Tuesday 31 March 2015

The Turning.


Fascinating is how I would describe the ten wee vignettes that made up the Australian film The Turning (2013). All ten stories shown in this 110-minute version are based on a collection of short stories by Tim Winton - the full version has 18 stories and extends the movies running time to 180 minutes. Winton is an Australian novelist and short story writer who allegedly draws his inspiration from landscape and places "The place comes first. If the place isn't interesting to me then I can't feel it. I can't feel any people in it. I can't feel what the people are on about or likely to get up to."[1]

First published in 2005, the collection was originally adapted into a play for the 2008 Perth International Arts Festival before becoming an award winning movie that was nominated for nine AACTA awards, one of which Best Actress was awarded to Rose Byrne. Each part of the anthology was directed by a different director including actress Mia Wasikowska on her debut directing gig, and as well as Byrne, the best known of the actors on display would probable be Cate Blanchett, Hugo Weaving and fellow Australian actress Miranda Otto who you may have seen in I Frankenstein (2014) and the western The Homesman (2014).

The best of the stories are The Turning about a woman (Byrne) who along with her abusive husband and her two wee daughters live in a trailer park. When she befriends Sherry (Otto) she discovers God. In Reunion its Christmas Day and Vic and Gale (Blanchett) invite Vic’s mum Carol to join them. All three are invited to their relatives for lunch but Carol gets the address wrong and they end up in the wrong house and the wrong swimming pool.  I was also impressed with Aquifer a moving story directed by Robert Connolly about a High School music teacher who hears of a tragedy on the TV news broadcast and without a word to his family drives all night back to his hometown to face a secret from his childhood. Each of the individual film’s are linked by a common emotional bond, bound together by recurring themes; the passing of time, regret, addiction and obsession. Well put together and photographed with each of the directors putting their own stamp on they’re own individual piece of work.



[1] The Sydney Morning Herald April 2008.

Monday 30 March 2015

Shawn the Sheep Movie.



Following auditions at Mossy Bottom Farm, Shawn (voiced by Mr Tumble himself Justin Fletcher), The Farmer and Bitzer his dog have all got parts in the new feature length film Shawn the Sheep Movie (2015) with extras being cast from other members of Shawn’s flock which includes regulars like Timmy and his mum, The Twins, Shirley, Nuts and Hazel. New members of the cast include Slip the orphan pooch and the villain of the piece, animal warden Trumper. This latest stop-motion animated comedy from Aardman is based on the original TV series which I’m sure you will all be familiar with via the box set you’ve got stashed away under the pretext that its for your grandchildren, yeah that’ll be right!
 
The Beatles never looked as good as this?

"Special discount for sheep" 

This latest story involves Shaun, Bitzer and the flock going into the big city to rescue The Farmer who after an accident ends up in hospital with amnesia. But he soon wonders off and because of his sheep shearing skills ends up as a celebrity hairdresser. In the meantime Shaun and Blitzer end up in Animal Control after being captured by Trumper. Will they manage to escape, will they cure The Farmer of his new sense of importance, and will they all return safely to Mossy Bottom farm?
 
The villian!....

....can't catch me?

What can you say about a movie that appeals to all age groups and children as well, a movie that puts entertainment at the top of its ‘to-do’ list. A movie that puts laughter fair and square back into comedy, in fact if there was an Academy Award for making people laugh then this is the film that would win it.
A nice publiity shot for the film.

The 'rap' party. 



Friday 27 March 2015

Immoral Tales (Contes immoraux )


2014 was the year when the film going publics interest in Polish filmmaker Walerian Borowczyk[1] was reawakened with a career retrospective Cinemas of Desire: The Films of Walerian Borowczyk ran in May as part of the 12th Kinoteka Polish Film Festival at the BFI in London. Also at the end of same year Arrow released a new box set containing five of his feature films and a collection of his short films. This set of films includes The Beast (La Bete) (1975) which I blogged in January 2011 and Immoral Tales released two years later in 1977.

Bringing to mind the films of Pier Paolo Pasolini especially the feel, camera work and colouring of Salo o le 120 giornate di Sodoma (1975) with a touch of British filmmaker Ken Russell for good luck, Immoral Tales is an anthology film that includes four separate erotic themed stories each from a different century, which involve the loss of virginity, female masturbation, bloodlust and incest.

Love, with all its pleasure, becomes even more blissful through the way it is expressed’[2]

The first story The Tide is based on a story by Andre Pieyre de Mandiargues which begins with the words ‘my cousin Julie (Lise Danvers) was 16, I was 20, this small age difference made her susceptible to my authority’ The cousins ride to the local beach on their bicycles where the female performs fellatio on her older cousin to the sound of the incoming tide with its crashing waves  and the songs of the sea birds circling overhead.


The Tide. 


The second story Therese Philosophe starts with the following statement ‘the people from our region demand the beatification of Therese H a pious young girl shamelessly raped by a vagrant. Goodness comes by conversing with those who are good. These are the world of the Holy Ghost’. A teenage girl (Charlotte Alexandra) gets locked in her room for dallying to long at the Church. While in the room her sexual desires come to the fore and cucumbers are put to good use!
 
Therese Philosophe.
The penultimate tale is Erzsebet Bathory in which the Countess (Paloma Picasso[3]) accompanied by her squire visits the villages and settlements of Nyitra County in Hungary collecting virgins who she takes back to her castle. There they are herded into cubicles to shower as part of a ritual that will lead to there death allowing the Countess to bath in their blood to retain immortality. 


Erzsebet Bathory. 

The final story, and probable the most erotic, is Lucrezia Borgia (Florence Bellamy) who in 1498 accompanied by her husband Giovanni Sforza visits her Father Pope Alexander VI and her brother Cesare Borgia and has sex with both. Meanwhile the Dominican Hyeranimo Savonarola accuses the Church hierarchy of dissolution and is burnt to death for his pains. 
 
Lucrezia Borgia.
This wonderful example of 70’s erotica dwells, as David Thomson opines in his article in Sight and Sound,[4] on nudity and sexual activity, observed unflinchingly and yet with the witty eye of an artistic connoisseur, and stating that it was a challenge both to censors and its arthouse audience. With its grand use of music[5] that matches beautifully the visual screen image, wonderful cinematography by regular contributor Noel Very (among others), composition and period detail and a production by the great Anatole Daman, who has worked with the likes of Godard, Bresson, Wenders, Resnais and Andrei Tarkovsky, we have a film which should be seen and enjoyed by a modern audience to educate what real erotic cinema and human sexuality looks and feels like and not rely on dull nonsense like Forty Shades of Grey to titillate sexual taste buds!




[1] Walerian Borowczyk directed 40 films between 1946 and 1988 settling in Paris in 1959 where he died in 2006 aged 82.
[2] La Rochefoucauld
[3] The youngest daughter of 20th-century artist Pablo Picasso in her only film role.  
[4] David Thompson ‘Forbidden Fruit” Sight and Sound May 2014.
[5] By Maurice LeRoux

Thursday 26 March 2015

October 1917 - Ten Days That Shook The World.



Produced in 1927 by a group of Soviet filmmakers led by Sergei Eisenstein for the tenth anniversary of the October Revolution this film recreates the events of October 1917 with the greatest possible realism. Many participants of the revolution: Red Guards, soldiers and sailors appear in the film, among them is Nikola Podvolsky one of the leaders of the armed uprising. When the film was made Leningrad and its streets, the buildings, the Winter Palace, the Corridors of the Smolny were the same as in that fateful year. Thus October 1917 renders a stirring eyewitness account of the early days of the revolution.
 
The February Revolution.
A masterpiece created by one of the world’s greatest film directors, it is in fact a welcome gift to film viewers. The original movie premiered in the era of the silent screen. Eisenstein’s associate Grigory Alexandrov made the sound version.  The music is by Dmitri Shostakovich and the film was dedicated to the Petrograd Proletariat heroes of the October Revolution. The October Revolution Jubilee Committee, Chairman Nikolai Podvolsky, commissioned it. The screenplay was by Eisenstein and Alexandrov.   
 
Lenin addresses the crowd....
“We have the right to be proud that to us fell the good fortune of beginning the building of the Soviet State and by doing so opening a new chapter in the history of the world”[1] 
 
....to great effect. 
This movie is an example how working people can rise up and assert themselves forming a new Socialist State, destroying the authoritarian fascists and there like. Where all people are free, no matter what colour or religion, from racialist and bigoted demagogues. The means of production is put well and truly back in the hands of the proletariat who will no longer have be wage slaves to make the rich richer but able to provide themselves and their families with a good standard of living, a warm place to live and the feeling of security.



The Background.[2]

The 1917 Russian Revolution had two distinct phases. The revolution in February was the product of discontent with the conduct of war and the overthrew of the Russian Tsardom. Resulting liberalism enabled preparation for the second revolution in "October", which exploited war weariness in the interests of the international revolutionary doctrines of Marxism. The Bolshevik party that consisted of Lenin and other leaders had been consistently against war, and we're abroad formulating their own revolution at the time of the February revolt.

Lenin immediately took the view that the Soviets support of the bourgeois revolution had been overtaken by events, and that the time was ripe for a proletarian revolution in Russia, as a signal for a worldwide socialist revolution. The Bolsheviks, declaring members of the central executive committee traitors to the revolution, openly worked for their overthrow and of the bourgeois government. At the time of the October revolution, real authority was held by the Soviets in the capitals and provisional towns, who openly defied the government, while various nationalities began to secede from the state, forming their own national armies to defend their newly created frontiers and national flags.



The whole country was in a state of feverish unrest, which soon developed into riots and anarchy. Most destructive were the peasants who began expropriating the land, driving off cattle, burning farms, demolishing forests and agricultural equipment, and capturing, torturing and murdering landowners. On October 20th, a body known as the "pre-parliament" was constituted in Petrograd, following which leaders of the Soviet constituted a military revolutionary committee and declared it the highest military authority in the capital and province of Petrogad.

The Bolshevik Revolution was inseparably connected with the convocation of the second Congress of Soviets. Trotsky demanded that the military revolutionary committee countersigned all general staff orders. This was rejected, whereby a resolution was passed by delegates representing all troops, refusing to obey commands of the general staff and recognizing the central executive committee as the sole organ of power. An ultimatum was issued to the committee to withdraw this resolution. This ultimatum was ignored, thereby forcing counter active measures such as raising the bridges to cut off any communications between the left and right banks of the Neva. Only when government ministers established at the Winter Palace learned that the guns of the cruiser "Aurora" and the Peter and Paul fortress were trained on them, did they decide to surrender to the revolutionaries. In the support of the day, Trotsky declared: we hoped to establish a compromise without bloodshed. But now blood has been shed, there is only one way left, a ruthless fight. With these words Trotsky proclaimed the approaching civil war, and as the Petrogad revolution swept Russia, the new Bolshevik regime was for now, immune from military menace.








[1] Vladimir IIyich Ulyanov (Lenin)
[2] Notes provided on the DVD.