Showing posts with label Guy Pearce. Show all posts
Showing posts with label Guy Pearce. Show all posts

Thursday, 12 February 2015

The Rover.


The film opens by informing us that it has been ten years since the collapse, we surmise that it was an economic collapse! Its scarily how it reflects a very believable future and one can imagine that the world could easily be heading into a dystopian community - so expertly demonstrated in this Australian movie.  If most of the austerity-obsessed governments of today do not change course from their illegal wars and there willingness to line the pockets of the rich then god help us all - we could all be hanging from telegraph poles!
 
Hope thats not my car?
You will recognise writer, director and producer David Michod from his previous award-winning debut feature film Animal Kingdom (2010) a brilliant study of Melbourne’s criminal underbelly that was inspired by a real life family. Similar to this previous movie, The Rover (2014) has some well-defined characters that all live on the edge of society and are portrayed with great panache, right down to even the smallest parts.   
 
Eric wants his motor back - at all costs!

Rey owes his brother - big time.

The main character is Eric, a man more than capable of killing in cold blood with little remorse; he is a man with anger problems who seems to find the situation of surviving in an apocalyptic landscape, where life appears to be worthless, quite normal. Even a goods train has armed mercenaries to guard it! During the course of the film we find out that Eric is an ex soldier and farmer whose wife is dead and his only possession is his car. A trio of criminals steals the vehicle and Eric sets out to get it back at all costs. During a road trip through thinly populated dirt towns and across the desolate barren landscape’s to catch the perpetrators he meets up with Rey, whose brother is one of the crooks and who left him for dead following a botched robbery. It’s the dynamics between Eric and the dim witted Rey that forms the basic narrative of this movie. 
 
Thats what all the fuss is about, the saloon car on the right. 

A very hard-faced film that’s full of subtext, tone and tension, made even more atmospheric by the female DOP Natasha Braier who manages to make the landscape a character in its own right, along with a great soundtrack from Antony Partos, but at certain points it can be a very emotional movie in a quite unique way. The films success owes a lot to it’s casting and as I’ve said its full of strange characters but the two main leads are superb. Guy Pearce, who Michod admits he wrote the part for, plays Eric, a difficult part for any actor that’s made to look easy by the versatile Pearce. The biggest surprise is Robert Pattinson, best known for his role in the Twilight Trilogy, who is extraordinary good as Rey and bears no resemblance to his normal heartthrob persona instead giving what I would think is his best role to date. Add this movie to your ‘must see list’ and I can guarantee you will not regret it.   

Thursday, 1 November 2012

Lawless.


The real Bondurant Brothers.

We finish yet another season of Robert Burns Centre Film Theatre Film Club movies. This  ‘term’ we have had an excellent and varied collection of films from different genres and countries and tonight’s film was certainly no exception. Described as an American gangster film Lawless (2012) centres on the seemingly indestructible brothers Jack (Shia LaBeouf), Forrest (Tom Hardy) and Howard Bondurant (Jason Clarke) who produced and sold illicit alcohol in Franklin County Virginia, during Prohibition in the United States of America. 

Howard, Jack and Forrest Bondurant.

Giving as always an exceptionally interesting introduction Rachel Findlay informed us that tonight director is the Australian John Hillcoat whose previous film The Road (2009) was also shown as part of a Film Club season. Prior to that he had directed Ray Winstone, Emily Watson, Guy Pearce and John Hurt in the rather brutal The Proposition (2005) that was set and filmed in the Australian outback and as in Lawless writer and musician Nick Cave wrote the screenplay and scored the music.  The book on which Lawless is based is called "The Wettest County in the World" and it's by Matt Bondurant, a literature and creative writing professor at the University of Texas at Dallas. Rachel went on to tell us that she had watched and read a number of interviews with the author one of which I reproduce for your information which, as our host pointed out served as a useful background for the film we were about to see.

Jack Bondurant.

"We were all aware that my grandfather used to run liquor when he was young, but these were things that were never discussed in Franklin County. Moonshine was a dangerous business: the distillation process involves fire, high pressure, and flammable liquids. Improper technique or materials could cause paralysis, blindness, or worse. Bootlegging, or what they called “blockading” in those days, was also fraught with danger; a car full of booze on the open road was fair game for hijackers or law enforcement.

We all just assumed that Grandpa Jack’s trade was small and general. So when my father unearthed a series of newspaper articles about a shooting at Maggodee Creek Bridge in 1930, we were quite shocked. In these articles my grandfather and his brothers Forrest and Howard, “The Bondurant Boys,” were described as a notorious group with a dangerous reputation. My grandfather was still alive then, and when my dad confronted him about the shooting he merely lifted his shirt to show the bullet hole. That was it. I was living across the country at the time, and didn’t have a chance to question him further. He died the next year at 91 years old.

Like many young boys, I was afraid of my grandfather. He was an imposing man, and people around the county treated him with respect. I spent a lot of time in his back storage room staring at an old pair of brass knuckles hanging on the wall, understanding even then that my grandfather lived a very different life than anything I would know."[1]

Apparently Matt Bondurant carried out some research after his grandfather died, and discovered that the Bondurant brothers had served as prosecution witnesses in "The great moonshine conspiracy trial of 1935". He went on to use the transcripts of the court trial and the grand jury testimony when writing his novel.
A great cameo from Gary Oldman as the big city gangster Floyd Banner. 
Rachel also read out an excerpt from an article that the director John Hillcoat wrote about why he made the movie, again I reproduce this for your information:

"I have always wanted to make a Gangster movie. However like all genres, they need to be somehow reinvented, made fresh again. The source material came from a great book originally titled The Wettest County in the World by Matt Bondurant that takes the most iconic American genres, the Western and the Gangster, and explores where one (the Western) ends and the other (the Gangster) begins. The true story of the Bondurant brothers arises out of the Western legends from their remote woods and portrays the next generation of country outlaws -- the men and women who gave birth to the big-time urban mobsters like Capone by servicing the Prohibition cities with their rot gut whisky. The book's family saga brought the 'hillbilly moonshiner' to life in an authentic, gritty, and exciting way.

Nick and I wanted to explore the ideas of the myths of immortality and the transition from one age to another with the brutality that accompanies such transitions. About the little guys, those foot soldiers and worker bees, the dealers at the bottom supplying the gangsters on the rise to the top, exploiting the thirst of a nation via a new ruthless machine that relentlessly pursued the American dream in what became crime's first major gold rush, the largest crime-wave in history.

We felt there were parallels to draw with our own times socio-economic, political, and -- with the dustbowl -- even environmental upheaval. To this day, one can draw parallels to more recent crime waves -- 'war on drugs' -- based upon the demand of outlawed substances.

We also wanted to capitalize upon the mythic allure of the backwoods life -- the raw music, the dry humor, and undiluted grit of the Southern Rebel character and in our movie draw out its dynamic mix of blues and country music; its mix of religious sects; the moonshine blockading that invented one of the country's most popular sports (NASCAR racing)."[2]

Federal Deputy Charlie Rakes.
Like The Proposition tonight’s fine-looking period piece was really a film that carried with it the essence of a classic western rather than a gangster movie asking us to metaphorically cheer the ‘not-so’ baddies and to boo the baddie. In this case a crooked Federal Deputy Charlie Rakes (Hillcoat regular Guy Pearce) a slimy dandy destined for purgatory. The only criticism leveled by an appreciative audience was at times the intelligible dialogue, but otherwise the season ended with jolly shootout and bags of violence (and that was just the coffee break!) what more could this discerning gathering which for? Role on next season.



[1] The Daily Beast Aug 2012.
[2] The Huffington Post Aug 2012.

Saturday, 23 April 2011

Animal Kingdom


We come to the end of another eight-film season of the Robert Burns Centre Film Theatre Film Club with the award winning Australian “family” crime drama Animal Kingdom (2010). Directed and written by David Michod, his debut feature film, its loosely inspired by the real life Pettingill family including their matriarch fondly known as “Granny Evil” Pettingill, Melbourne’s answer to Violet Kray, and also the Walsh Street police shootings that occurred in Melbourne in 1988. Michod film offers a look beyond the gloss of the city normal life to its criminal underbelly, and how well he does it.

Granny loves her boys.
This is a strong character movie that puts your in the mind of The Wire. The film opens with a women and a 17 year-old boy sitting in front of a TV, the women appears to be a sleep, then the medic’s arrive and we learn that this is the boys mother and she’s died from a heroin overdose. The boy, Joshua Cody, is very laid back about this tragedy and telephones his grandmother Janine ‘Smurf’ Cody, whom it appears he has had no contact for many years; she agrees to take the lad in. It’s at his “loving” granny’s that he eventually meets his three uncles. The eldest is Andrew Pope Cody a psychopath on the run from the law, drug dealing Craig Cody and the dim witted Darren along with their associate Barry Brown bank robber and dabbler in stocks and shares: all four are career criminals. The corrupt local law enforcement officers take the law into their own hands and kill Barry Brown in cold blood, it’s this action that triggers the chain of events that follows.   

Make no mistake about it, this is one superb Australian movie, one that will thrill and hold your attention. The main players are exceptional and the three that deserve a special mention are Jacki Weaver, who was nominated for a Academy Award for Best Supporting Actress at this years Oscars for her portrayal of blond, brassy and slightly incestuous grandma. Ben Mendelsohn, who can be seen in Baz Luhrmann 2008 masterpiece Australia and the brilliant Beautiful Kate (2009), plays the evil Pope Cody. The best-known face is probably Guy Pearce who plays what seems to be the only honest cop in the film, Detective Nathan Leckie tasked with bringing in our criminal tribe. The violence is handled discreetly, music is sparingly used but the main reasons to make sure you don’t miss this movie is its strong story and Jacki Weavers performance.



Link to Beautiful Kate.
http://brianmatthews60.blogspot.com/search/label/Beautiful%20Kate