Since I’ve only recently seen the class
act that is Pulp Fiction (1994) I am
able to confirm that Killing Them Softly (2012) appears
heavily influenced by the Tarantino film? Its about a hit man Jackie Cogan
(Brad Pit) as brutal and matter of fact as either Vince or Jules. The story is
driven by dialogue that is only interrupted by bouts of gross violence that’s
inflicted on some poor sole. Recognize the template?
Hit man Jackie Cogan. |
Andrew Dominik set his film in 2008 at a
time when America embarked on a transitional stage in its history. It was a period
when the collapse of the Banks was rattling the very bedrock of America’s
capitalist system and an African American called Barack Obama was competing
with George W Bush in an electoral campaign to become the first black President
of the most powerful country on earth. Dominik is a New Zealand born Australian
who has already directed two award-winning movies, Chopper (2000) and his first collaboration with Brad Pit, The Assassination of Jessie
James by the Coward Robert Ford (2007).
Russell and Frankie. |
Based on the 1974 novel Cogan’s Trade by George V. Higgins, Killing Them Softly is a neo noir crime
drama where a local mobster Johnny ‘Squirrel’ Amato (Vincent Curatola) employs
Frankie (Scoot McNairy), a low life thug who is just out of prison, and his
friend Russell (Ben Mendelsohn), an unstable petty criminal whose addicted to
heroin, to hold up and rob an illegal card game. Markie Trattman (Ray Liotta)
has already robbed his own game previously, and although the local Mafia knows
he did it, he was never punished. Which
is the reason Squirrel thinks they can get away with it, banking on the fact
that the crime bosses will think Markie’s at it again. When the truth comes out
Jackie Cogan is employed by the mobs agent Driver (Richard Jenkins) to carry
out retribution on those deemed responsible for the robbery.
Jackie chews the fat with fellow hit man Mickey (James Gandolfini) |
As he did with Jessie James, Pit fits the part of cool hit
man like a glove. The slow motion killing scene of a driver in a car against
the soundtrack of Ketty Lester’s Love
Letters (a single I still play on my Juke Box) is extremely well done, as
is in fact the whole of this politically tinged film. I must give a special
mention to Francine Maisler who was responsible for assembling such a great
cast. Mr Dominik confirms his filmmaking abilities with his CV getting better
and better.
No comments:
Post a Comment