Showing posts with label Eric Portman. Show all posts
Showing posts with label Eric Portman. Show all posts

Monday, 8 September 2014

The Man Who Finally Died.


Although the Network DVD seems to have been well received when it was released in July 2013, I found it disappointing. Even with a talented cast on show, which included Stanley Baker, Peter Cushing, Mai Zetterling, Eric Portman and in smaller rolls Nigel Green and Alfred Burke most of whom, with varying success, attempting to speak with German accents. I felt that The Man Who Finally Died (1962) did not rise above a rather lumbering mystery drama. In fact most of the cast were a little stilted in their portrayal of characters that were first seen in a 1959 Television series. Two 30-minute episodes of which were shown in September of that year. The first called The Call and the other called The Gloves with Quentin Lawrence, who was also responsible for directing the feature film, directing The Call.
 
The plot thickens!


Lawrence was best known for his TV work on episodes of series like The Avengers, Danger Man and The Baron. Except for a highly rated B-movie made in 1961 called Cash on Demand his remaining body of work in feature films was not well received and The Man Who Finally Died is particular uninspired. This cold war tale does not build up the tension a story like this deserves.
 
Baker with Georgina Ward.
Stanley Baker plays a London based jazz musician called Joe Newman, a naturalised Briton who has lived in England since the beginning of WW2. This individual deserved a more emotional portrayal from Baker that would have given a more demonstrative feel to the character. Newman always assumed that his German father had been killed on the Russian front twenty years ago but he receives a telephone call from the Bavarian town of Konigsbaded from a man calling himself Kurt Deutsch – the name of his dead father! Traveling to the German town Newman uncovers a mystery that gets ever deeper, and one that certainly confuses not only Joe Newman but also this blogger!  But his search for the truth proves more disturbing than he could ever imagined[1] Not quite I’m afraid!!



[1] Network DVD Notes.

Friday, 2 November 2012

West 11.


Probable not the most exciting film but a very interesting one. Laura Del-Rivo’s debut novel The Furnished Room was first published in 1961. Set in and around Notting Hill West London it’s tells a story that has a background involving slum landlords, down at heel ex-military toffs and British far right street rallies. Basically a decent guy, Joe Beckett lives in a world described by the author as a ‘twilight world of boarding houses, bottle parties and cafes’. He is a discontented young man who drifts from job to job, which was admittedly easier to do during the sixties. He also does not have a settled relationship, tormented by his faithless girlfriend Isla he drifts from women to women including a sympathetic older married women Georgia.  When Joe encounters Captain Richard Dyce, a disgraced ex-military man, he is drawn into a murderous conspiracy.

Dianna Dors.
Based closely on Del-Rivo’s novel Keith Waterhouse and Wallis Hall wrote the screenplay that Michael Winner directed as West 11 (1963) named after the postal district that the film was set in. It stared Alfred Lynch as Joe Becket, Eric Portman as Richard Dyce, Diana Dors as Georgia and television star Kathleen Breck as Isla.  Also involved in the film was the cinematographer Otto Heller, a Czech émigré whose first step in film making was back in 1918 but better known in the UK for his work on 60s films which include Peeping Tom (1960), Victim (1961), The Ipcress File (1965), Alfie (1966), Funeral in Berlin (1966) and another of Winners British movies I’ll Never Forget Whats’ Is Name (1967) which starred Oliver Reed who was originally chosen to play Joe Becket but was not available. The musical director was Stanley Black who was also the maestro on three of Cliff Richards sixties musicals. The main haunting jazz theme is played by Stranger on the Shore man Acker Bilk and also featuring in the film are Ken Colyer and his band and the Tony Kinney Quintet.  

Alfred Lynch.
Kathleen Breck.
As I said at the beginning of this ramble this rare black and white film, put together at Elstree Film Studios, is now an interesting artefact from the point of view of Michael Winners early oeuvre before he abandoned his social conscience and decamped to Hollywood ruining his filmmaking career. The other interesting thing, as with most sixties UK cinema, is to encounter an entirely different world to what we live in to day, taking me back to my child hood playground, the streets of London.