This weeks Robert Burns Centre Film Theatre Film Club
screening is a film that captures a twilight world of violence, fear and
suspicion showing the sheer misery of its times. It also highlights how
divided the authorities were at the time each with its own agenda MI5,
Special Branch, the SAS and of course The Royal Ulster Constabulary.
Shadow Dancer
(2012) starts in Belfast in 1973 when we share with the McVeigh family the
accidental death of their young son in a crossfire incident. The action then
moves to London twenty years later where the young boys grown up sister Colette
McVeigh is on a IRA bombing mission that goes wrong. Unable to make her
escape she is lifted by the British Secret Service in the guise of Mac (Clive
Owen) who threatens her with jail in the UK, which means she we have very
restricted access to her young son, if she does not become an IRA informant
and spy on her own brothers (Aidan Gillen and Domhnall Gleeson). But as the
story progresses we realise that things are not as they seem for either our
MI5 agent or his latest Republican mole.
The screenplay for this slice of modern
history was written by Tom Bradby[1],
based on his 1998 novel of the same name. This psychological drama is
set at the time of the Northern Irish peace process and its plot
driven narrative benefits greatly from Bradby’s insider knowledge gained when
at the age of 26 he spent a three-year period between 1993 and 1996 in
Belfast working as ITN’s official Northern Ireland correspondent. His brief was to follow the developing
peace process which involved him meeting and talking to members of the IRA,
intelligence agents, special branch officers and also at times to informers.
Bradby recalls in a recent interview how he became fascinated by the relationship
between an informer and his or her handler. Questioning how it could happen
to people motivated enough to join the IRA in the first place and than go on
to spy on them for the British Government. Obviously the relationship between
the two opposites would be extremely intense and dangerous baring in mind
that one tiny mistake and the informer would be tortured, dragged into a
roadside ditch and shot!
The film was directed by James March who is best
known for Man on Wire (2009) his
award-winning documentary that told the story of Philippe Petit’s 1974 high
wire walk between the Twin Towers. This highly stylish political thriller had
its UK Premier at the Edinburgh International Film Festival this year
where it won the Michael Powell Award for Best Performance in a British
Feature Film that went jointly to Andrea Riseborough for her role as Colette
and Brin Brennan as Ma.
After watching tonight’s film the RBCFT audience felt
that the award’s was deserved and agreed that this drama, which unfolded at
just the right pace, was very gripping and well made, given more kudos by an
exceptional cast which also includes David Wilmot and Gillian Anderson. It was
also remarked that the musical score was not intrusive or overpowering and
allowed, for once, silences to build the suspense that resonated right
throughout the film.
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'Make a stand for independent, creative film making in a world where the pressures of conformism and commercialism are becoming more powerful every day' Lindsay Anderson.
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