In 1968 two record producers who had previously worked with
the likes of Marvin Gaye and Stevie Wonder went to a downtown bar to see a
mysterious unknown Mexican/American singer songwriter called Rodriguez who was
attracting a local following. They immediately sensed that they had stumbled
onto someone of exceptional talent and that the subsequent album, Cold Fact (1970), they recorded with the
charismatic Mexican was to be the masterpiece of their producing careers. But
despite some good reviews it turned out to be a commercial disaster, as did a
second album Coming from Reality
(1971). Following stories about escalating bouts of depression Rodriguez disappeared
off the music industry’s radar and it was rumoured that he had committed
suicide. One example of death was that he had set himself on fire on stage. His
album sales never revived and his record label Sussex folded in 1975. Strangely
a bootleg copy of Cold Fact found its
way to South Africa in the mid 1970’s a time when the Apartheid regime was
tightening its grip and South Africa was becoming increasingly isolated. The
album developed a following amongst the disillusioned white liberal youth
because of its anti-established lyrics and observations. In response the
government banned the record, which only served to increase its cult status and
Cold Fact quickly became the anthem
of the white resistance in Apartheid-era South Africa. The mystery surrounding
the artist's death helped secure Rodriguez's place in rock legend. Over the
next two decades unbeknown to the Rodriguez family he became a household name
in South Africa and Cold Fact went
platinum.
Cold Fact album cover |
Searching for Sugar Man (2012) is a Swedish/British documentary
directed by Malik Bendjelloul and produced by Britain’s Simon Chinn (Man on Wire 2008) and John Battsek (Restrepo
2010) telling of the efforts of two Cape Town fans in the early 1990’s to
confirm how and when the rumoured death of the enigmatic Sixto Diaz Rodriguez
took place and if he proved not to be dead, what had become of him in the
intervening years?
As I sit and write this ramble listening to the films
soundtrack on my MP3, I can’t help wonder why this wonderful singer songwriter
never made it in his own country, ignored by both the USA and Britain but
excepted as a musical/political hero in Apartheid repressed South Africa? He is
a mixture of Bob Dylan, having a similar lyrical strength as the legendary
American artist and the orchestration of Nick Drake the English singer
songwriter, known for his gentle guitar based songbook, who also failed to find
an audience during his short lifetime but has since found wide acclaim since
his death in 1974 at the age of 26. He also brings to mind the style and looks
of Jesse Ed Davies an American Indian guitarist (his father was Muscogee Creek
and Seminole and his mother was Kiowa) who can be seen accompanying George
Harrison in The
Concert for Bangladesh (1971) but who unfortunately died in 1988 at the age
of 48. The documentary, like his music,
is at the same time heart rendering and strangely uplifting and also brings
back your faith in certain sections of mankind. No one will regret seeing this
documentary and discovering this delightful mans music.
Sixto Diaz Rodriguez |
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