Unfortunately I was unable to attend this weeks Robert Burns
Centre Film Theatre Film Club screening as I was attending a concert performed
by the Dutch-Belgian band Gare du Nord at the De La Mar Theatre, but I did
manage to get to the RBC on Thursday evening to see the screening of Wes
Andersons latest comedy drama The Grand Budapest Hotel (2014).
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| The present owner relates his story to .... |
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| ....The Author. |
The Film Club’s host for Monday evening was Pat Pickering
who was kind enough to e-mail me her presentation that began with a short
introduction on the director who not only produced the film but also co-wrote
the story and wrote the screenplay. Anderson admits that the story was
partially inspired by two books written by the Austrian author Stefan Zweig’s[1], namely
Beware of Pity (1939) and The Post Office Girl published
posthumously in 1982. The Houston Texas born film director is known for his
distinctive visual and narrative style with a meticulous attention to detail
and as Pat pointed out is considered one of modern films most original
directors. His body of work, eight feature films to date, have included The Royal Tenenbaums (2001) The Life Aquatic with Steve Zissou (2004),
The Darjeeling Limited (2007) and his
best received to date Moonrise
Kingdom (2012) all of which have quirky formats and include flawed but
uniquely detailed characters often with a father figure in some guise. Pat’s
introduction goes on to say that his main cinematic influences have been Francois
Truffaut, Louis Malle, John Huston, Stanley Kubrick and Roman Polanski. But Anderson
also admits a massive influence on his life was when his parents divorced when
he was only eight years old, an event he describes as the most crucial of his
and his brothers' early years. It was during childhood that he began writing
plays and making super-8 films.
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| Monsieur Gustave H and his Lobby Boy. |
The Grand
Budapest Hotel is a German/UK co-production filmed on location in Germany in Gorlitz
and other part’s of Saxony as well as Babelsberg Film Studio’s where between
1933 and 1945 1000’s of feature films were made including hundreds of films
under the direction of Hitler’s propaganda chief Joseph Goebbels one of which
was Triumph of the Will (1935)
directed by the innovative German director Leni Riefenstahl which proved to be a
prime example of propaganda in film history.
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| Madame D. |
Anderson’s latest film is set between the two World Wars in the
fictional Republic of Zubrowka an ‘eastern European alpine state’ and recounts
the rather risqué exploits of the grand hotels concierge Monsieur Gustave H
(Ralph Fiennes) and his young protégé, lobby boy Zero Moustafa (played by
relative newcomer Tony Revolori). Anderson cleverly tells the story as ‘a
narrative within a reminiscence within a novel’ or in plain English the film
opens in the present day and we find a young girl sitting in front of a
monument to a writer known only as “The Author” reading a chapter in his book
about a trip he made to the Grand Budapest Hotel in 1968. It was there that The
Author (played by Jude Law as a young man and Tom Wilkinson as the older
version) meets the present owner of the hotel (F. Murray Abraham), which is no
longer quite so grand as it once was, who relates the story of how the hotel
came into his possession. A story that
includes various colourful characters like Madame D (on leaving the picture
house I was asked by another member of the audience if knew
which character Tilda Swinton played?) who, although very much older, shares a
deeply sexual bond with Gustave. And it is Madame D’s death that allows us to
meet her son, Dmitri (Adrien Brody) and his very scary henchman (played by the
formidable Willem Defoe). Lots of other characters appear but the list is too
long to mention in this blog but include some recurring collaborators like Owen
Wilson, Bill Murray, Jason Schwartzman and Edward Norton along with other
performers including Lea
Seydoux, Mathieu
Amalric, Harvey Keitel and Saoirse Ronan who all appear in scene steeling
roles.
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| The Concierge is questioned by the Authorities.... |
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| ....only to end up in custody! |
A truly humorous piece of work with a stellar cast that does the
ingenious screenplay proud, especially Fiennes who is in magnificent form as
the concierge but the real star is the Grand Budapest Hotel described by Peter
Bradshaw as a ‘superb cathedral of
eccentricity’[2] The
film portrays a wonderfully illusionary world but one that could so easily have
existed in a eastern European alpine state between the wars? Anderson’s
direction goes from strength to strength and I for one can’t wait for his next
project.
