Showing posts with label Johnny Daukes. Show all posts
Showing posts with label Johnny Daukes. Show all posts

Tuesday, 11 September 2012

Wonder.



You will remember how much I raved about Johnny Daukes film Acts of Godfrey (2012) when it was shown at the Robert Burns Centre Film Theatre  in Dumfries when Johnny travelled up to Scotland to take part in a Question and Answer session following our Film Club screening. This was his first feature film, a brave attempt at something completely different, cleverly written in rhyming couplets using modern day vernacular to great effect. When I was down in London recently for the Paralympics I was fortunate to be invited to the very first screening of Johnny’s latest feature film, which took place in the Court House Hotel in Great Marlborough Street W1.  The 26 minute long-form short film Wonder (2012), again written by the director, is an intimate exploration of loss and reconciliation involving four very different couples over an evening and morning who find themselves connected by a journey that could have a devastating affect on all their lives.

Wonder began life as a group of songs that were recorded over Christmas 2011, that were prompted by various incidents including a painting given to Johnny of a ‘man with a bird on his head!’ but I believe the main influence came from the breakup of one of his friend’s relationships.  Attending a screenwriting course he was told by writer Guillermo Arriaga (21 Grams, Babel, Amores Perros) to write with his heart and when music-publishing legend Christian Ulf-Hansen suggested that he should make a film to go with the six songs, Johnny wrote a first draft for this new movie. With finance arranged by old friend William Garfield-Bennett of Garfield-Bennett Trust, Wonder was completed earlier this year.

The movie stars some very well known actors including Henry Goodman, best known for Notting Hill (1999), Diana Hardcastle who appeared as Carol in The Best Exotic Marigold Hotel (2011) and Jay Simpson who played one of the two hit men in Acts of Godfrey. Superb cinematography is provided by the experienced Oliver Loncraine who has worked on many films since he started as a trainee in 1993 including The Dark Knight Rises (2012) Snow White and the Huntsman (2012) W.E. (2011) Harry Potter and the Deathly Hollows Part 2 (2011) and The Kings Speech (2010).

This short film again marks out Johnny Daukes as a talented director of immense potential if given the right encouragement by our film industry.  He has produced a humane relationship drama that explains the pain that can influence the feelings between two people and succeeds to put more meaning in to a short film than many directors can manage in 120 minutes.

The film has been chosen to premiere at this years Raindance Festival, which takes place in London between September 26th and October 7th, if it wins Film of the Festival it will automatically go into the Oscar shortlist for the best short film. Also to co-inside with its premiere the atmospheric soundtrack album will be released at the same time. I’m sure your join me in wishing Johnny Daukes the best of luck with both these projects and hopefully we will see him back at the RBCFT sometime in the near future.

Monday, 14 May 2012

Acts of Godfrey Part Two.




Please find attached a link for the ‘World Excusive’ of the Q&A for Acts of Godfrey (2012) that took place between the films director and Gordon Simpson at The Robert Burns Centre Film Theatre Film Club in March 2012. I’m sure that once you see what a great character Johnny Daukes is and hear the very informative discussion you will want to source the movie if you have not seen it already, and I can assure you that your in for a treat.


A sincere thanks goes to Alec Barclay whose hard work and enthusiasm made this YouTube interview happen, and to Johnny for travelling all the way up from London to take part and of course to Gordon for conducting the interview.

Wednesday, 21 March 2012

Acts of Godfrey.


Johnny Daukes at the RBC.
On Monday 19th March 2012 we had a rather special evening at the Robert Burns Centre Film Theatre Film Club. The director of that night’s film Johnny Daukes took part in a question and answer session following a long journey up from London. Mr Gordon Simpson an ex-colleague of the late Darren Connor had volunteered to chair the discussion. So after a brief introduction, the screening of Acts of Godfrey (2012) and our normal coffee break the audience returned into the auditorium to hear an amusing and enjoyable Q&A session.

Johnny played guitar and sung in a British alternative rock band formed in 1993 called Fin achieving some success with a single called Headstrong, which was financed by money received from the BBC, after they used a video clip of a previous Fin song in the Irish television film directed by Stephen Frears based on a version of the Roddy Doyle novel The Snapper (1993). The band toured regularly including support for bands as diverse as Tindersticks and The Cranberries. Their debut album Positive was well received by critics but did not sell well and the band split in 1997. In 2008 Johnny returned with a new band All Our Good Friends, who were very much involved with the score for tonight’s film. Two years prior to this he was the creator of The Message a surreal comedy series that spoofed current practices in the television industry. Originally its six episodes aired in 2006 on BBC Three. In 2010 Johnny wrote additional material for Critical Eye a short film directed by Dan Nathan about an TV film critic who's made a career out of making scathing comments on mainstream movies.

A signed poster.
Acts of Godfrey (2012) is a low budget black comedy and Johnny Daukes debut feature film. It’s something completely different mainly because he’s written it entirely in rhyming couplets using modern day parlance, the first twenty pages were written in a coffee shop in Glasgow! Godfrey, in case you were wondering, is the narrator of the story, whose normal day job is God Almighty someone Johnny was not afraid to cast as a buffoon and unusually for God, someone who on occasions ‘makes it up as he goes along’. The story that Godfrey relates revolves around Vic Timms who attends a motivational sales training weekend where the subject is “win, only win”. Also attending the conference is what can only be described as a bunch of selfish ne’er-do-wells who all want to polish their money grasping skills. There’s Jacqui a bleached blonde who sells Spanish villas to gangsters, Terry and Phil two East End hard men who are promoting a very unusual product as medical reps and the rather meek Gita who works in a funeral home. Then there’s the evil calculating fraudster Malcolm and let’s not forget the lovely Mary Macdalen who has one of the best lines in the film.

The movie has a very strong British cast who were initially chosen because of there capacity to handle the rhyming verses, these include Simon Callow, someone that Johnny informed us did not need directing, who plays Godfrey/God, he just explained what he wanted and Callow got on with it! The comedy side of Harry Enfield, who plays Malcolm, had to be reigned in a little because the director required the situation to be funny, and not the characters. Harry came on board because he was the next door neighbour of the films financier who showed him the script and the British comedian, best known for his comedy roles on British television, agreed to come onboard. Celia Imrie (Helen McGann) who will be seen shortly at the RBC in The Best Exotic Marigold Hotel (2012) also needed very little encouragement to join the cast. Also involved was the Glaswegian actor Iain Robertson as Vic Timms, Welsh actress MyFanwy Waring as Mary and other well-known British character actors. During the Q&A it was disclosed that there was never any problem getting actors involved in the project and that they all agreed to be paid the basic equity rate. Johnny commented that this is the great thing with most of the British acting establishment, they can appear in a multi million dollar blockbuster one minute and the next in a low budget British movie, being paid the basic rate.

Oakley House Hotel.
Filming took place at the Oakley House Hotel originally a Victorian Gothic country house built in 1895 with its 35 acres overlooking the River Thames. The exterior of Oakley Court was used in the filming of a number of Hammer horror films including The Reptile (1966) The Brides of Dracula (1962) The Plague of the Zombies (1966) and And Now the Screaming Starts! (1973) But its probable best remembered as Dr Frank N Furter’s castle in The Rocky Horror Picture Show (1975). Although as Johnny explained it was an ideal place to carry out the filming it did however have drawbacks associated with making a movie in a fully functioning hotel including noise problem’s, people constantly walking about, a wake taking place and the Kenny Ball Jazz Band performing! 

This sharp witty little satire, based on words and characters and not action, mixes elements of dark biting humour with revenge, betrayal and love and proved to be an ideal film for the RBC Film Club because of its fresh approach and new ideas, although its akin to the grand British stage tradition. The film industry does on occasions turn out the same hyped drivel and it really makes a change to have something different and someone brave enough to experiment. The film must be judged on its entertainment value and I for one, after seeing it for a second time, can vouch that this movie is certainly entertaining and the complete cast performs the rhyming couplets superbly, enriching its comedy value.  It was a nominee for the British Independent Film Awards 2011’s Raindance Award that honours exceptional achievement for filmmakers working against the odds, often with little or no industry support. Well done Johnny Daukes and thank you for sparing us the time to visit our wee provincial cinema.

Johnny with Gordon Simpson, RBC staff members and Young Programmers (and Movie Ramble)
 I would like to thank as always Alec Barclay for providing the photo's.