Monday, 8 December 2014

Still The Enemy Within.


In the preface to 2014’s fourth edition of Seumas Milne’s book about the secret war against the miners and the UK’s organized labour movements by Margaret Thatcher and her right wing administration, The Enemy Within, first published in 1994, he states ‘The aftershocks of the miners strike of 1984-85 can still be felt in Britain thirty years later. The strike was without doubt a watershed in the county’s post-war history. Indeed, it has had no real parallel in size, duration and impact anywhere in the world. It was the decisive domestic confrontation of the Thatcher years: a conflict which pitted the most powerful and politicized trade union in the country against a hard-right conservative administration bent on class revenge and prepared to lay waste to the country’s industrial heartlands and energy sector in the process, regardless of cost (monitory or socially). It convulsed Britain, turned coalfield communities into occupied territory, and came far closer than was understood at the time to breaking the Thatcher governments onslaught on organized labour’[1] Things could have been so different if Thatcher had been defeated!




There have been many films on the subject of the miner’s strike. Which Side Are You On is a stunning documentary that Ken Loach made in 1984 whilst the strike was in progress. The film features the experiences of the miners and their families told through songs, poems and other art. Loach successfully highlights the fact that the people involved and supporting this industrial action are ordinary, honest working individuals, not shirkers or lazy bastards just people who want to work and continue to work in an industry that not only supports their families but the community they live in.




Another documentary is Burning Issues (2004). The Banner Theatre originally made the film to mark the 20th anniversary of the miner struggle. Founded in 1974 it is the only theatres company that tour consistently to Britain’s trade unionists. The company has performed at union events, pubs, clubs, theatres, festivals and rallies over the past 40 years. It pioneered and continues to use documentary theatre techniques. The film is a celebration of the solidarity, resourcefulness and resistance of mining communities throughout the strike, and allows miners and their families to speak for themselves twenty years on from the strike and to reflect on what it has subsequently meant to them and their communities.


Its not always documentary’s that show the hardships and struggles of the working class? Pride (2014) is a feature film that successfully does just that. Ostensibly a movie about solidarity, the solidarity of ordinary people that are persecuted because of their sexual orientation or quite simply because they would like too feed their families!  This is an amazing story that based on true events that happened during the miners strike. It gives us an account of the alliance between the pioneering London fundraising group Lesbians and Gays Support the Miners (LGSM), and the people of a mining village in the Dulais valley in Wales who like the rest of the brave mining community were mainly reliant on outside help to enable them to continue with the strike without starving!



The latest of these films, shown at the Robert Burns Centre Film Theatre to a near capacity audience, Still The Enemy Within (2014) gives a hard hitting and moving reassessment of the strike from today’s prospective, narrated by the men and woman who actually took part in the struggle, a struggle to support their right to work and live in a fair and just society and not cow tail to the City of London and their cohorts in Westminster.  It uses interviews that involve personnel experiences from ordinary working class folk and a wealth of rare and never before seen archive, and without the need of talking heads.



Owen Gower, who is normally found, directing factual documentaries for television, has now directed his first feature film and you can sense that his background has stood him in good stead. Most right-minded people are aware that it was Thatcher’s intention to kill the strength of the working class by destroying their workplace Unions. To this end she decided to take on the strongest of them the National Union of Mineworkers. It was the Tories plan to implement the closure of the mines threatening a complete industry along with the communities attached to this industry and their way of life.  160000 coal miner, their wife’s, girlfriends and families took up the governments challenge and fought back, coming very close to winning the dispute even taking into account the underhanded tactics of Thatcher, a combat trained police force and the right wing media. But as the documentary explains it was fellow Unions that did not give the mineworkers their full support that brought them down in the end. But looking back now I’m convinced of two things, if the unions had combined in their support of the strike Thatcher along with her cohorts would have been defeated and therefore we would all be living in a fairer society without a government that only cares about the rich and powerful.   



Interestingly the discussion that took place between Dr Benjamin Franks - author of ‘Rebel Alliances: The Means and Ends of Contemporary British Anarchism’s’, and the audience was truly engaged by the fact that there were people in the cinema that had first hand knowledge of the dispute.   What do we learn from such informative documentaries?  The wicked witch may be dead but nothing changes! Its difficult to believe that changes (for the better) will come through the ballot box with a chance recently missed for Scotland’s with the Independence vote. Governments still lie and gullible people still believe them!





[1] Seumas Milne December 2013.

Friday, 5 December 2014

The Judge.



I find it quite strange that on two visits to the cinema within a couple of days, you can see the screening of a film that does nothing to draw you in and to some extent alienates you from it’s narrative. As I inferred in my blog on Gone Girl (2014) it was not as though it was a bad film, just one that I personally could not get engaged in or for that matter one that I did not really enjoy. Now as I say, two days latter I go to the same wee cinema in Dumfries and find a completely different set of cinematic circumstances. The Judge (2014) is every thing that David Fincher’s film was not!
 
The Hot Shot Chicago Lawyer. 
Firstly you have got the story, which has characters you can empathise with and in all honesty, quite like. There’s the successful Chicago hotshot lawyer with a motor mouth, Hank Palmer (Robert Downey Jr) who helps the guilty beat the system “innocent people can’t afford me” he boasts. When his mother dies he returns to his hometown of Carlinville Indiana, somewhere he has not been for many years. This wee rural town is where his two brothers still live, the older brother Glen (Vincent D’Onofrio) and his mentally impaired younger brother Dale (Jeremy Strong). But the reason that Hank has not been back is his fraught relationship with his father, local Judge Henry Palmer (Robert Duvall). Hank fully intended to return to his unfinished court case in Chicago right after the funeral but when his fathers car is discovered to have been damaged and blood is found on the vehicle and the body of a man is discovered on the highway - the Judge is suspected of running him down. Hank Palmer wants to stay to defend his father should the case come to court, but there are a lot of bridges to be crossed before this stubborn pair can renew any form of relationship.
 
The matriarchal small town Judge. 
Secondly we have a cast whose acting is first rate. Although admittedly the most riveting scenes are these between Downey Jr and Duvall the rest of the cast are superb. D’Onofrio and Strong are convincing as the brothers with a great performance from the lovely Vera Farmiga as Hanks hometown love interest, we are also treated to a fabulous performance from Billy Bob Thornton as Hanks opposite number in the films thrilling court room sequence’s.
 
The girl who was left behind.
Although David Dobkin is better known for comedies he certainly makes a grand job of helming this drama. The soundtrack was composed by Thomas Newman who has collaborated with Sam Mendes on six occasions including Skyfall (2012) and the new James Bond, Spectre due to be released next year. Its very crisp cinematography is in the very capable hands of the Janusz Kaminski who has previously won Academy Awards for his work on Schindlers List (1993) and Saving Private Ryan (1998), and has more recently been DOP on War Horse (2011) and Lincoln (2012).
 
'Hot Shots' opposite number.

Part family drama, part courtroom drama, I found the movie quite emotional and in certain scenes quite heart rendering. It’s both interesting and entertaining with a sly sense of humour. And unlike my previous film this week, it’s nearly two and a half hour running time absolutely flew by.

Thursday, 4 December 2014

Szinbad.


Zoltan Huszarik is a Hungarian filmmaker that I am not familiar with. He died in 1981 at the age of 50 from a suspected suicide and has been acclaimed as an auteur of the ‘European modern art film’ and if you viewed what is claimed to be his most influential movie, then I don’t think you would disagree. Szinbad (1971) is based on a series of 20th century short stories written by Gyula Krudy and said to be based on the author’s own life. It tells the story of a traveller and womaniser who revisits the women in his life. Szinbad (Zoltan Latinovits) is a man that has led a life of self-indulgence and indecency. 
 
A traveller and womaniser
The film starts with a series of silent images. These images, the movies beautiful locations and the Hungarian dishes bedecked in oil are not so much shot by Sandor Sara’s camerawork as sucked up by it. Its surreal and abstract narrative moves from one woman to the next and from one season to another. It continues its romantic and somewhat morbid theme in rich vivid colours and along side its religious imaginary, sexual overtones and the director’s obsession with texture and objects, it’s a movie of infinite detail.



Some of the women in Szinbad's life. 


This is reputed to be ‘the’ stand out film of Hungarian cinema. The only other film I am familiar with is rather incomprehensible The Turin Horse (2011) but Huszarik’s surreal movie bares not comparison with Bela Tarrs dirgeful cinematic experience. Made at the time of socialist politics in Hungary it emphasised the Bourgeoisie’s great wealth and decadence.  An intriguing film that apart from some limited screenings in 1971/72 has remained largely unseen until its DVD release in 2011. Don’t miss an opportunity to see a rather unique movie.    

Wednesday, 3 December 2014

Gone Girl.


The Terrence Malick 'To The Wonder' type poster.

I’ve always had problems with the American director David Fincher, having never really liking any of his movies other than perhaps Seven (1995) a film which starred Brad Pit and Morgan Freeman who played two detectives tracking down a serial killer who centres his dreadful crimes on the seven deadly sins. I could never get to grips with Fight Club (1999), which again starred Brad Pit but this time alongside Edward Norton, which I believe is now classed as a cult movie, but on release never did good box office and was panned by the critics. My next film from the director was Zodiac (2007) a very long film, with another good cast that included Jake Gyllenhaal, Mark Ruffalo and Robert Downey Jr based on a real life serial killer and a movie I should probably have another look at? Then there was another long-winded affair, 2008 fantasy drama The Curious Case of Benjamin Button that again starred Brad Pit and was about a man who ages in reverse where as his love interest, Cate Blanchett aged in the normal way! Then came two films that I particular disliked. The first was The Social Network (2010) that tells us about the privileges of having rich parents. Even worse was his next movie which in fact was a complete waste of time and money as the original version of The Girl With The Dragon Tattoo (2011) could not be bettered even with Hollywood showering oodles money on the project, don’t waste your time viewers watch the original.
 
Amazing Amy goes missing!
So the Robert Burns Centre Film Theatre Film Club screening of Fincher’s latest offering was viewed with some trepidation. But you will be pleased to hear that I wasn’t disappointed! Overly long, with the best part of the first hour spent trying to stay awake and retain your patience. With characters that grind on your nerves Gone Girl (2014) certainly was not the best film I’ve seen this year? Still I stuck with it and to be fair it did get a little better as time went on and on and on. 
 
Nasty Nick Dunne pleads for her safe return.
Described by a colleague as “a holiday read” which I took to mean lightweight and easily forgettable the movie is based on a best selling American thriller by the same person that provided the screenplay, Gillian Flynn. This rather unexciting movie has been described as a story about modern marriage (one can only hope that’s not true!) but it’s more to do with murder, betrayal and deception. Nick Dunne (Ben Affleck) has been married to the ‘Amazing Amy’  (Rosamund Pike) for five years. On the very day of his fifth wedding anniversary she goes missing and the authorities, along with all the local residents, her family and all there so called friends; think that nasty Nick has done her in.
 
Has Nick really murdered his wife?
With not a spare seat in the house I’m sure that the mostly female audience enjoyed the film, but it was hard to confirm as none of our visitors returned for the discussion. It was Julie McMorran’s turn to be host but an impossible task unless she was prepared to give away the films twists and turns but she did say that it was well received critically and commercially and was thought of as a modern film noir – well it did have an competently acted femme fatal in the form of Rosemund Pike!  Don’t think I’ll be reading the book?

and what was the significance of Amazing Amy's pussy ???