Showing posts with label Morten Tyldum. Show all posts
Showing posts with label Morten Tyldum. Show all posts

Wednesday, 7 January 2015

The Imitation Game.


When is a British film, albeit about a very British subject, not a British film? Venturing an opinion I would say when its financed with American money, directed by a Norwegian born director (Morten Tyldum best known for his adaptation of Jo Nesbo’s Headhunters in 2011), the cinematography is handled by a Spanish DOP (Oscar Faura), the screenplay is adapted by an American (Graham Moore) and the soundtrack is by a French composer (Alexandra Desplat). But one must admit as far as I know the actors are British! (These include Benedict Cumberbatch, Keira Knightley, Matthew Goode and Mark Strong). Does it make much difference? Well certainly not to the quality of the film. Although I’m not sure if this is the story of Homosexuality, before the water shed that was 1967, or the story of an attempt to save the British Empire. My candid suggestion would be to go and see The Imitation Game (2014) for yourselves and make your own mind up, but either way I’m sure you will agree it’s a cracking film, from which ever of the two-view point’s you choose to see it from.
 
The Team.
Benedict Cumberbatch, who did nothing to enhance one of my own personnel favourite characters in literature Mr Sherlock Holmes, gives an award winning performance as Alan Turing the pioneering British computer scientist and mathematician.  The movie covers Turing’s life back from 1952, when he was prosecuted under the archaic act that governed sexual relationship’s between people of the same sex, essentially back to the time when he worked for the Government Code and Cypher School at Bletchley Park where he was credited in breaking German ciphers known as the Enigma Code which it is said shortened WW2 in Europe by two to four years. Although I believe the Soviets had a lot to do with that as well!
 
The Turing 'computer' that broke the German codes. 

The most sickening part of the Alan Turing story is how he was basically forgotten, unrecognised for his work but persecuted for his sexual orientation when, as I have said, he was prosecuted for homosexual acts between consenting adults. Accepting chemical castration, as an alternative to serving a prison sentence. The film intimates that this affected his brainpower and therefore his continuing work. Two years after his sentence the forerunner of the modern computer died mysteriously from cyanide poisoning. But the Turing family had to wait until 2009 before an official public apology was made by the then British Prime Minister Gordon ‘the Vow’ Brown and in 2013 the Queen of England, the one whose son is alleged to have chased underage girls in America, gave the scientist a posthumous pardon, which was very generous considering he did not break any ‘real’ laws?

Thursday, 16 August 2012

Headhunters.


There’s no doubt that the first of Jo Nesbo’s novels to be adapted for the cinema will be remade by Hollywood, if the American version of Stieg Larssons The Girl with the Dragon Tattoo (2009) is anything to go by it will be a complete waste of time and money.

Described by critic Jeff Sawtell as a satire of corporate capitalism the Morten Tyldum directed Headhunters (2011) is about an accomplished Norwegian headhunter Roger Brown (Aksel Hennie, who you may have encountered in Max Manus 2008) not the most likable character but one that appears to live a life of luxury, residing in a architectural designed house and spoiling his beautiful Amazonian blond wife with expensive gifts and her own art gallery. But Roger is actually living well above his means so he subsidizes his opulent life style with a little art thief on the side. When Diana Brown (Synnove Macody Lund) introduces her husband to Clas Greve (Nikolaj Coster-Waldau, best known in this country for Game of Thrones 2011) a former mercenary in possession of a valuable painting by Rubens, he decides to remove the painting from its original owner and liquidate its value, but in doing so he discovers something that turns him into a fugitive.

Nothing ever goes right for Roger Brown.
Even the lovely Mrs Brown seems to be getting to close to Clas Greve. 

Although a simplistic version of Nesbo’s book its still a fast moving, exciting and believable thriller with twists and turns and one or two stomach churning moments and is a very welcome addition to a growing list of recent Scandinavian drama both at our local cinema’s and on our TV screens. Hopefully its won’t be long before Nesbo’s greatest creation, the flawed Oslo police inspector Harry Hole, is adapted for the screen, but while we are waiting we have Jackpot (2011) to digest.