Night Must Fall 1964.

Most critics compare, unfavourable I must say, Karel Reisz’s 1964 version of the psychological thriller Night Must Fall with the 1937 version directed by Richard Thorpe which starred Robert Montgomery, Rosalind Russell and Dame May Whitty in her film debut at the age of 72! But the truth is although Thorpe’s US version was critically acclaimed the MGM’s British Unit attempt did much better at the box office than the original. I have never seen this earlier adaptation therefore I can’t compare the two.  Both, I understand, were based on Emlyn Williams play first performed in 1935.

 

Albert Finney as Danny.

It was the Czech born British filmmaker Reisz and play write Clive Exton who updated the story to the 1960’s and like Reisz previous movie, Saturday Night and Sunday Morning (1960), it stars Albert Finney. Finney plays Danny who when the film opens we observe murdering a woman in some woodland by removing her head with an axe! Juxtaposed with this we see a young lady having an early morning stroll around a rather sizeable English style garden of a large isolated house on the edge of the same woodland. Olivia (Susan Hampshire) is the daughter of the proprietor of the house, the elderly infirmed Mrs Bramson (Mona Washbourne). Arriving for her morning duties is Mrs Bramson’s maid Dora (Sheila Hancock).  Dora has been made pregnant by her ‘boyfriend’ Danny, yes the same Danny who we have just seen murdering a poor women with an axe and dumping her body in a lake. He has been summoned to explain his intentions towards Dora to Mrs Bramson and before long he has won over the old lady, aroused Olivia’s repressed sexuality and moved into the house along with a leather hatbox!

 

Danny makes his move on Olivia (Susan Hampshire)....

....having already won over Mrs Bramson (Mona Washbourne)

This melodramatic interpretation was produced by Reisz and Albert Finney, its DOP was the Academy Award winning Freddie Francis and the musical score was in the capable hands of Ron Grainer.  Don’t be put off by what you have heard, I was impressed with Finney’s role as Danny, a demanding one in which he injects dread into ever scene he appears. His scenes with Mona Washbourne are especially good and Susan Hampshire, who was born to play the repressed Englishwoman, does so with her normal competence. 

Cast A Dark Shadow.

 

Dirk Bogarde with Margaret Lockwood.

Edward Bare (Dirk Bogarde) marries a widow very much older than himself; Mollie's (Mona Washbourne) husband had died and left her very well off. Edward kills her, making it seem like an accident, but his timing is miscalculated and finds the balk of her fortune ends up with her sister Dora who lives in Jamaica. Our Bluebeard is soon planning his next scam, meeting and marrying another well off widow Freda Jeffries (Margaret Lockwood) but she turns out not to be such a soft touch as his first wife. Edward then becomes acquainted with Charlotte Young (Kay Walsh) who is looking to purchase property that can be used as an equestrian school. As Edward used too be an estate agent he escorts her to see various properties!

The demise of Mona Washbourne.

Directed by Hackney born Lewis Gilbert who had appeared in more than seventy films before he moved behind the camera to become an assistant director in the late 1930's. Over the next fifty plus years he went on to direct some 40 films the best known was probable Alfie (1966) which was adapted from a Bill Naughton's play and starred Michael Caine as the sixties icon. Later work included Educating Rita in 1983, which again featured Caine, Shirley Valentine (1989) and three James Bond films; You Only Live Twice (1967), The Spy Who Loved Me (1977) and Moonraker (1979). The atmospheric suspense drama Cast A Dark Shadow (1955) is a lesser-known film but one worth seeking out, if for nothing more than its brilliant cast. As always Dirk Bogarde, as the wife murderer Edward 'Teddy' Bare, is convincing in any role he takes on, with Walsh and Washbourne superb in support but Margaret Lockwood as the tough and gritty ex publican a role she makes both entertaining and touching and the main reason for seeing this movie. John Cresswell adapted the script from the Janet Green play Murder Mistaken.