Showing posts with label Mai Zetterling. Show all posts
Showing posts with label Mai Zetterling. Show all posts

Monday, 8 September 2014

The Man Who Finally Died.


Although the Network DVD seems to have been well received when it was released in July 2013, I found it disappointing. Even with a talented cast on show, which included Stanley Baker, Peter Cushing, Mai Zetterling, Eric Portman and in smaller rolls Nigel Green and Alfred Burke most of whom, with varying success, attempting to speak with German accents. I felt that The Man Who Finally Died (1962) did not rise above a rather lumbering mystery drama. In fact most of the cast were a little stilted in their portrayal of characters that were first seen in a 1959 Television series. Two 30-minute episodes of which were shown in September of that year. The first called The Call and the other called The Gloves with Quentin Lawrence, who was also responsible for directing the feature film, directing The Call.
 
The plot thickens!


Lawrence was best known for his TV work on episodes of series like The Avengers, Danger Man and The Baron. Except for a highly rated B-movie made in 1961 called Cash on Demand his remaining body of work in feature films was not well received and The Man Who Finally Died is particular uninspired. This cold war tale does not build up the tension a story like this deserves.
 
Baker with Georgina Ward.
Stanley Baker plays a London based jazz musician called Joe Newman, a naturalised Briton who has lived in England since the beginning of WW2. This individual deserved a more emotional portrayal from Baker that would have given a more demonstrative feel to the character. Newman always assumed that his German father had been killed on the Russian front twenty years ago but he receives a telephone call from the Bavarian town of Konigsbaded from a man calling himself Kurt Deutsch – the name of his dead father! Traveling to the German town Newman uncovers a mystery that gets ever deeper, and one that certainly confuses not only Joe Newman but also this blogger!  But his search for the truth proves more disturbing than he could ever imagined[1] Not quite I’m afraid!!



[1] Network DVD Notes.

Friday, 15 August 2014

The Ringer.


All directors have to start somewhere and many honed their skills on British B-movies. This included Guy Hamilton who eventually became best known for helming four James Bond movies. He also directed the British cult movie The Party’s Over in 1962 and Len Deighton’s spy drama Funeral in Berlin (1966). Hamilton previously worked as an assistant director to Carol Reed on two films 1948’s Fallen Idol and 1949’s award winning The Third Man. It was Reed that got Hamilton his first directorial position on The Ringer (1952) a B-movie that did nothing to hide Reeds influence! 
 
Herbert Lom, Denholm Elliott and Mei Zetterling.
This classy adaptation of one of Edgar Wallace’s best-known stories is about an elusive international criminal known as the Ringer. Originally reported to have died in Australia he is now believed to be alive in London. Because of the mysterious drowning of his sister Gwenda, who was left in the care of the unscrupulous criminal lawyer Maurice Meister, Scotland Yard warn Meister that his life is in danger and mount a guard around his house. An alarm system is set up and steel bars fixed to all the downstairs windows. It is suspected that the Ringer, whose beautiful wife has turned up, must be one of the close circle around Meister as no one can get into the house. Or can they? 
 
The beautiful Greta Gynt with Donald Wolfit  
This excellent new transfer from Network does credit to both the look of the film and the great cast that appears in this B-movie. Herbert Lom as always plays the slimy villain in the guise of Maurice Meister with the style we have come to expect from this great actor, Lisa a houseguest of the lawyer is played by the Swedish born Mai Zetterling who appeared in Desperate Moments opposite Dirk Bogarde in 1953, the Ringer’s wife is Oslo born Greta Gynt, another international actress that made many British movies including Three Steps in the Dark (1953). Also on screen are other well known names including Donald Wolfit as a police doctor, William Hartnall as a small time crook, and Denholm Elliott and a 29 year old Dora Bryan. A unique example of the British B-movie at its best, and with its gradual build up of tension and its surprise ending would certainly pass muster as the main feature. 


Monday, 26 May 2014

Desperate Moment.


The most interesting thing about this forgotten British film noir is that a great deal of it was shot in the ruins of post war Berlin, flattened by the allied bombers and not rebuilt as yet. This makes Desperate Moment (1953) a very atmospheric thriller in which Dirk Bogarde is on the run, not an unfamiliar role for this great actor at this time in his career, films like Blackmailed (1951), Hunted (1952) or even the Gentle Gunman (1952) kept Bogarde on the move. Co-starring with the beautiful Swedish actress Mai Zetterling[1], Bogarde play’s a Dutch resistance fighter by the name of Simon van Holder who had confessed to the murder of a British soldier, a murder that he did not commit, a murder for which he is serving a life sentence. We first see van Holder being transported on a train. Although in handcuffs he attempts an escape, injured in the process he is taken to the hospital wing of a prison. There he finds out that the women he loves, fellow resistance fighter Anna DeBurg (Zetterling), is still alive, he decides, with her help, to clear his name. To do this he must escape from prison and trace three more of his fellow resistance fighters in post war Germany were all paths lead to Berlin. Hot on his heels is a British intelligence officer played by Philip Friend.
 
Mai Zettering and Dirk Bogarde make a handsome couple.  
Bogarde is on top form, as the Dutch lifer playing the part to perfection without the foreign accent everyone else seems to be inflicted with! It is not an exaggeration to say that the movie is action packed and builds to an exciting climax. Produced at the Pinewood Studios with a screenplay co written by the films producer George H Brown from a novel by Martha Albrand. Directed by English born Compton Bennett best known for The Seventh Veil (1945) and the 1950 version of King Solomon’s Mines starring Deborah Kerr and Stewart Granger.



[1] Recently released documents at the National Archives in London show that she, a member of the Hollywood Left, was watched by British security agents as a suspected Communist. However, the UK never had a system along the lines of the American Hollywood Blacklist.