No Name is never going to disappoint). And yes the director was right to concentrate on the characters. Film critic Mark Kermode asked the question Is this film anything more than a brilliantly window dressed period piece with a ring-a-ding performances from an all star cast remains to be seen” my answer to this would be yes, it’s a film that’s great fun and one I can’t wait to see again.









[1] Peter Bradshaw The Guardian 20/12/2013
[2] Lawrence's lead role in Debra Granik's Winter's Bone, which won best picture at the Sundance Film Festival in 2010, is often cited as a breakout performance for her. She portrays Ree Dolly, a seventeen-year-old in the Ozark Mountains who cares for her mentally ill mother and her younger brother and sister.
[3] Junebug (2005), Charlie Wilsons War (2007) Doubt (2008) The Muppets (2011) The Master (2012) On the Road (2012)
[4] To prepare for the role, Christian Bale gained 50 pounds.
[5] Bale, famous for his radical physical transformations on screen, received great commercial recognition for his role as Bruce Wayne/Batman in the three Bateman films (2005,2008 and 2012).
[6] The Place Beyond the Pines (2013)
[7] Best known for his roles in The Hurt Locker (2008) for which he received an Academy Award nomination for Best Actor,

Thursday, 27 December 2012

Silver Linings Playbook


The film provides great chemistry between Lawrence and Cooper. 
I must be getting old, why, I hear you say? Well, I actually went to see a romantic comedy with a happy ending and thoroughly enjoyed it!!!!  But before you all get too excited I’d better tell you that the director of the award winning The Fighter (2010) and the brilliant quirky comedy I Heart Huckabees (2004) David O Russell’s latest film Silver Linings Playbook (2012) does in fact deal with problems associated with mental illness, maybe not quite Family Life (1971) but a very agreeable picture all the same.

The film boasts a very talented cast that manages, with Russell’s directive powers, to walk the line between romance, comedy and a dark psychological drama. Based on the 2008 novel of the same name by Matthew Quick is stars Jennifer Lawrence (Winters Bone 2010) who plays Tiffany, the young widow of a police officer who was run down and killed by a car while helping a stranger change his wheel after a puncture. Unable to get over his death she suffers from an addictive dysfunction, which has resulted in her getting the sack from her job after having sex with all the staff, male and female!  Pat Solitano, played by the Hangover (2009) star Bradley Cooper, is a former school teacher who has spent the last eight months in a psychiatric hospital suffering from a bipolar disorder brought on when he came home from work early one afternoon and found his wife Nikki naked in the shower with a fellow teacher and severely beat the man. Discharged, he is sent home to live with his parents, Dolores (Australian actress Jacki Weaver best known as the gangland matriarch in Animal Kingdom (2010)) and his gambling addictive father Pat Senior (an on form Robert De Niro) with the proviso that he diligently takes his medication and does not enter the exclusion zone around his estranged wife. It’s when he meets Tiffany and she invites him to partner her in a dance completion, in aid of a police charity, that the psychological sparks begin to fly.

Mum (Jacki Weaver) and Dad (Robert De Nero)

The chemistry between Lawrence and Cooper forms the backbone of this hugely watchable movie, but all members of the cast, even the minor one’s are excellent. Russell is a director of some credit who is not afraid to tackle underlying serious subjects without being pretentious or depressing. A film that’s head and shoulders above the normal material found under the rom-com banner and for once I can sit through a feel good movie without requiring a sick bag. Could be in the running for an Oscar nomination?


Tuesday, 24 May 2011

The Fighter


Micky Ward.

Despite its important role within British culture, sport has never been nearly as prominent in British movie’s as it has in Hollywood. We seem unable to produce a successful film about our national sport: football, I think The Arsenal Stadium Mystery  (1939) probably qualifies along with The Damned United (2009), and maybe Bend it Like Beckham (2002) or Fever Pitch (1997) or perhaps a drama loosely linked to the sport like Ken Loach’s Looking for Eric does? Admittedly there some very good British sports films including Lindsay Andersons This Sporting Life (1963) a story about Rugby League football which was based on the novel by a former professional rugby league footballer David Storey who also adapted the screen play which gave it a great deal of authenticity. Another is Chariots of Fire (1981) which tells the fact based story of two athletes in the 1924 Olympics, Eric Liddell, a devout Scottish Christian who runs for the glory of God and Harold Abrahams, an English Jew who runs to overcome prejudice. A film that was nominated for seven Academy Awards and won four including Best Picture.

When we look to America it would appear they include any number of sporting activities into movies. For example Pool: The Hustler (1961) and its follow up The Colour of Money (1986). Baseball: The Kevin Costner films Bull Durham (1988) and Field of Dreams (1989) Golf: Caddyshack (1980) and Tin Cup (1986) Horseracing: Seabiscuit (2003) Skiing and Bobsleigh: Downhill Racer (1969) and Cool Running (1993) Ice Hockey: The Paul Newman comedy Slap Shot (1977) National Football League: Blind Side (2009) for which Sandra Bullock won the Academy Award for Best Actress in a Leading Role. Motor Racing: Days of Thunder (1990) and Le Mans (1971) starring Steve McQueen and considered to be the most historically realistic representation in the history of motor racing. Wrestling: Mickey Rourke won a BAFTA for Best Leading Actor in 2009’s The Wrestler. If we include bowling then what better film than the Coen Brothers masterpiece The Big Lebowski (1989). But I would warrant an opinion that the best sports films have involved boxing in the story line.

From drama to biopics, boxing has been a subject that movies lovers and critics alike seem to have a great affinity for. The movies are generally a metaphor for the social struggle and for life it self. The best known is probably Martin Scorsese’s ultra violent Raging Bull (1980) certainly one of the best pictures of the eighties. It’s a complex portrait of the self-hating world champion Jake La Motta, a role that brought an Oscar for Robert De Niro who put on weight to play the boxer in decline. The fights are said to be the most brutal ever filmed. This role matched De Niro’s brilliant portrayal of Travis Bickle in Scorsese’s Taxi Driver (1976) that has just been re-released and should be in the next RBC programme. Other great pugilistic masterpieces are Robert Rossen (The Hustler) 1947 Body and Soul; it starred John Garfield, one of the great actors of his generation as a corrupt fighter and uses boxing to indict capitalism and the distortions of the American dream. A lot of people connected with this film ended up on Hollywood anti-communist blacklist. Incidentally the fight scenes were shot on roller skates!  The Set-Up (1949) directed by Robert Wise (West Side Story Co-director (1961), The Sound of Music (1965)) has the great Robert Ryan as a washed up fighter trying to regain his self-respect while his manager has done a deal with some local gangster believing that he will lose his next fight Champion (1949) directed by Von Ryan’s Express (1965) director Mark Robson, it starred Kirk Douglas as an ambitious fighter mixed up with corruption.  Then of course we have Rocky (1976), which won three Oscars including best picture, and spawned five sequels.   Although there have been fewer boxing movies in recent years there have been some of note including Ali (2001) the biographical film, directed by Michael Mann, about the boxing icon Muhammad Ali from 1964 to 1974 including his capture of the heavyweight title from Sonny Liston and the George Foreman fight in 1974 documented in the film When We Were Kings (1996). Inspired by another real life fighter James J. Braddock Ron Howard directed Cinderella Man (2005) with Russell Crow playing the boxer. One of my own personnel favourite is Million Dollar Baby (2004) directed by and starring Clint Eastwood in the tale of a 32 year-old women determined to become a great boxer.  Which brings us to tonight’s film. 

Dicky Alice and Micky.
Directed by David O Russell (I Heart Huckabee’s (2004)) The Fighter (2010) is a biographical drama that centres on the life of professional welterweight “Irish” Micky Ward with all the ups and downs, and hopes and disappointments normally associated with a boxer’s life but mainly centres on his dysfunctional family. As well as Ward there’s his older half brother Dicky Eklund a crack head living off the memory of the night he floored Sugar Ray Leonard and now attempting to train his younger brother. There are also seven sisters and Micky's father but mother Alice dominates the family. Mark Wahlberg dedicated over four years of training to obtain the physique to convincingly play Ward. Christian Bale is the older brother another role he had to lose weight for as he did in The Machinist (2003) and Rescue Dawn (2007) but a role that won him an Academy Award for Best Supporting Actor. Melissa Leo, whose breakthrough film role was in the 2003 film 21 Grams and she was previously nominated for an Academy Award for Best Actress in the exceptional Frozen River (2008), plays Alice, mother to both fighters and the seven sisters. She collected an Academy Award for Best Supporting Actress for this role. Amy Adams (Junebug 2005, Doubt 2008) plays Micky Wards love interest, a tough sexy bar maid who’s not afraid to stand up to Alice.  Time Warner Sports Illustrated dubbed the film ‘the best sports movie of the decade’ while Philip French described this as an ‘actors film’.

It certainly was an actor’s film with great performances from every one involved; Christian Bale and Melissa Leo deserved their Oscars for Best Supporting Actor and Actress respectively but the greatest revelation was Mark Wahlberg, whose early private life must of helped in what is his best performance to date other than possibly The Departed (2006). I was not sure if the title of the film referred to the boxing or the in-fighting within the family something that set this film apart from other movies in the same genre. But the highlight for me had to be the fight scenes, beautifully choreographed and shoot, wonderfully exciting completely mesmerising this viewer who was very nearly shouting verbal support for Ward during the screening. I can honestly say this was a very enjoyable evenings entertainment made even better by a slice of delicious chocolate cake!